برچسب: the

  • The 12 Most Captivating Prison Movies We’ve Ever Seen

    The 12 Most Captivating Prison Movies We’ve Ever Seen


    These prison movies are captivating. Get it?

    Some of the best movies are actually movies about life on the outside, where the prison represents the mental traps imposed on us by society, or our own fears.

    Other prison movies are about very real prisons, built for the deserving and innocent alike.

    Caged (1950)

    Prison Movies
    Credit: C/O

    An early entry in the subgenre of women behind bars prison movies, John Cromwell’s Caged is about a married 19-year-old (Eleanor Parker) who is locked up after a botched bank robbery in which her husband is killed.

    Hope Emerson plays sadistic prison maven, Evelyn Harper, in a story that reveals that prison may be the most corrupting influence of all.

    The film was nominated for three Oscars.

    The Bridge on the River Kwai (1957)

    Credit: C/O

    Is it a prison movie? Or a war movie? We would say it’s both — David Lean’s The Bridge on the River Kwai is a movie that never does what you expect.

    Set in a Japanese prison camp in Thailand, the film portrays a battle of wills between captured British P.O.W. Colonel Nicholson (Alec Guiness) and his captor, Colonel Saito (Sessue Hayakawa). Saito demands that Nicholson and his troops build a railroad bridge over the River Kwai, which leads to questions of ethics and honor, and how to maintain your humanity while in captivity.

    It was the most successful movie at the box office in 1957, and deservedly won seven Oscars, including for Best Picture. It’s one of those 1950s movies that is both a classic and a joy to watch.

    Escape From Alcatraz (1979)

    Paramount Pictures – Credit: C/O

    One of the greatest prison movies, this Clint Eastwood film was the star’s fifth and final collaboration with Dirty Harry director Don Siegel. In fascinating detail, it imagines the circumstances of a real-life escape from the supposedly escape-proof Alcatraz Island in 1962.

    Eastwood plays the real-life prisoner Frank Morris, whose whereabouts have been unknown since that chilly night in the early ’60s. He’ll turn 98 this year, if he’s still around.

    The FBI’s investigation into the escape remains open.

    The Shawshank Redemption (1994)

    Columbia Pictures – Credit: C/O

    You knew this was coming, so we’re putting it in this gallery nice and early.

    One of the most beloved films of recent decades, and pulled from the same Stephen King story collection, Different Seasons, that also spawned Stand by Me and Apt Pupil, The Shawshank Redemption is a story of refusing to surrender your soul.

    Tim Robbins stars as Andy Dufresne, a banker sentenced to consecutive life sentences in the killings of his wife and her lover. He befriends Ellis “Red” Redding (Morgan Freeman) — and hatches a plot to dig his way out, while hiding the hole in his cell wall behind a poster of Rita Hayworth.

    It’s one of the best prison movies and one of the best movies, period — IMDb ranks it No. 1 on its list of the Top 250 Movies of all.

    Cool Hand Luke (1967)

    Warner Bros.-Seven Arts – Credit: C/O

    Paul Newman is transfixing as the title character, a man of few words (and hardboiled egg gourmand) who refuses to bend to the cruelty of his Florida prison camp.

    Strother Martin, as the captain of the camp, earned a place on the American Film Institute’s 100 Years… 100 Movie Quotes for this monologue that begins, “What we’ve got here is failure to communicate.”

    Guns N Roses fans will also recognize it from the opening of the band’s “Civil War.”

    Penitentiary III (1987)

    Cannon Films Distributors – Credit: C/O

    The third film in a series of hit independent prison movies written and directed by Jamaa Fanaka, Penitentiary III is extremely worth watching for the Midnight Thud fight alone.

    Oh, you don’t know about the Midnight Thud? Thud is the toughest fighter in the prison, a powerful little person (played by Raymond Kessler, aka the WWE’s Haiti Kid) who delivers one of the most captivating fight scenes ever committed to film when he faces off with our protagonist, Too Sweet (Leon Isaac Kennedy).

    Also, this is the first of two films on this list to feature the great Danny Trejo. He plays See Veer.

    Con Air (1997)

    Could Any Other Actor Play Himself as Well as Nicolas Cage Plays Nicolas Cage
    Buena Vista Pictures Distribution – Credit: C/O

    Trejo is one of the murderer’s row of stars who turns up in Con Air, a prison-on-a-plane movie in which Cameron Poe (played by Nicolas Cage, looking incredibly cool) takes on a whole plane full of felons when its Cyrus “The Virus” Grissom masterminds a hijacking.

    This is one of those movies that — if you haven’t watched it in a while — will have constantly saying, “He’s in this, too?”

    The cast includes John Cusack, Steve Buscemi, Ving Rhames, Dave Chappelle, and many, many more.

    Some people argue that this doesn’t belong on a list of prison movies because the characters are on a plane. But as anyone who’s ever flown a middle seat in basic economy can attest, planes can be prisons.

    The Great Escape (1963)

    United Artists – Credit: C/O

    Steve McQueen leads an all-star cast playing POWs who heroically escape from a Nazi prison camp in this classic, heavily fictionalized story of British POWs’ escape from Stalag Luft III during World War II.

    Among the concessions to commercialism: sprinkling three Americans into the action. Thanks goodness McQueen’s Captain Virgil Hilts was there, or else who could have pulled off that spectacular motorcycle sequence (above)?

    Hunger (2008)

    Pathé Distribution – Credit: C/O

    And now, a prison movie from the other Steve McQueen — the masterful British director whose film 12 Years a Slave won the Best Picture Oscar in 2014.

    His directorial debut, however, was Hunger, in which his frequent collaborator, Michael Fassbender, plays Bobby Sands, a real-life member of the Provisional Irish Republican Army who led an IRA hunger strike and took part in a no-wash protest behind bars.

    Hunger is a brutal, hypnotic film that skillfully captures the day-to-day dehumanization of the prisoners.

    Clemency (2019)

    Clemency Alfre Woodard witness execution
    Neon – Credit: C/O

    Another grim prison saga that was also the directorial debut of a great filmmaker, Clemency stars Alfre Woodard as a prison ward trying to unemotionally do her job — which includes overseeing the death of a young inmate, Anthony Woods (Aldis Hodge) who maintains his innocence.

    Many death-penalty films lecture their audiences (who may have already opposed the death penalty), but Clemency writer-director Chinonye Chukwu does not: She just lays out the facts of the situation, with as much restraint as Woodard’s warden — until emotions eventually make their inevitable break.

    This is a wise, patient film that sidesteps preaching and Hollywood hokum in favor of a very chilling, very human story.

    The Longest Yard (1974)

    Paramount Pictures – Credit: C/O

    On the lighter side, The Longest Yard is a sports movie crossed with a prison movie… and a comedy. The film stars Burt Reynolds as a hard-driving, hard-hitting now-incarcerated former NFL quarterback who is tasked by a nasty warden with assembling a team of prisoners to play against the guards.

    How do you think that works out?

    American History X (1998)

    New Line Cinema

    Edward Norton stars as a savage white supremacist, Derek Vinyard, who realizes in prison that all of his beliefs are misguided.

    ‘In one deeply allegorical scene, he learns that a Black fellow inmate, Lamont (Guy Torry) received a harsher sentence (six years) for stealing a TV than he received for killing two Black men (three years).

    In another crucial scene, he learns that the prisons Aryan Brotherhood is just using white supremacy as a facade to manipulate hopeless, uneducated people and wrest power for its leaders.

    Caged Heat (1974)

    New World Pictures – Credit: C/O

    A very different look at prison life, released in the same year as The Longest Yard. We aren’t going to claim this low-budget Roger Corman production, also known as Renegade Girls, is a great film. But it is the debut of a very great filmmaker: writer-director Jonathan Demme would go on to make Silence of the Lambs, one of the best films of all time, and to repay Corman for his confidence by casting him in the role of FBI Director Hayden Burke.

    Silence of the Lambs was also shot but Demme’s go-to cinematographer, Tak Fujimoto, who also shot Caged Heat.

    Caged Heat is a cheap exploitation flick, sure, but it contains some Demme hallmarks: strong female protagonists, a strong sense of empathy for the characters, and social consciousness.

    A 1975 New York Times story on the rise of “trashy” midnight movies concluded that it “does not set new standards of cheapness, violence or grossness, as most midnight movies seem determined to do. It is a film about women in prison that offers little more than some zippy music, a lot of bosom shots and a perverted prison doctor.”

    High praise from the paper of record.

    Liked This List of Captivating Prison Movies?

    Paramount Pictures – Credit: C/O

    You may also like this list of the 15 Movie Con Artists We Fall for Every Time. Some of them end up in prison.

    You might also like this list of Gen X Movie Stars Gone Too Soon.

    Main image: Caged Heat. New World Pictures.



    Source link

  • The Roses – Preview | .

    The Roses – Preview | .


    From Jay Roach, the director/producer of comedy hits like Austin Powers, Borat, and Meet the Parents, comes the trailer for his new film, The Roses. The film will be released in UK and Irish cinemas from the first of September.

    Life seems easy for picture-perfect couple Ivy (Olivia Colman) and Theo (Benedict Cumberbatch): successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing – as Theo’s career nosedives. At the same time, Ivy’s own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites. The Roses is a reimagining of the 1989 classic film The War of the Roses, based on the novel by Warren Adler.

    The film stars Olivia Colman alongside Benedict Cumberbatch. The film also stars Andy Samberg, Allison Janney, Belinda Bromilow, Sunita Mani, Ncuti Gatwa, Jamie Demetriou, Zoë Chao, and Kate McKinnon. The screenplay comes from Tony McNamara, most recently known for his work on Poor Things and The Favourite.

    https://www.youtube.com/watch?v=dKxhLv3EGlo

    John McArthur
    Latest posts by (see all)



    Source link

  • Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

    Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson







    PODCAST: Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

























    Quantcast







    [ad_2]
    Source link

  • Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

    Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson







    PODCAST: Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

























    Quantcast







    [ad_2]
    Source link

  • Why People Like Casino Movies and Three Movies to Watch from the Last Decade


    There’s something magical about casino movies that keeps us glued to the screen. Maybe it’s the way the roulette wheel spins with our hearts racing, or how a poker player’s blank face hides a world of strategy. These films transport us to a world where fortunes change with a single card flip, where ordinary people become high-rolling risk-takers, and where the line between smart play and dangerous obsession blurs beautifully. Online casino movies aren’t just about gambling – they’re about human nature, everyone’s dreams of easy money, and the thrilling dance between luck and skill. Here’s why we can’t look away from these cinematic gems, along with three recent films that mastered the art of the gamble

    Compelling reasons Why People Like Casino Movies 

    a) Thrill of Risk with no Reckoning

    You will experience the excitement of gambling without losing our shirts. You can cheer when someone puts everything on a poker bet or hold our breath as dice roll across a table, secure in the fact that our money is still in our pockets. It’s a rush – like riding a rollercoaster from the safety of our own chair.

    b) The Style And Luxury

    From Monte Carlo’s glittering chandeliers to Vegas’ lights, casino films ignite dream realms we are irresistibly attracted to. Designer tuxedos, champagne coupes clicking together, high- stakes suspense make us imagine members of an elite club in which we all stylishly roll dice.

    c) High-Stakes Human Drama

    Aside from the cards and chips, casino movies are all about dramatic narratives of greed, addiction, and redemption. When a bettor puts everything on one hand, we aren’t looking at a bet – we are looking at what people do when they are desperate or determined.

    Three Must-See Casino Movies of the Last Decade

    1. Molly’s Game (2017) – The Poker Princess

    Aaron Sorkin’s directorial debut tells the true story of Molly Bloom, who ran Hollywood’s most exclusive underground poker games. Jessica Chastain delivers a career-best performance as the Olympic skier turned poker entrepreneur. The film stands out for:

    • Riveting monologues that make poker strategy sound like poetry
    • An all-star cast of fictionalized celebrities (including a memorably awful Tobey Maguire)
    • A rare female perspective in the male-dominated gambling genre

    2. Uncut Gems (2019) – Anxiety Attack Cinema

    Adam Sandler shocked critics with his portrayal of Howard Ratner, a jewelry dealer and gambling addict spiraling out of control. The Safdie brothers direct this stress-inducing masterpiece featuring:

    • The most realistic depiction of gambling addiction ever filmed
    • A pulsating electronic score that mimics a gambler’s racing heart
    • A career-defining performance from Sandler that’s light-years from his comedies

    3. The Card Counter (2021) – Poker as Penance

    Paul Schrader’s haunting film follows William Tell (Oscar Isaac), a former military interrogator who channels his trauma into poker. Unlike typical casino movies, this focuses on:

    • The monastic discipline of professional card counting
    • How gamblers use ritual to cope with past demons
    • The quiet intensity of low-stakes games rather than Vegas spectacle.

    Casino movies work because they tap into our deepest fantasies and fears about risk-taking. They let us imagine what we’d do with a lucky streak or how we’d handle devastating losses when dealing with real online casino all from the safety of our seats. These three modern classics show how the genre continues to evolve, offering everything from pulse-pounding tension to deep character studies. So next time you want to feel the rush of the casino without leaving home, these films are your perfect bet. 



    Source link

  • Bethany Rooney and Mary Lou Belli Share Essential Advice in Directors Tell the Story

    Bethany Rooney and Mary Lou Belli Share Essential Advice in Directors Tell the Story


    Directors Bethany Rooney and Mary Lou Belli first teamed up 15 years ago to share their experiences in the moviemaking guide Directors Tell the Story: Master the Craft of Television and Film Directing. And while many things have stayed the same since then, plenty has changed — from streaming standards to the rise of intimacy coordinators to changes in the number of opportunities.

    This month, they release the third edition of the book, which is packed with practical gems and updated advice on how to make it as a working director. The directors, whose credits include Elsbeth, Tracker, Criminal Minds: Evolution, The Ms. Pat Show, Chicago Med, and many more, shared some thoughts with MovieMaker about the book and their prolific careers.

    We talked with them about starting out, letting the best idea win, and making room for new talent.

    MovieMaker: One section of the book details how directors got their first jobs. Can you tell us about your first directing jobs? 

    Bethany Rooney:  I started in the business as secretary to Bruce Paltrow and Mark Tinker on The White Shadow, then became the associate producer of St. Elsewhere, and then Bruce gave me my shot four years in. He believed in giving people their opportunity to direct — and I am forever grateful to him!

    Mary Lou Belli: I was an acting coach on the series Charles in Charge and shadowed the director, Phil Ramuno, who was generous enough to let me into both of his shot listing sessions on the aforementioned show and the editing room on another. The EP, Al Burton, gave opportunities to three other desiring women on that same series.

    MovieMaker: We have a regular feature called Things I’ve Learned as a MovieMaker. What would be one crucial thing you’ve learned making movies or television over the years?

    Bethany Rooney: I believe it’s a three-part process before you even shoot. First you imagine your story. Then you prep it: block and shot list or storyboard it. Then you communicate it. You tell your production designer, your first assistant director, your director of photography, your whole crew, “This is how I see it, this is what I’d like to achieve.” You get them on board with your concepts, hopefully, they’re wildly enthusiastic, just as you are. Then you get to do the really fun part: shoot it. Now you’re getting the actors on board. Now you’re making a movie!

    Mary Lou Belli: This is a people business. Your reputation depends on the impression you make and that is critical. It is important to be prepared so you are perceived as an artist who takes the craft seriously. Then it is vital to treat everyone with respect, knowing that they are your collaborators. And finally always give credit when someone has made a contribution.

    MovieMaker: What is one problem you’ve solved on a project that you made you particularly proud?

    Bethany Rooney: I keep having to learn this same lesson over and over. When I get behind in my schedule for the day, I need to take a look at what is left to shoot and figure out a way to accomplish it more quickly while still telling the story and maintaining the show’s style. The crazy thing is, those scenes are always my favorites! I think it’s because in that pressurized moment, my creativity becomes the driving force. I see the scenes differently, and allow myself to abandon standard coverage.

    Mary Lou Belli: During Covid, I had an actor sent home because she had tested positive. The part this actor was playing was pivotal to the scene. She would die by the end of it. I had already shot the master but had yet to finish coverage that would include her close up while she was pummeled with bullets.

    I had a suggestion from a camera operator who said that with a handheld camera, he could become the POV of that character watching her love interest, who was also dodging fire. That other character gave a magnificent performance — the camera operator “collapsed to the floor” while watching it. 

    This scene was based on a true life event of the death of Breonna Taylor.… It turned out to be so much better because this alternate way to tell the story humanized her death through the eyes of the man who loved her. I give credit to the camera operator for suggesting this, and I learned that the best idea wins.

    Directors Tell the Story Authors Bethany Rooney and Mary Lou Belli on Changes in TV

    MovieMaker: What recent trends do you see in film or television? Are they here to stay?

    Bethany Rooney: Streamers have a different paradigm: They get all the scripts written before they begin shooting. This means that they can cross-board the shooting schedules, which further means that directors are hired usually for a block of two episodes. So now there are four directors for eight episodes. And four other directors are without those jobs. It’s part of the contraction of the industry – and I hope that trend doesn’t stay. 

    Mary Lou Belli: I see shorter orders and a general contraction in the industry. Where I was used to  a TV season offering more opportunities for up-and-coming talented directors, there are just way less chances now. I hope this trend changes, I fear it might not. But it becomes more important for those lucky enough to be working to know that there will be less work, and if we want to ensure that up and coming talent gets a shot, we all have to be satisfied with less work.

    MovieMaker: What makes the latest edition of your book special?

    Bethany Rooney: Besides the fact that there’s a new chapter on Augmented Reality and Visual Effects, there’s a lot of updates on other areas of television production that have evolved in the past few years, especially as it was affected by the pandemic. Apps for directors, casting, intimacy coordinators, post-production, Zoom… We walk the reader through these new methods.

    Mary Lou Belli: All our new and updated info is presented with the spirit in which the 1st and 2nd edition were written: with an eye toward giving inside information through practical application. We don’t hold back about the knowledge we have acquired while we’ve been in the trenches or in some cases prepping to get in the trenches.

    For example, a director must study the show they are about to direct or would like to direct. By that keen observation, one figures out the style, tone and look of the show. We take the reader through that process and many more by sharing how we do it or things we have observed.

    MovieMaker: Why should every director have your book?

    Bethany Rooney: We have learned a lot by directing hundreds of episodes. We’ve also learned a lot by teaching the craft. It’s all practical, detailed, and road-tested. Both of us truly love directing television, and it shows on every page.

    Mary Lou Belli: It’s a handbook. It is reference tool. And hopefully it is path toward a dream.

    MovieMaker: What are you working on now?

    Bethany Rooney: An episode of Criminal Minds – season 19 (!) on Paramount Plus.

    Mary Lou Bell: I am wrapping the fifth season of The Ms. Pat Show where I direct as well as executive produce. I am returning in the fall to direct on another season of Elsbeth.

    Directors Tell the Story: Master the Craft of Television and Film Directing is available on pre-sale now. Get 20% off with code 25ESA1



    Source link

  • Which One Offers the Best Value? — Every Movie Has a Lesson

    Which One Offers the Best Value? — Every Movie Has a Lesson



    When it includes Search Engine Optimization (search engine marketing), the right tools can be a sport-changer. Whether you’re an entrepreneur, a virtual marketer, or a content author, search engine optimization systems simplify the complicated method of optimizing your website and content material to rank higher on search engines like Google and Yahoo. With such plenty of options available on the market, beginning from free to top class, locating the perfect device that balances value and capability is crucial. Here’s a complete evaluation of some famous SEO tools that will help you determine which one gives a nice fee on your needs.

    What Defines Value in a Search Engine Optimization Tool?

    Before diving into the assessment, it’s essential to define what “rate” means inside the context of search engine advertising gear. It’s no longer pretty a great deal the price tag—price is derived from:

    • Features: Does the tool cowl all your search engine optimization needs, which incorporates key-phrase research, one-manner hyperlink evaluation, content fabric optimization, and technical audits?

    • Ease of Use: Is the interface novice-pleasant or relevant for professionals?

    • Reliability of Data: Are the insights correct and updated?

    • Scalability: Can the device grow along with your organisation as your needs expand?

    • Support and Community: Does the device provide incredible customer service and belongings for troubleshooting?

    Now, permit’s dive into the evaluation of famous SEO tools through awesome rare elements.

    1. Google Search Console (Free)

    Features: Google Search Console is a want to-have for monitoring your website’s usual overall performance on search engines like google and yahoo. It facilitates you becoming aware of indexing issues, music key-phrase rankings, and apprehend how Google crawls your website.

    • Ease of Use: Beginner-exceptional with straightforward dashboards.

    • Reliability of Data: Unmatched, as it comes straight away from Google.

    • Limitations: Lacks advanced features like competitor evaluation or huge key-word studies.

    • Best For: Small businesses and those just starting with seo.

    • Verdict: Excellent fee for people who need a loose device to address the basics of search engine optimization.

    2. Ahrefs (Paid: Starting at $ninety nine/month)

    Features: Ahrefs is a powerhouse for inbound link analysis, key-word research, content fabric exploration, and competitor tracking. It moreover offers rank tracking and region auditing equipment.

    • Ease of Use: Intuitive interface, however it can have a mastering curve for beginners.

    • Reliability of Data: Ahrefs’ vast link database and keyword metrics are specially relied on.

    • Scalability: Ideal for organizations of all sizes, from startups to big groups.

    • Best For: Professionals needing in-intensity insights and advanced analytics.

    • Verdict: While the pricing can also additionally appear steep, Ahrefs gives awesome prices for statistics-driven marketers who require whole capabilities.

    3. SEMrush (Paid: Starting at $119.95/month)

    Features: SEMrush offers an all-in-one suite for seo, content cloth advertising, PPC, and social media management. It excels in keyword research, oneway link assessment, and aggressive evaluation.

    • Ease of Use: User-satisfactory, with hundreds of tutorials and resources.

    • Reliability of Data: Solid and frequently updated.

    • Scalability: Scalable for character marketers to massive corporations with multi-patron talents.

    • Best For: Agencies and organizations with numerous advertising goals.

    • Verdict: While slightly more luxurious than Ahrefs, SEMrush’s versatility and in addition gear for PPC and social media offer more price.

    4. Ubersuggest (Free & Paid: Starting at $12/month)

    Features: Ubersuggest makes a speciality of key-phrase studies, back-link records, and location audits. The paid plans offer advanced capabilities and less barriers.

    • Ease of Use: Beginner-excellent with a smooth interface.

    • Reliability of Data: Good for primary seo, however plenty less enormous than pinnacle charge gadget like Ahrefs.

    • Scalability: Limited for massive institutions or advanced specialists.

    • Best For: Solopreneurs and small agencies on a rate range.

    • Verdict: Offers great price for beginners or those looking for a fee-effective opportunity.

    5. Moz Pro (Paid: Starting at $ninety nine/month)

    Features: Moz Pro offers keyword monitoring, net web site audits, and one-way hyperlink analysis. Its domain authority (DA) metric is a popular search engine advertising benchmark.

    • Ease of Use: Simple interface appropriate for beginners.

    • Reliability of Data: Trusted and nicely-seemed inside the search engine optimization community.

    • Scalability: Ideal for small to medium-sized companies.

    • Best For: Marketers that specialize in key-phrase and inbound link strategies.

    • Verdict: A properly-rounded tool for companies seeking out reliable metrics and capabilities at a competitive price.

    6. Screaming Frog SEO Spider (Free & Paid: £149/year)

    Features: This tool makes a speciality of technical SEO, crawling websites for troubles like damaged hyperlinks, replica content material fabric, and missing metadata.

    • Ease of Use: Requires some technical knowledge however is extremely effective.

    • Reliability of Data: Highly correct for technical audits.

    • Scalability: Perfect for agencies and technical search engine marketing professionals.

    • Best For: Advanced users targeted on website auditing.

    • Verdict: Exceptional price for technical seo experts, specifically at its rate issue.

    Which Tool Offers the Best Value?

    The satisfactory charge is predicated upon on your unique dreams:

    • For Beginners or Small Businesses: Google Search Console and Ubersuggest offer extraordinary charge at little to no cost.

    • For Advanced Users: Ahrefs and SEMrush offer whole capabilities virtually really worth the investment.

    • For Technical search engine optimization: Screaming Frog is unbeatable for web page audits.

    • For Balanced Features: Moz Pro strikes a superb stability between functionality and affordability.

    Conclusion

    Choosing the right search engine optimization device isn’t pretty much free—it’s about aligning capabilities with your dreams. Whether you cross at no cost system or spend money on a top class answer, make certain it empowers you to achieve your search engine optimization desires efficiently. Boost your net web page’s visibility and standard overall performance effects with the last On-page SEO tool—Seosets.com!



    Source link

  • The Wedding Banquet — Every Movie Has a Lesson

    The Wedding Banquet — Every Movie Has a Lesson



    THE WEDDING BANQUET– 4 STARS

    LESSON #1: IS THERE SOMETHING NEW TO SAY, BORROWING SOMETHING OLD?— For a movie remake not to be seen as a sign of creative bankruptcy or lazy nostalgia bait, the new film has to offer something new. Do the borrowed themes and storylines fit the current times after the passing years since the original? A remake normally arrives shouting to the masses for attention. That begs the more important question: Is there something substantive or new to say that’s worth updating? The new rendition of The Wedding Banquet adamantly answers those questions positively.

    One would think remaking Ang Lee’s 1993 seminal gay romantic comedy in 2025 couldn’t be that groundbreaking compared to then. 32 years ago, The Wedding Banquet courageously became a refreshing jolt in a time when LGBTQ+ stories were extremely hushed and taboo, and that’s precisely the point these many decades later where acceptance and legality have grown. Fire Island and Driveways writer-director Andrew Ahn is not here to replace a cornerstone. He’s here to show the aging, or lack thereof in some cases, on the weathered rock.

    Two couples who share a living situation in Seattle are presented at the center of Ahn’s The Wedding Banquet. Angela (Kelly Marie Tran of Raya and the Last Dragon) and Lee (Killers of the Flower Moon Oscar nominee Lily Gladstone) are comfortable homeowners who have reached the point where they want to start a family. Living in their refurnished garage/coach house is Chris (Saturday Night Live Emmy nominee and the top-lined Bowen Yang), Angela’s best friend since college. He’s in a long-term relationship with Min (Han Gi-chan in his feature film debut), the heir to an international corporation. 

    The combined quartet creates an inseparable support network for each other, especially when each finds themselves faced with difficult crossroad decisions. Lee is north of 35 and has been repeatedly unlucky with IVF treatments. The younger Angela does not want to take on that physical challenge, stalling their familial plans and casting a shadow of doubt on their relationship. Her resistance also upsets her ultra-active and socially popular mother, May (the incomparable Joan Chen, continuing her comeback after Didi), who has dreams of a big wedding to plan and grandbabies to enjoy. 

    Meanwhile, the men have their own issues in The Wedding Banquet. Min is given the ultimatum to get married or lose his green card, cutting him off from the rich benefits he enjoys as part of the family empire. Accelerating things, he proposes to Chris, who says no, wanting the leap to marriage to be genuine and not a hurdle of convenience to solve a problem. Making matters worse, Min’s traditional grandfather does not know Min is gay. He is expecting a heterosexual relationship, and the well-respected grandmother, Ja-Young (Minari Academy Award winner Youn Yuh-jung), is coming stateside to see her grandson’s life for herself and add to the potential society event nuptials.

    The convergence of these two pickles in The Wedding Banquet leads to a grand scheme among the four central characters. Min asks Angela to become his legal wife, granting him an acceptable marriage for his family and the essential green card while allowing May the big event she wants. In exchange, he will pay for the next round of Lee’s IVF. This charade pushes The Wedding Banquet into a calamity of hilarious action like “We need to de-queer the house!” This course also temporarily separates the two couples.

    LESSON #2: BE HONEST WITH YOUR FEELINGS– The breakdown of decisions all starts with Chris’s refusal of Min’s fast and informal proposal. During this middle act of the film, the feet-dragging Chris weighs the ramifications of losing Min, and Lee continues to question Angela’s commitment level compared to hers. Everyone undoubtedly loves their partner more than life itself, but, in typical romantic comedy fashion, they often fumble their words and intentions when they should be clear and honest with their feelings. The effect, as trope-matching as it is to its genre, is far more endearing than frustrating. You truly root for shared and universal happiness. 

    The two top catalysts for the comedy transpiring in the movie are Bowen Yang and Kelly Marie Tran. With Yang’s well-known chops on display every week in Saturday evening sketches, seeing screwball-level hijinks spun from his actions and words is like watching a great conductor direct a symphony. He’s an absolute star, and it shows. The revelation is Kelly Marie Tran going joke for joke and gag for gag with Bowen Yang. Her level of frazzle and uprooted comfort to find Angela’s gumption is perfect. If there’s one shortchanged ensemble member, it’s Lily Gladstone, who’s slightly relegated to the worry-and-wait zone away from the central clashes and the best bits.

    The hilarity of The Wedding Banquet will bring people into the movie for a casual date in theaters or on the couch. Yet, it’s the sweet affection and renewed declarations of love, no matter the acronyms involved, that will endear its complementary place next to Ang Lee’s original. Andrew Ahn’s shrewd and topical storytelling for this take on The Wedding Banquet grants that a level of unnecessary shame, green card hurdles, and the need for hiding still exist in some cultures and circles in the present-day setting of this adaptation. The callouts are live and deserved.

    LESSON #3: DO WHAT YOU WANT BECAUSE I COULDN’T– This relevancy is also where 32 years of changed landscape embolden the heart of the story. Other than societal acceptance at large, there’s not a proverbial individual villain to be found in the film. Moreover, as seen most poignantly through Joan Chen and Youn Yuh-jung’s brilliant and beautiful contributions to the plot at the matronly level, the antiquated generational pushback since 1993 has softened wonderfully. The overarching hope and wish remains the freedom to create one’s own family. As miraculously messy as it describes itself at one point, bringing those feelings and themes forward was very much worth the effort.



    Source link

  • 13 Movies About the Adult Entertainment Industry That Don’t Sugarcoat a Thing

    13 Movies About the Adult Entertainment Industry That Don’t Sugarcoat a Thing


    Here are 12 films about the adult entertainment industry that don’t sugarcoat a thing.

    Of course, it’s hard to generalize about a multibillion-dollar industry that has existed nearly as long as film itself, headquartered for decades in the San Fernando Valley over the Hollywood Hills from the mainstream Hollywood studios.

    When Hollywood looks to its Valley neighbors, it often does so by sugarcoating things — treating the industry as silly and amusing — or playing it for horror, with the implication that the adult entertainment business leads inevitably to violence.

    The following films are noteworthy for their blunt presentation of the industry. For the most part, they present it as an underground, unregulated economy where some people get along just fine — but others find themselves disappointed or worse. If you are looking for adult content, you may explore the best milf onlyfans pages.

    Hardcore (1979)

    Hardcore
    Credit: C/O

    Hardcore — recently part of a Paul Schrader retrospective on the Criterion Channel — is a fascinating but not completely successful film. George C. Scott plays Jake Van Dorn, a very religious Midwestern dad who has to travel to seedy Los Angeles when he learns his daughter, Kristen (Ilah Davis) has entered the adult entertainment industry.

    The film is a fascinating look at how the adult entertainment business functioned in the late 1970s. But Scott’s transformation from everyman to shrewd undercover avenger isn’t totally convincing. And it feels a bit melodramatic that Kristen descends so quickly into very violent films.

    Still, Season Hubley is excellent as Niki, Jake’s guide into the seedy underworld. it’s fun to imagine an older and more accomplished Schrader remaking this film with someone like Liam Neeson, the master of dad-on-a-rampage movies.

    Videodrome (1983)

    Universal Pictures – Credit: Universal Pictures

    David Cronenberg’s 1983 film fairly brilliantly presages the rise of the internet and our willingness to surrender some of our humanity in the service of technology, but it starts with a journey into old-fashioned adult entertainment.

    Max Renn (James Woods), president of a small UHF station, stumbles upon a broadcast signal of very alarming videos. This leads him to Nicki Brand (Debbie Harry) an explicit radio host with dark predilections.

    Max’s investigation of her disappearance leads to him having a Betamax cassette inserted into his torso, and his eventual effort to transcend our sick sad world and “leave the old flesh.” It’s all very metaphorical, but feels especially relevant in the age of artificial intelligence.

    Boogie Nights (1997)

    New Line Cinema – Credit: C/O

    You knew this would be here. For about the first half of Paul Thomas Anderson’s masterful second film, Dirk Diggler (Mark Wahlberg, in his best role) finds a chosen family under the tutelage of Valley filmmaker Jack Horner (Burt Reynolds). Jack’s partner Amber Waves (Julianne Moore) and rising starlet Rollergirl (Heather Graham) even have kind of a mother-daughter dynamic.

    But as drugs and — gasp! — video take hold, Dirk descends into darker and darker stuff, and it quickly becomes apparent that the romanticized good times of the ’70s aren’t sustainable in the ’80s.

    Lots of people would love to live Dirk’s high-flying ’70s life, but no one would want his wretched existence in the ’80s.

    Demonlover (2002)

    Adult Entertainment Industry
    SND Films – Credit: C/O

    This French neo-noir corporate drama by Oliver Assayas stars Connie Nielsen as a sneaky, ice-cold executive involved in a French company’s acquisition of a Japanese company that makes very gross anime.

    The film is surprisingly frank in its presentation of said anime, but all the executives involved in the negotiations seem to see the material merely as a product, not a thing to be judged. There’s a great metaphor here about transactional relationships.

    As is often the case in dramatic portrayals of the industry, the more mainstream films portrayed in Demonlover (we use the phrase “mainstream” very loosely here) are a gateway into violent content in which people really get hurt. Or worse.

    After Porn Ends (2012)

    Lisa Ann in After Porn Ends. – Credit: C/O

    Documentarian Bryce Waggoner released three volumes of this excellent series with a simple but arresting concept: Adult entertainment performers simply explain what they’ve been doing since leaving the industry. (Waggoner directed the first two, and the third was directed by former adult performer Brittany Andrews.)

    The series removes artifice and fantasy to reveal the people of the industry as just people — some of whom are thriving, and some of whom are mightily struggling.

    It raises questions about stigma, exploitation and reinvention, without telling anyone how to think or feel.

    Lovelace (2013)

    Radius-TWC – Credit: C/O

    Amanda Seyfried (above) is excellent as Linda Lovelace, one of the most contentious figures in the history of the adult entertainment industry.

    She became a sex symbol for starring in what became one of the most mainstream and profitable of all adult films. But years later she wrote in her memoir, Ordeal, that she was violently forced into the business and all sorts of animalistic degradations.

    Lovelace handles her story sensitively and sympathetically, never crossing the line into the kind of exploitation the real Linda Lovelace tried to escape.

    King Cobra (2016)

    IFC Midnight – Credit: C/O

    One of the most common criticisms of the industry is that it exploits women. King Cobra is all about gay adult product, so the gender component is removed.

    But that brings into more stark relief other potential forms of exploitation: namely older people exploiting younger people, and people with money exploiting those without it. (These are also problems, of course, in supposedly respectable fields.)

    King Cobra is based on a true story — the source material is the book Cobra Killer by Andrew E. Stoner and Peter A. Conway, about the the life and early career of former adult actor Sean Paul Lockhart (Garrett Clayton, above).

    Written and directed by Justin Kelly, it’s a little-seen but captivating film with a top-notch cast that also includes Christian Slater, Molly Ringwald and James Franco, who is also a producer on King Cobra.

    American Porn (2002)

    PBS – Credit: C/O

    Journalism doesn’t get more serious than PBS’s Frontline, and in 2002 the Oscar and Emmy winning documentary program investigated the business of adult entertainment, charting its rise and the reason for the demand.

    If Hardcore provides a fascinating but melodramatic look at the industry in the late 1970s, this Frontline doc is a fascinating investigation of the state of the industry in the early 2000s, when the internet was radically shifting the dynamics of the business and making adult product more accessible than ever before.

    You can watch the entire documentary — and every episode of Frontline — for free online via your local PBS station.

    Red Rocket (2021)

    Simon Rex as Mikey Saber and Suzanna Son as “Strawberry” in Red Rocket, from director Sean Baker. A24 – Credit: Simon Rex as Mikey Saber and Suzanna Son as “Strawberry” in Red Rocket, from director Sean Baker. A24

    One of the best films on this list, Sean Baker’s Red Rocket is a judgment-free portrait of Mikey Saber (Simon Rex) an adult semi-star forced to return to his Texas hometown while on the outs from the industry.

    Mikey believes he can wheedle his way back in by convincing Raylee (Suzanna Son), a 17-year-old donut shop employee who goes by the name Strawberry, to join him. He also strings along his ex, Lexi (Bree Elrod) and her mom Lil (Brenda Deiss), so he can live with them while he gets back on his feet.

    Packed with excellent first-time actors, the film feel visceral and alive, adroitly blending comedy and sadness. It avoids moralizing, yet you’ll probably come to hold some strong opinions about Mikey.

    Baker is one of our greatest filmmakers, who uses stories about sex work to make broader points about hard work in general. His latest, Anora, is up for six Oscars, including Best Picture.

    Starlet (2012)

    Besedka Johnson, left, and Dree Hemingway in Starlet. Music Box Films – Credit: Besedka Johnson, left, and Dree Hemingway in Starlet. Music Box Films

    Almost every Sean Baker film involves some element of investigating sex work, always empathetically and evenhandedly.

    Baker and co-writer Chris Bergoch came up with the concept for the Mikey Saber character in Red Rocket while doing research for Starlet, when they realized how many male actors live off of female talent.

    Starlet follows Jane (Dree Hemingway), a 21-year-old rising star who strikes up an unlikely friendship with 85-year-old Sadie (Besedka Johnson).

    Money Shot (2023)

    Netflix – Credit: Netflix

    Director Suzanne Hillinger’s documentary about one of the most prominent websites for adults isn’t interested in anything salacious. It just sets out to normalize — and humanize — the people who just happen to make adult content for a living.

    “To me, it was really important the way that we shot the interviews, for example — that the environment around each interview subject is very much a part of the frame, that these are people in their homes, with details and lives and plants and pets and shoes in the background,” Hillinger told MovieMaker.

    Again, about the dashes — we know there’s nothing wrong with the word “shot,” but algorithms don’t, particularly when it’s paired with the word “money,” and we want people to be able to see these articles rather than having them buried by robots.

    Pleasure (2021)

    Movies About the Adult Industry
     SF-Produktion – Credit: C/O

    A Sundance darling that gained lots of initial attention for its blunt depictions, director Ninja Thyberg’s Pleasure is the story of Linnéa, a small-town Swede played by Sofia Kappel (pictured) who travels to Los Angeles to try to break into the industry.

    The film is notable for its multifaceted presentation of the adult world. Some of Linnéa’s experiences are good, but others are horrible, including a scene in which she technically consents to a violent scenario but does so only under considerable coercion and pressure. She soon finds herself contributing to the abuses.

    Bonus: X (2022)

    Ti West asked Mia Goth and every actor on X: Why the hell do you want to be in this movie?
    Mia Goth is Maxine, a young Texan looking for stardom in X, from Ti West. Photo by Christopher Moss. A24 – Credit: Sofia Kappel is Bella Cherry in Pleasure, from writer-director Ninja Thyberg

    All three films in Ti West’s X trilogy — the other two are 2022’s Pearl and 2024’s Maxxxine — seek to demystify the adult entertainment industry while exploring the stigma around both sex and violence.

    X is the most blunt about it. The film takes place on a very DIY adult film location — a Texas farm — where the older couple who own the place seem to disapprove of the young people’s shenanigans. But things are more complex than they seem.

    In all three X films, the main protagonist is a young woman — always played by Mia Goth — trying to use her sex appeal to get ahead. It doesn’t usually work out as she planned.

    Liked This List of 12 Films About the Adult Entertainment Industry That Don’t Sugarcoat Anything?

    Movies About Oldest Profession That Don't Sugarcoat Anything
    Vivre sa vie. Panthéon Distribution – Credit: C/O

    You may also like this list of movies about the world’s oldest profession that sugarcoat things quite a bit.

    Main image: Sofia Kappel as Bella Cherry in Pleasure, from writer-director Ninja Thyberg. SF-Produktion



    Source link

  • The 7 Sexiest Movies About the Amish

    The 7 Sexiest Movies About the Amish


    Here are the seven sexiest movies about the Amish.

    Yes, we know what you’re thinking: How can anyone narrow it down to just seven? We did our best, and came up with the following.

    7. Amish Stud: The Eli Weaver Story (2023)

    Sexiest Movies About the Amish
    Lifetime

    Try as we might, we can’t find a better movie title than that of the ripped-from-the-headlines Lifetime film Amish Stud, which is drawn from the screen name that Eli Weaver (Luke Macfarlane) used to meet women in chatrooms.

    The film follows the wayward Eli as he plots with his mistress to murder his wife, to the horror of his conservative Amish community, which is strongly opposed to using the internet, and more specifically using the internet for online dating, and especially to using the internet for online dating that leads to the murder of one’s spouse.

    The movie has its sexy moments before the killing.

    6. Sex Drive (2008)

    Sexiest Movies About the Amish
    Summit Entertainment

    Sex Drive seems like one of those Old Hollywood classics in which they thought of the title first and built the movie around it. And what a movie.

    The plot concerns a young man named Ian (Josh Zuckerman) who meets a woman online (don’t worry, he’s not Amish, no rules are broken yet) and embarks on a long road trip to meet her. He’s joined by his best friends Lance (Clark Duke) and Felicia (Amanda Crew, a perfect Cute Brunette Friend in an ’80s Movie, except in a 2000s movie.)

    The sexy Amish stuff comes into play when the gang has car trouble, and a sarcastic Amish guy named Ezekiel (Seth Green, great as always) provides some help. Lance soon meets an Amish girl named Mary (Alice Greczyn).

    But here’s the twist: When Lance learns that his dalliance with Mary could lead to her being shunned, Lance chooses to stay with her, and they marry. Lance sports an Amish beard at the end, strongly suggesting that he has adopted Mary’s way of life. And so this sex drive turns out to be a love drive.

    It’s not only one of the sexiest movies about the Amish, but also one of the most pro-Amish.

    5. Amish Affair (2024)

    Sexiest Movies About the Amish
    Lifetime – Credit: Lifetime (obviously)

    Not content to rest on the laurels of Amish Stud, Lifetime delved back into the Amish erotic thriller subgenre with another ripped-from-the-headlines bodice ripper, Amish Affair.

    The film tracks the passionate barnyard trysts between Hannah (Mackenzie Cardwell) and Amish also-stud Aaron (Ryan McPartlin) after he welcomes her into his home to help with his ailing (and inconvenient) wife.

    Lines are crossed, questions are raised, and, as so often happens in these situations, rat poison is dispensed.

    This Lifetime original received a mostly positive reception, though one YouTube user commented, “OMG! We Amish are so not like this! LOL.” It was probably Eli Weaver.

    4. Deadly Blessing (1981)

    United Artists – Credit: United Artists

    We know, we know: Wes Craven’s Deadly Blessing, as everyone remembers, isn’t technically about the Amish. It’s about the Hittites, a very Amish-like sect. (WesCraven.com notes that the film “is set in Amish Country, at a local farm, where a woman’s husband is mysteriously killed by his own tractor!”)

    But the Hittite stuff feels like a fig leaf covering up the fact that the sect is intended as an obvious stand-in for the Amish. This slasher film, which landed between the early mayhem of Craven classics like Last House on the Left and the commercial success of the Nightmare on Elm Street franchise, relies heavily on the appeal of its scantily clad actresses (including Sharon Stone in an early role) as they deal with an evil incubus. (Though really, is there any other kind?)

    There’s lots of Biblical imagery, including an icky scene with a snake in a bathtub. It combines titillation and terror, in classic slasher tradition, but with some religious extremism thrown in. We can understand why the Amish probably wouldn’t want to be connected with it, and its ickier aspects explain why it’s only fourth on this list.

    Also: Stone grew up in a part of Pennsylvania not far from Amish country, which makes us like Deadly Blessing more.

    3. The Night They Raided Minsky’s (1968)

    Sexiest Movies About the Amish
    United Artists

    Though it’s set in the 1920s, you can really feel the ’60s swinging through The Night They Raided Minsky’s, one of many films that had fun with the changing sexual mores of the year that followed the Summer of Love. Minsky’s was also one of the first films to pit the plain Amish against the constant temptations of the outside world.

    A pure romp, the film follows Britt Eckland as Rachel Schpitendavel, a young Amish woman hoping to make it in New York City with dance numbers inspired by the Bible. Through a series of complicated events, she ends up performing her chaste numbers at a burlesque show. When her furious Amish father tries to drag her offstage, ripping her clothes, she accidentally invents a new kind of entertainment.

    The people involved in The Night They Raided Minsky’s are A-list all the way, and include producer Norman Mailer, director William Friedkin (who would go on to direct The Exorcist), and actors Jason Robards, Elliott Gould and Denholm Elliott. The latter would go on to appear in two Indiana Jones films with a gentleman who stars in the next film on our list.

    2. Witness (1985)

    Sexiest Movies About the Amish
    Paramount Pictures – Credit: Paramount Pictures

    A basically perfect movie, Witness is rather chaste by the standards of the sexiest movies about the Amish. Of course it wasn’t the first film to juxtapose the plain lifestyle of the Amish with the sultriness of the big city, but it is one of the first to do it with respect.

    There’s a passionate, beautifully shot makeout scene between Rachel (Kelly McGillis) and Philadelphia cop John Book (Harrison Ford) before the big fight with the English who come to invade Rachel’s idyllic community to get her son, Samuel (Lucas Haas), who has witnessed a murder. The scene is as effective as it is because of the restraint leading up to it: John and Rachel’s silent assignation is naturalistic, cathartic and entirely convincing.

    Witness follows a lot of Hollywood tropes — the fish out of water, the mismatched lovers — and yet it works completely because everyone, from Ford to McGillis to director Peter Weir, commits and tries to give the Amish depth and dignity, instead of just treating them as comic foils.

    But this isn’t a list of the best movies about the Amish — it’s a list of the sexiest movies about the Amish. Which brings us to No. 1 on our list.

    1. Kingpin (1996)

    MGM – Credit: MGM

    For our money, Kingpin is one of the funniest Farrelly brothers films, and has a proud spot on our list of ’90s Comedies That Just Don’t Care If You’re Offended.

    It follows bowling burnout Roy Munson (Woody Harrelson) as he attempts to exploit Amish bowling savant Ishmael Boorg (Randy Quaid). But he must compete with Claudia (Vanessa Angel) who uses her considerable wiles to both corrupt and liberate the naive Ishmael. Some of the most memorable scenes in Kingpin come when Claudia uses the aforementioned wiles to help her boys on the bowling circuit by distracting their opponents.

    What makes Kingpin so satisfying is how all three main characters, despite their intense differences and flaws, ultimately uplift one another. As in many Farrelly brothers films, the tawdrier parts of life lead to wholesome outcomes.

    Liked Our List of the 7 Sexiest Movies About the Amish?

    Elizabeth Hurley as The Devil
    20th Century Fox – Credit: C/O

    Did we miss one of your favorite sexiest movies about the Amish? Please let us know in the comments.

    You may also like this list of 11 Shameless Movies That Glamorize the Devil, including Bedazzled, above, which somehow manages to be one of the sexiest movies around, despite lacking any Amish.

    Main image: The Night They Raided Minsky’s. United Artists.



    Source link