Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
THC gummies are CBD oil-infused chewing gummies that are popular among cannabis lovers nowadays. These CBD THC gummies are an easy way to ingest CBD into the body. Gummies are a delicious candy-like product that contains THC. Those cannabis lovers who don’t want to vape or smoke often use THC gummies.
Another reason behind the popularity of THC gummies is their availability in multiple flavor combinations, colors, and potencies. You can choose according to your taste and needs.
Safety is the most important factor while consuming CBD products. In this blog, I’ll discuss the benefits of using THC gummies for a daily dose.
THC gummies, known as CBD, marijuana, or weed gummies, are THC-infused edible candies that you can easily chew and swallow. Manufacturers and online marketers made these THC gummies popular in the market by showing them as the easiest and discreet way to ingest CBD. The CBD gummies are commonly used to prevent stress and anxiety.
Making THC gummies involves extracting THC from cannabis plants and mixing it into the candy ingredients, such as gelatin, sugar, flavorings, and colors, to form a candy. Solvents such as alcohol or CO2 can be used to perform this task before mixing in gelatin, sugar, flavorings, and colors to form the final product.
CBD gummies are not just for chewing or getting psychoactive effects; rather, it has potential health benefits for the human mind and body. If you get the proper dosage according to your needs, you’ll get various therapeutic benefits.
Here are some top health benefits of using THC gummies:
One of the key health benefits of using THC gummies is that they help to eliminate pain in your body. When you chew CBD gum, it interacts with the inner parts of the body and immediately alleviates pain. Also, it deals with other physical pains, such as chronic pain etc. So why wait? Search for same day weed delivery services near me and get your desired weed gummies.
Stress and anxiety are the major reasons why cannabis lovers are using THC gummies. These gummies play a key role in reducing stress and anxiety, resulting in giving you physical and mental peace. Also, it gives you a sense of calmness to forget the anxiety issues. Moreover, THC gummies also deal with the insomnia issue, promoting a better sleep routine.
THC gummies are preferable if you want a daily weed dose. Always start with a lower potency and gradually increase to check the effects. THC gummies come in various shapes, sizes, flavors, and potencies, allowing users to select the one that best meets their preferences. Some THC gummies feature fruity flavors while others may offer herbal or earthy tastes; their potencies also vary between brands, offering various concentrations of THC in each gummy.
Try to search for reputable brands near your location if you want to buy high-quality THC gummies. It will help you get the desired results. Low-quality THC gummies may affect your health negatively.
Here are the top 10 movies of 1977, ranked by domestic box office. The film at No. 1 permanently changed the kinds of movies that get made in Hollywood.
Burt Reynolds was such a huge star in 1977 that he starred in two of the films on this list. Semi-Tough is a sports comedy that features a love triangle between the very 1970s cast of Reynolds, Kris Kristofferson and Jill Clayburgh.
The United Artists release, which came out November 11, earned over $37 million, making it No. 10 on this list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
Widely considered Woody Allen’s masterpiece, this romantic comedy starring Allen and Diane Keaton, as the title character, was not only a commercial but critical smash: It won the Oscar for Best Picture, Best Actress (for Keaton) and Best Director (for Allen) — as well as Best Screenplay for Allen and Marshall Brickman.
The film, released by United Artists, debuted April and earned $38.2 million. It’s No. 9 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
George Burns (right), who was 81 at the time of the film’s release, plays God, who visits normal-guy grocery store assistant manager Jerry (John Denver, left).
When Jerry agrees to spread God’s message, his wife Bobbie (Teri Garr) isn’t sure it’s the best idea.
The film inspired a trilogy that includes one of the film’s on this list. Released by Warner Bros. on October 7, it earned $41.7 million. It is, you guessed it, No. 8 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
The third James Bond film to star Roger Moore (left) — who is No. 4 on our list of James Bond Actors, Ranked — pairs him with Soviet agent Anya Amasova (Barbara Bach, right) as they try to stop a plot to end civilization in favor of a new undersea world.
They’re bedeviled by Jaws — not the shark from the top-grossing film of 1975, but the henchman played by Richard Kiel.
Released by United Artists on July 13, The Spy Who Loved Me moonraked in $46.8 million. It ranks No. 007 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
This thriller stars Jacqueline Bisset and Nick Nolte as amateur treasure-hunting divers who come across the cargo of a World War II shipwreck, which puts them at odds with local criminals. It was co-written by Peter Benchley, who wrote the novel Jaws and co-wrote the film.
Released by Columbia Pictures on June 17, it earned $47.3 million. Its No. 6 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
And Bisset is on our list of Stars of the 1970s Who Are Still Going Strong.
Richard Attenborough’s World War II drama stars a plethora of great actors, including Sean Connery, Laurence Olivier, Robert Redford, Gene Hackman, Anthony Hopkins, Michael Caine, and the recently departed Ryan O’Neal. It’s also co-written by the great William Goldman (All the President’s Men, Butch Cassidy and the Sundance Kid, The Princess Bride.)
Released by United Artists on June 15, it collected $50.8 million. It comes in at No. 5 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.
With a soundtrack that defined the late ’70s, this John Travolta disco drama follows Tony Manero (Travolta) as he splashes paint and dances up a storm in Brooklyn. It’s based on the New York article “Tribal Rites of the New Saturday Night” which author Nik Cohn later admitted he mostly made up.
Audiences didn’t notice, or didn’t care. The Paramount Pictures release, which came out December 16, hustled up $94.2 million. It is, of course, No. 4 on the list of the top 10 movies of 1977, by domestic box office, not adjusted for inflation.
It also earned a place on
Stephen Spielberg’s followup to his hit Jaws, which reunited him with Jaws star Richard Dreyfuss, wasn’t as big a hit as the shark epic — but few movies are.
Close Encounters — the second movie on this list to feature Teri Garr (who would reunite with Dreyfuss for 1989’s Let It Ride ) — earned $116.4 million after its November 16 release by Columbia Pictures. It’s No. 3 on the list of the top 10 movies of 1977, by domestic box office, not adjusted for inflation.
This Burt Reynolds-Sally Field action comedy — about a Trans-Am on a mission to distract from a truck full of beer — was the No. 2 film domestically with a total haul of $127 million. This is one time the Bandit ended up in second place.
By the way, all of these domestic box office totals are from Box Office Mojo, a fun site we highly recommend exploring.
Interestingly, Smokey and the Bandit debuted on May 27 — just two days after the No. 1 movie on our list.
The 20th Century Fox film, which eventually became known as Star Wars: Episode IV — a New Hope, was the top film of 1977 with a domestic gross of $307 million. (Adjusted for inflation, that’s $1.3 billion.)
George Lucas’ story of Luke Skywalker’s quest to rescue Princess Leia from the Death Star — and her quest to lead the Rebellion to use some secret plans to blow up said Death Star — launched the second-most successful franchise in film history. Star Wars films have made more than $5 billion, trailing only the $11.8 billion for the Marvel Cinematic Universe.
The incredible box office receipts of A New Hope (we still just call it Star Wars) helped open studios’ eyes to new ways of making money — not just through films, but endless merchandising in the form of action figures, remote-controlled R2D2s, and lightsabers.
It changed the kinds of movies that got greenlit, and signaled that ’70s audiences — who had grown accustomed to downbeat endings — were ready for optimism. Movies would never be the same.
You might also like this list of All 11 Star Wars Movies, Ranked Worst to Best or this list of 12 Rad ’80s Movies Only Cool Kids Remember.
Main image: A publicity still of Jacqueline Bisset in The Deep. Columbia.
Editor’s Note: Corrects main image.
In today’s fast-moving digital world, advertising has changed a lot of industries, especially movie reviews. Did you know that many people read online reviews before they decide to watch a movie? This shows how important digital ads and marketing have become in shaping what people think about movies.
Now, movie critics are changing the way they review films because of the new ways movies are advertised. A long time ago, reviews mostly talked about the story, acting, and art of the film. But today, critics also think about how a movie is advertised on social media and other online places.
This blog will show you how digital advertising is changing the world of movie reviews.
Digital advertising has altered the way films are promoted and critiqued. Here’s how:
Now, movies are shared directly with the right audiences through social media. They use ads made just for them.
Filmmakers also work with influencers. They help shape how people see the movie. Critics often mention these influencers in their reviews.
Plus, with online platforms, people can give their opinions right away. This means critics have to think about what the audience is saying when they write their reviews.
These shifts indicate that film critique isn’t solely about the movie itself. It intertwines with marketing techniques. This creates a multi-faceted approach to understanding a film’s reception.
Moreover, the proliferation of digital content has led critics to explore how films are marketed to diverse sectors of the audience. Features like targeted ads allow studios to maximize their outreach. It makes the critical landscape broader and more nuanced.
The influence of marketing on film reviews is profound. Critics often discuss how marketing tactics inform audience expectations and emotional responses.
For instance, a film marketed as a blockbuster is critiqued differently than a lower-budget indie film. Understanding marketing nuances allows critics to provide insights on the effectiveness of these promotional strategies.
Moreover, the role of social media has expanded. It creates platforms for both audience feedback and film promotional content.
Critics are now engaging more on these platforms. This is where they can enhance their reviews with audience perspectives. Perhaps even changing their critiques based on popular discourse.
For budding critics, understanding the role of digital marketing is essential. Recognizing the influence of a Google ads management agency or other advertising platforms can help them maintain their integrity while navigating the changing critique landscape.
As we look to the future, the role of digital advertising will likely continue to evolve. Film critics will have to adapt to technologies that reshape how audiences receive information about films. Here are some possible directions:
In today’s fast-changing world of movie reviews, digital advertising plays a big role. Critics have to balance the way movies are advertised with the way the story is told. When you read reviews, it’s important to notice how ads might influence what people say about the movie.
Whether you just enjoy watching movies for fun or you really love films, knowing how ads and reviews work together can make your movie experience even better.
For more informative tips, check out our blog posts.
Here are the 12 coolest time travel movies of all time — and all times.
Cinema’s obsession with time travel makes perfect sense, given that movies may be the closest most of us will ever get to it: The filmmakers of the past told stories for the audiences of the future. As the gap between creation and audience grows, so does every film’s value as an artifact of its time.
As people and places disappear, films can become our best ways to remember them, and experience something like immersion in times we may remember only faintly, if at all.
So in a way, all movies are time travel movies. But the following films are explicitly about people starting in one time, and traveling to another.
If you think It’s a Wonderful Life isn’t a time travel movie, we would ask: How is it not? The dark Christmas classic from Frank Capra follows George Bailey (Jimmy Stewart at his best) revisiting his past — or rather an alternate version of his life in which he was never born.
Rather than going back and changing the past, George has to endure the present — and in doing so, shape the future. Just like all of us do every day.
As popular as the multiverse concept is today, it’s notable that It’s a Wonderful Life hit on it long, long ago. Credit goes to Capra and co-writers Frances Goodrich and Albert Hackett, as well as Philip Van Doren Stern, who wrote the story upon which It’s a Wonderful Life was based.
No discussion of time travel is complete without bowing to H.G. Wells’ 1895 novel The Time Machine, one of the most influential stories of all.
George Pal’s adaptation of the novel presents a two-caste future in which humans have evolved into Eloi and Morlocks. The passive, vegetarian Eloi seem to have it good: They live a pleasant, idyllic existence — above ground, no less.
It all seems very nice until we realize the Eloi (including Yvette Mimieaux as Weena, above) are basically veal for the Morlocks, the scrappy, resentful subterraneans who emerge occasionally from their caves to feed on their pampered cousins.
The Time Machine is a great time travel movie, and inspired many others on this list., sometimes quite overtly. But it’s also a provocative, still-relevant piece of social commentary.
Chris Marker’s La Jetée explains to audiences that it is “the story of a man marked by an image of his childhood” — a violent image he witnessed “sometime before the outbreak of World War III.”
He comes to understand it only by experiencing it again and again, in a time loop that the short film illustrates almost entirely illustrated in still photos. His link to the past is a memory of a woman (played by Hélène Châtelain, above) he once encountered on the observation platform, or jetty, of Paris’ Orly Airport.
Between its deliberate repetition, black-and-white photography and unsettling setting — we are watching the past’s vision of our own possible future, which feels simultaneously dated and far beyond us — La Jetée is hypnotic.
Nicholas Meyers’ Time After Time has one of the best setups of any film. Pointedly inspired by The Time Machine, it begins in Victorian London, where Jack the Ripper (aka Dr. John Leslie Stevenson, played by David Warner) has just struck again.
He joins a gathering at the home of his friend H.G. Wells (Malcolm McDowell), who unveils a time machine he’s a bit apprehensive about using.
When the police close in, Stevenson flees to the future in the time machine — and H.G. follows him. They end up in 1979 San Francisco, where fish-out-of-water Stevenson adapts swimmingly to the violence of the (then) modern age, while gentle H.G. tries to stop him from killing again.
He’s aided by bank employee Amy (Mary Steenburgen), who becomes Jack’s target. Things build to kind of a disappointing climax, but there’s so much thoughtfulness and delight along the way that it’s silly to linger on it.
And in a sweet behind-the-scenes ending, Steenburgen and McDowell fell in love and were married for a decade.
When the low-budget Terminator emerged in 1984, some people dismissed it as a dumb, violent shoot-’em-up about a killer robot.
While it’s undeniably one of the best killer robot movies ever made, it also offers one of the coolest takes on how time travel works.
In the world of The Terminator, time travel is like an inevitable loop that transgresses calendar years: Kyle Reese (Michael Biehn) is sent back in time to save Sarah Connor (Linda Hamilton) so she can give birth to her son John, the savior of humankind in a dark, robot-infested future. But he also ends up fathering John — who, in turn, is the one who sends him back in time.
Brilliant.
Yes, we’re going with two Terminator movies, because the inevitable-loop concept ramps up to another level when we learn in T2 that the arrival of Arnold Schwarzenegger’s T-800 in the first Terminator was the cause of the Judgment Day that sparks the A.I. takeover.
In short, the last remaining piece of technology from the T-800’s final battle against Sarah and John becomes crucial to Cyberdyne, the company that creates SkyNet, which quickly makes things very tough for humanity.
The past creates the future which creates the past which creates the future. At least, that’s how it goes in The Terminator.
The next time travel movie on our list has a different theory about it all works.
One of the most flat-out entertaining movies ever, Robert Zemeckis’ Back to the Future embraces the geekiness of time travel and makes it as goofily cool as possible — while grounding everything in a very human story.
1980s teen Marty McFly (Michael J. Fox) travels back to the 1950s thanks to a time traveling DeLorean built by his mentor, Doc Brown (Christopher LLoyd). But upon arrival, Marty prevents a crucial meeting of his young parents (Crispin Glover and Lea Thompson).
Worse, his mom develops a crush on him — which is a huge problem for many reasons. But it’s arguably most troubling because in the Back to the Future school of time travel, nothing is inevitable, even Marty’s existence. If he can’t get his parents together, he and his siblings will never be born.
Things get more complicated (and occasionally even more fun) in Back to the Future 2, in which Marty is propelled into the future, and back to the past — and has to avoid running into himself. And Back to the Future 3 goes for pure Western thrills.
Diehard fans of time travel movies will note that in the latter, Mary Steenbergen plays a character in a similar situation to the one her character faced in the aforementioned Time After Time.
Harold Ramis’ masterpiece stars his Ghostbusters castmate Bill Murray as a weatherman cursed to repeat the same holiday again and again. It enlivened the time travel movie genre and popularized the time-loop format. It’s also another of the best movies ever made.
Screenwriter Danny Rubin, who was steeped in Anne Rice’s vampire novels, became interested in the idea of immortality, and of repeating the same day over and over again. He and Ramis turned his original script into a meditation on life itself, and how all of us have the choice, each time the alarm goes off, to make each day a grinding re-enactment of the one before, or to take it in an entirely new direction.
Assemble enough of those decisions together, and you’ve completed a lifetime.
In the first Austin Powers film, 1997’s Austin Powers: International Man of Mystery, Mike Myers’ swinging ’60s spy is frozen in 1967 and thawed out in the ’90s.
In the sequel, Austin must travel back — this time to 1969 — to match wits with Dr. Evil (also Myers) who has stolen Austin’s mojo. The ramifications of crossing paths with his (frozen) past self causes Austin to go cross-eyed — but the wise Basil Exposition gives him some advice.
“I suggest you don’t worry about this sort of thing and just enjoy yourself,” he says.
Then he and Myers turn smilingly to the audience, as Basil adds, “That goes for you all, too.”
Thus freed from thinking about the space-time continuum, we’re able to just enjoy Austin returning to the past to dance and fight alongside Felicity Shagwell (Heather Graham.)
Woody Allen’s beguiling Midnight in Paris skips any concern about how time travel works in favor of charm. Owen Wilson’s character, who is having trouble with his fiancée (Rachel McAdams), travels back in time simply by stepping inside a 1920s car each night at midnight.
It transports him to glorious 1920s Paris, where he mingles with the likes of Ernest Hemingway (Corey Stoll), F. Scott Fitzgerald (Tom Hiddleston), Zelda Fitzgerald (Alison Pill), Salvador Dali (Adrien Brody) and Gertrude Stein (Kathy Bates). He also becomes captivated by Adriana, Picasso’s mistress, played by Marion Cotillard.
Instead of a new take on how time travel works, Midnight in Paris lays out a universal truth: Some people will always prefer to live in the past.
This Tom Cruise-Emily Blunt gem takes the Groundhog Day concept into the realm of action and sci-fi. But it’s also funny, in a different way than Groundhog Day.
Cruise plays against type as a man who, like Murray in Groundhog Day, must re-live the same day again and again. But Cruise, known for playing ultra-competent heroes like Ethan Hunt in the Mission: Impossible films and Pete “Maverick” Mitchell in Top Gun, goes against type by portraying a bit of a bumbler.
He’s a PR man who dies in a series of darkly amusing ways under the tutelage of Blunt’s experienced super soldier, Sergeant Rita Vrataski.
The film was a box office disappointment, but has gained much respect since its initial release. Based on the Hiroshi Sakurazaka novel All You Need Is Kill, it was almost given director Doug Liman’s preferred title, Live Die Repeat, which became the film’s tagline.
Spoiler Warning: The next and final film on this list isn’t obviously a time travel movie until its incredible ending.
Like we said, the presence of this film on this list is a spoiler — we’re sorry. Then again, the original Planet of the Apes has been out for 57 years, so you’ve had time to see it.
What’s coolest about Planet of the Apes is that for almost its entire running time, you don’t realize you’re watching a time travel movie. It just seems like a nightmarish sci-fi film in which a trio of astronauts led by Charlton Heston’s George Taylor crash-land on a planet ruled by apes. They treat humans — including Nova (Linda Harrison) — like animals.
Then we get to one of the greatest movie twist endings of all time, and realize the astronauts never left the planet earth.
Thank you for giving us a few minutes of your time.
You might like this list of the 13 Best Post-Apocalyptic Movies We’ve Ever Seen, featuring, once again, Planet of the Apes.
If these time travel movies have taught us nothing, it’s that it’s much easier to prevent an apocalypse now than to try to build a time machine and go back to prevent one later. Good luck, everyone.
Main image: Yvette Mimieaux, as the Eloi Weena and Rod Taylor as H. George Wells in The Time Machine. MGM
Editor’s note: Corrects error in Time After Time item. Jack the Ripper flees into the future, not the past.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
