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  • The Ice Tower by Lucile Hadžihalilović Lost magic

    The Ice Tower by Lucile Hadžihalilović Lost magic


    The Ice Tower (La tour de glace) is the fourth feature by Lucile Hadžihalilović. The film premiered in the 2025 Berlinale competition, making it the first time that any of the director’s films was presented in a major European competition. The previous films all opened at TIFF. Set in the 1970s, the film follows Jeanne (Clara Pacini), a 15-year-old orphan who flees her foster home in a snowy mountain village, seeking freedom in the city. After stealing the ID of a girl named Bianca and looking for a place to sleep, she breaks into a building, unaware it’s a film studio where The Snow Queen is being filmed, starring the renowned actress Cristina van den Berg (Marion Cotillard).

    Jeanne is discovered by Cristina, but instead of giving her up, the latter ends up getting a bit part in the production, and the two end up spending a significant amount of time together even though Jeanne, sorry Bianca, seems to have an obsession with Cristina. Or is it due to the part she plays? As the oldest in the foster home, she was the bedtime storyteller, and the story she told was, lo and behold, the Snow Queen’s. What a coincidence! It is almost like someone made the story up. I use the word story loosely. Anyone who has seen Hadžihalilović’s previous films knows that it is not her main objective; instead, she focuses on… That is the question.

    The Ice Tower
    Beautiful and layered or merely muddled?

    What is the focus of The Ice Tower? What lies in or behind the supposedly beautiful images with their carefully chosen props? An image early on is a litmus test for how the spectator will react to the film. While fleeing, Bianca encounters a bridge crossing a river. The way the bridge is lit and framed looks either intense and captivating or like a knockoff by someone who watched arthouse films without ever getting their essence. It is not the artificiality that is the issue. Other directors like Guy Maddin or Wojciech Has have repeatedly utilised artifice with full control of the medium. Something that Hadžihalilović is never close to achieving. Instead, we are treated to kitschy ennui.

    The Ice Tower powered by dry ice

    My mind drifted to the Quay Brothers’ tedious version of Sanatorium Under the Hourglass more than once. That film’s runtime was 75 minutes, but it felt longer. The Ice Tower clocks in at 118 minutes, which feels like an eternity. The pacing is glacial, which could inspire the spectator to make word puns considering the main character. Whatever the outcome, it is bound to be way more subtle than Jeanne calling herself Bianca, referring to the fake white stuff floating in the air during the shooting of the film within the film.

    Fans of Hadžihalilović’s work should feel at home. The production designer Julia Irribarria and the cinematographer Jonathan Ricquebourg from Earwig (2021) are still on board. The director’s style, or lack thereof, is instantly recognisable. In Arthur Penn’s masterful Night Moves (1975), Harry Moseby’s wife invites him to see My Night With Maude with her. He rejects the suggestion, saying that “he saw a Rohmer film once, and It was kind of like watching paint dry.” I was considering making a similar pun with dry ice, but as everyone who had it presented along with a dessert in a restaurant knows, it actually creates an effect.

    The Ice Tower
La tour de glace
    Clara Pacini and August Diehl in The Ice Tower.

    I have never been a fan of Hadžihalilović’s films, thinking that they rely too much on a vague mood with purportedly deep connotations. However, the Stockholm Film Festival awarded her the MaIn Prize, The Bronze Horse, for her debut feature, Innocence (2004), which incidentally also featured Marion Cottilard. In The Ice Tower, all the thespians seem deserted and lost, including August Diehl and Gaspar Noé as the director. The shining exception is newcomer Clara Pacini, as Jeanne, whose character is the only one who doesn’t appear to be frozen by boredom. It is not the first time that the director seems most confident working with children.

    I was surprised to come across some positive reviews, even if many of them contained serious reservations. An even bigger surprise was the Silver Bear the film received for Outstanding Artistic Contribution. The award was given to “the creative ensemble.” If any film should have been awarded for its look, it is Reflection in a Dead Diamond (Reflet dans un diamant mort).

    The Ice Tower (La tour de glace)
    La tour de glace featured - The Disapproving Swede

    Director:
    Lucile Hadzihalilovic

    Date Created:
    2025-04-25 05:30

    Pros

    • The acting of newcomer Clara Pacini.

    Cons

    • Glacial pace
    • Stale and lifeless
    • Artificiality without insight



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  • Additions to the Cannes Selection 2025

    Additions to the Cannes Selection 2025


    Today, sixteen titles became the additions to the Cannes selection 2025, two of which will be in the Competition. The eagerly awaited Lynne Ramsay film Die, My Love was finally confirmed after some time of speculation. All four of the director’s films have been presented at Cannes. The latest was the masterful You Were Never Really Here in 2017, which won the Best Screenplay award and the Best Actor award to Joaquin Phoenix. The new work stars Jennifer Lawrence and Robert Pattinson. The other addition to the competition is Saeed Roustay’s Mother & Child. The director’s latest film in Cannes was the overrated Leila’s Brothers in 2022.

    Additions to the Cannes Selection Die, My Love
    Jennifer Lawrence in Die, My Love by Lynne Ramsay.

    Other additions to the Cannes Selection

    There are four additions in Un Certain Regard. The most interesting is I Only Rest in the Storm by Pedro Pinho. It is co-produced by the reliable Still Moving, which brought us the brilliant Tiger Stripes two years ago. The three other additions are Love Me Tender by Anna Cazenave Cambet, Kristen Stewart’s The Chronology of Water, and Un poeta by Mesa Soto. The Cannes Premiere section, which started in 2021 and has since then mostly functioned as a thinly veiled ruse to stop other festivals from screening films, added three more works. Hylmur Palmason’s The Love That Remains, Magalhaes by Lav Diaz, and Renai saiban by Kōji Fukada.

    Ethan Cohen’s Honey Don’t and Le roi soleil by Vincent Maël Cardona complete the Midnight Screenings strand. Lastly, four first features were added as Special Screenings for some reason. They are called Mama, Arco, Qui brille au combat, and Amélie et la métaphysique des tubes.

    Alpha Julia Ducournau
    Alpha by Julia Ducournau.

    If this is the finalised edition (there are still rumours about Bi Gan’s Resurrection being added next week), it is a selection that is even weaker than the last two years. Something that I wouldn’t have thought possible. Of all the great names that have been mentioned, only Ramsay made it to this year’s Cannes. The programme is filled to the brim with all the boring usual suspects. The only thankful omission is Jim Jarmusch’s Father, Mother, Sister, and Brother, but that is a slight relief when the competition contains names like Wes Anderson, the Dardennes, Martone, Moll, Trier, Ducournau, and Cannes debutant Ari Aster.

    It remains to be seen what kind of surprises this year’s edition has to offer. At the moment, it does not look promising at all. On the other hand, Venice might have an extraordinary edition if the films rejected by Frémaux and his crew end up there.



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  • The 5 Best Casino Movies — Every Movie Has a Lesson

    The 5 Best Casino Movies — Every Movie Has a Lesson



    The flickering of the gaming tables, the clinking of chips, and the tense silence as the cards are dealt – casino movies transport us to a world full of thrills, glamour, and clever tricks. Whether it’s gritty underworld dramas or stylish heist comedies, the big screen transforms every casino into a setting for great emotions.

    In this article, we present five films that explore the casino genre in unique ways. From Martin Scorsese’s mafia epic to a fast-paced poker thriller: Grab your popcorn and immerse yourself in stories where everything is on the line!

    “Casino” (1995) – Martin Scorsese’s Masterpiece

    Martin Scorsese’s “Casino” is no ordinary film about a Spilaviti – as a casino is called in Iceland – but a relentless study of power, money, and corruption in Las Vegas.

    Robert De Niro portrays Sam “Ace” Rothstein, an experienced bookmaker who controls the eponymous casino. Sharon Stone plays his ambitious wife, Ginger, whose life is characterized by both glamour and dependency.

    Particularly worth seeing:

    • Authentic atmosphere: Scorsese lets you practically feel the bright lights and the thrill of the gaming tables.

    • Mafia entanglements: The backroom intrigues and power struggles demonstrate how closely luck and danger are linked in the casino.

    • Character study: From their rise to their dramatic fall – the characters remain memorable and give the film depth.

    With its blend of opulent staging and gripping plot, “Casino” is one of the timeless classics of the genre.

    “Ocean’s Eleven” (2001) – The stylish heist with a casino twist

    “Ocean’s Eleven” is the epitome of a coolly staged heist comedy. George Clooney slips into the role of the charming mastermind Danny Ocean, who, with eleven accomplices, plans to rob three major Las Vegas casinos simultaneously.

    What makes the film so special are:

    • A star-studded cast: Alongside Clooney, Brad Pitt shines as a laid-back professional thief and Matt Damon as a clever card counter.

    • Sleek elegance: From the meticulous planning to the sophisticated diversions to the execution – everything is handled with a wink and plenty of style.

    • Casino flair: The impressive casino backdrops and the vibrant Las Vegas nightclub let you experience the excitement up close.

    • Humor and team spirit: Each character has their own specialty, and their quick wit provides plenty of laughs.

    “Ocean’s Eleven” is not only a film about speed and skill, but also about the perfect interaction of a well-coordinated team. An entertaining classic heist that will keep you on the edge of your seat, puzzle along, and, above all, have fun.

    “Casino Royale” (2006) – Bond’s classic high-stakes duel

    In “Casino Royale,” James Bond (Daniel Craig) makes cinematic history – relying less on weapons than on his poker face. In a high-profile tournament in Montenegro, he must take on the ruthless Le Chiffre.

    The realistic poker action is particularly captivating: large stakes, long bluffing phases, and direct glances across the table. Craig reveals a vulnerable side of Bond, which is difficult to conceal under the pressure of the table, revealing what makes him so human.

    The film combines spy thriller and casino suspense: explosions and chases alternate with nerve-wracking card games – a must-see for fans of adrenaline and elegant casino duels.

    “Rounders” (1998) – The poker drama with cult status

    “Rounders” tells the story of aspiring law student Mike McDermott (Matt Damon), who tries his hand at becoming a poker pro in New York. After losing an illegal underground tournament, he vows never to gamble again – until his friend Worm (Edward Norton) pulls him back to the table to collect a large debt.

    The film impresses with its authentic portrayal of the underground poker scene:

    • Real poker games: The action at the table is believable and captivating thanks to professional advice from poker pros and real card deals.

    • Character study: Mike wrestles with moral questions and the temptation of quick money, while Worm, an unpredictable partner, creates suspense.

    • Suspense until the very end: The stakes steadily rise, and every decision could cost Mike his future.

    “Rounders” has retained its cult status as a poker drama to this day, inspiring amateur and professional players alike. The mix of suspense, character conflicts, and impressively staged poker scenes makes the film a must-see for all casino fans.

    “21” (2008) – The Calculation Heist at the Blackjack Tables

    In “21,” a clique of brilliant MIT students sets out to land a big win by counting cards at the blackjack tables in Las Vegas. Jim Sturgess plays Ben Campbell, who, thanks to his mathematical talent and under the guidance of charismatic professor Micky Rosa (Kevin Spacey), reaps enormous profits.

    The film combines suspense and moral questions:

    • Card counting as an art: Precise teamwork, secret signals, and strict betting plans

    • Risk and seduction: The temptation to exceed the limit and the pressure of the casinos

    • Moral dilemma: Is the quick profit enough for the students – or will they ultimately pay a high price?

    “21” captivates with its high pace and shows how much brains and chutzpah a real blackjack heist requires.

    Conclusion

    These five films demonstrate, in their own unique way, how fascinating and diverse casino worlds can be in cinema. Whether you immerse yourself in Martin Scorsese’s mafia epic, cheer on Danny Ocean during his stylish heist, or watch James Bond play high-stakes poker – each film offers excitement, style, and great emotion.

    There’s something for every mood:

    • Drama and depth in “Casino”

    • Clever humor in “Ocean’s Eleven”

    • Thrills in “Casino Royale”

    • Authentic poker feeling in “Rounders”

    • Sparkling-clean mathematics in “21”

    Treat yourself to a movie night and immerse yourself in the world of casinos – don’t forget the popcorn!



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  • The 12 Most Captivating Prison Movies We’ve Ever Seen

    The 12 Most Captivating Prison Movies We’ve Ever Seen


    These prison movies are captivating. Get it?

    Some of the best movies are actually movies about life on the outside, where the prison represents the mental traps imposed on us by society, or our own fears.

    Other prison movies are about very real prisons, built for the deserving and innocent alike.

    Caged (1950)

    Prison Movies
    Credit: C/O

    An early entry in the subgenre of women behind bars prison movies, John Cromwell’s Caged is about a married 19-year-old (Eleanor Parker) who is locked up after a botched bank robbery in which her husband is killed.

    Hope Emerson plays sadistic prison maven, Evelyn Harper, in a story that reveals that prison may be the most corrupting influence of all.

    The film was nominated for three Oscars.

    The Bridge on the River Kwai (1957)

    Credit: C/O

    Is it a prison movie? Or a war movie? We would say it’s both — David Lean’s The Bridge on the River Kwai is a movie that never does what you expect.

    Set in a Japanese prison camp in Thailand, the film portrays a battle of wills between captured British P.O.W. Colonel Nicholson (Alec Guiness) and his captor, Colonel Saito (Sessue Hayakawa). Saito demands that Nicholson and his troops build a railroad bridge over the River Kwai, which leads to questions of ethics and honor, and how to maintain your humanity while in captivity.

    It was the most successful movie at the box office in 1957, and deservedly won seven Oscars, including for Best Picture. It’s one of those 1950s movies that is both a classic and a joy to watch.

    Escape From Alcatraz (1979)

    Paramount Pictures – Credit: C/O

    One of the greatest prison movies, this Clint Eastwood film was the star’s fifth and final collaboration with Dirty Harry director Don Siegel. In fascinating detail, it imagines the circumstances of a real-life escape from the supposedly escape-proof Alcatraz Island in 1962.

    Eastwood plays the real-life prisoner Frank Morris, whose whereabouts have been unknown since that chilly night in the early ’60s. He’ll turn 98 this year, if he’s still around.

    The FBI’s investigation into the escape remains open.

    The Shawshank Redemption (1994)

    Columbia Pictures – Credit: C/O

    You knew this was coming, so we’re putting it in this gallery nice and early.

    One of the most beloved films of recent decades, and pulled from the same Stephen King story collection, Different Seasons, that also spawned Stand by Me and Apt Pupil, The Shawshank Redemption is a story of refusing to surrender your soul.

    Tim Robbins stars as Andy Dufresne, a banker sentenced to consecutive life sentences in the killings of his wife and her lover. He befriends Ellis “Red” Redding (Morgan Freeman) — and hatches a plot to dig his way out, while hiding the hole in his cell wall behind a poster of Rita Hayworth.

    It’s one of the best prison movies and one of the best movies, period — IMDb ranks it No. 1 on its list of the Top 250 Movies of all.

    Cool Hand Luke (1967)

    Warner Bros.-Seven Arts – Credit: C/O

    Paul Newman is transfixing as the title character, a man of few words (and hardboiled egg gourmand) who refuses to bend to the cruelty of his Florida prison camp.

    Strother Martin, as the captain of the camp, earned a place on the American Film Institute’s 100 Years… 100 Movie Quotes for this monologue that begins, “What we’ve got here is failure to communicate.”

    Guns N Roses fans will also recognize it from the opening of the band’s “Civil War.”

    Penitentiary III (1987)

    Cannon Films Distributors – Credit: C/O

    The third film in a series of hit independent prison movies written and directed by Jamaa Fanaka, Penitentiary III is extremely worth watching for the Midnight Thud fight alone.

    Oh, you don’t know about the Midnight Thud? Thud is the toughest fighter in the prison, a powerful little person (played by Raymond Kessler, aka the WWE’s Haiti Kid) who delivers one of the most captivating fight scenes ever committed to film when he faces off with our protagonist, Too Sweet (Leon Isaac Kennedy).

    Also, this is the first of two films on this list to feature the great Danny Trejo. He plays See Veer.

    Con Air (1997)

    Could Any Other Actor Play Himself as Well as Nicolas Cage Plays Nicolas Cage
    Buena Vista Pictures Distribution – Credit: C/O

    Trejo is one of the murderer’s row of stars who turns up in Con Air, a prison-on-a-plane movie in which Cameron Poe (played by Nicolas Cage, looking incredibly cool) takes on a whole plane full of felons when its Cyrus “The Virus” Grissom masterminds a hijacking.

    This is one of those movies that — if you haven’t watched it in a while — will have constantly saying, “He’s in this, too?”

    The cast includes John Cusack, Steve Buscemi, Ving Rhames, Dave Chappelle, and many, many more.

    Some people argue that this doesn’t belong on a list of prison movies because the characters are on a plane. But as anyone who’s ever flown a middle seat in basic economy can attest, planes can be prisons.

    The Great Escape (1963)

    United Artists – Credit: C/O

    Steve McQueen leads an all-star cast playing POWs who heroically escape from a Nazi prison camp in this classic, heavily fictionalized story of British POWs’ escape from Stalag Luft III during World War II.

    Among the concessions to commercialism: sprinkling three Americans into the action. Thanks goodness McQueen’s Captain Virgil Hilts was there, or else who could have pulled off that spectacular motorcycle sequence (above)?

    Hunger (2008)

    Pathé Distribution – Credit: C/O

    And now, a prison movie from the other Steve McQueen — the masterful British director whose film 12 Years a Slave won the Best Picture Oscar in 2014.

    His directorial debut, however, was Hunger, in which his frequent collaborator, Michael Fassbender, plays Bobby Sands, a real-life member of the Provisional Irish Republican Army who led an IRA hunger strike and took part in a no-wash protest behind bars.

    Hunger is a brutal, hypnotic film that skillfully captures the day-to-day dehumanization of the prisoners.

    Clemency (2019)

    Clemency Alfre Woodard witness execution
    Neon – Credit: C/O

    Another grim prison saga that was also the directorial debut of a great filmmaker, Clemency stars Alfre Woodard as a prison ward trying to unemotionally do her job — which includes overseeing the death of a young inmate, Anthony Woods (Aldis Hodge) who maintains his innocence.

    Many death-penalty films lecture their audiences (who may have already opposed the death penalty), but Clemency writer-director Chinonye Chukwu does not: She just lays out the facts of the situation, with as much restraint as Woodard’s warden — until emotions eventually make their inevitable break.

    This is a wise, patient film that sidesteps preaching and Hollywood hokum in favor of a very chilling, very human story.

    The Longest Yard (1974)

    Paramount Pictures – Credit: C/O

    On the lighter side, The Longest Yard is a sports movie crossed with a prison movie… and a comedy. The film stars Burt Reynolds as a hard-driving, hard-hitting now-incarcerated former NFL quarterback who is tasked by a nasty warden with assembling a team of prisoners to play against the guards.

    How do you think that works out?

    American History X (1998)

    New Line Cinema

    Edward Norton stars as a savage white supremacist, Derek Vinyard, who realizes in prison that all of his beliefs are misguided.

    ‘In one deeply allegorical scene, he learns that a Black fellow inmate, Lamont (Guy Torry) received a harsher sentence (six years) for stealing a TV than he received for killing two Black men (three years).

    In another crucial scene, he learns that the prisons Aryan Brotherhood is just using white supremacy as a facade to manipulate hopeless, uneducated people and wrest power for its leaders.

    Caged Heat (1974)

    New World Pictures – Credit: C/O

    A very different look at prison life, released in the same year as The Longest Yard. We aren’t going to claim this low-budget Roger Corman production, also known as Renegade Girls, is a great film. But it is the debut of a very great filmmaker: writer-director Jonathan Demme would go on to make Silence of the Lambs, one of the best films of all time, and to repay Corman for his confidence by casting him in the role of FBI Director Hayden Burke.

    Silence of the Lambs was also shot but Demme’s go-to cinematographer, Tak Fujimoto, who also shot Caged Heat.

    Caged Heat is a cheap exploitation flick, sure, but it contains some Demme hallmarks: strong female protagonists, a strong sense of empathy for the characters, and social consciousness.

    A 1975 New York Times story on the rise of “trashy” midnight movies concluded that it “does not set new standards of cheapness, violence or grossness, as most midnight movies seem determined to do. It is a film about women in prison that offers little more than some zippy music, a lot of bosom shots and a perverted prison doctor.”

    High praise from the paper of record.

    Liked This List of Captivating Prison Movies?

    Paramount Pictures – Credit: C/O

    You may also like this list of the 15 Movie Con Artists We Fall for Every Time. Some of them end up in prison.

    You might also like this list of Gen X Movie Stars Gone Too Soon.

    Main image: Caged Heat. New World Pictures.



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  • The Roses – Preview | .

    The Roses – Preview | .


    From Jay Roach, the director/producer of comedy hits like Austin Powers, Borat, and Meet the Parents, comes the trailer for his new film, The Roses. The film will be released in UK and Irish cinemas from the first of September.

    Life seems easy for picture-perfect couple Ivy (Olivia Colman) and Theo (Benedict Cumberbatch): successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing – as Theo’s career nosedives. At the same time, Ivy’s own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites. The Roses is a reimagining of the 1989 classic film The War of the Roses, based on the novel by Warren Adler.

    The film stars Olivia Colman alongside Benedict Cumberbatch. The film also stars Andy Samberg, Allison Janney, Belinda Bromilow, Sunita Mani, Ncuti Gatwa, Jamie Demetriou, Zoë Chao, and Kate McKinnon. The screenplay comes from Tony McNamara, most recently known for his work on Poor Things and The Favourite.

    https://www.youtube.com/watch?v=dKxhLv3EGlo

    John McArthur
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  • Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

    Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson







    PODCAST: Episode 194 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

























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  • Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

    Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson







    PODCAST: Episode 195 of “The Cinephile Hissy Fit” Podcast — Every Movie Has a Lesson

























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  • Why People Like Casino Movies and Three Movies to Watch from the Last Decade


    There’s something magical about casino movies that keeps us glued to the screen. Maybe it’s the way the roulette wheel spins with our hearts racing, or how a poker player’s blank face hides a world of strategy. These films transport us to a world where fortunes change with a single card flip, where ordinary people become high-rolling risk-takers, and where the line between smart play and dangerous obsession blurs beautifully. Online casino movies aren’t just about gambling – they’re about human nature, everyone’s dreams of easy money, and the thrilling dance between luck and skill. Here’s why we can’t look away from these cinematic gems, along with three recent films that mastered the art of the gamble

    Compelling reasons Why People Like Casino Movies 

    a) Thrill of Risk with no Reckoning

    You will experience the excitement of gambling without losing our shirts. You can cheer when someone puts everything on a poker bet or hold our breath as dice roll across a table, secure in the fact that our money is still in our pockets. It’s a rush – like riding a rollercoaster from the safety of our own chair.

    b) The Style And Luxury

    From Monte Carlo’s glittering chandeliers to Vegas’ lights, casino films ignite dream realms we are irresistibly attracted to. Designer tuxedos, champagne coupes clicking together, high- stakes suspense make us imagine members of an elite club in which we all stylishly roll dice.

    c) High-Stakes Human Drama

    Aside from the cards and chips, casino movies are all about dramatic narratives of greed, addiction, and redemption. When a bettor puts everything on one hand, we aren’t looking at a bet – we are looking at what people do when they are desperate or determined.

    Three Must-See Casino Movies of the Last Decade

    1. Molly’s Game (2017) – The Poker Princess

    Aaron Sorkin’s directorial debut tells the true story of Molly Bloom, who ran Hollywood’s most exclusive underground poker games. Jessica Chastain delivers a career-best performance as the Olympic skier turned poker entrepreneur. The film stands out for:

    • Riveting monologues that make poker strategy sound like poetry
    • An all-star cast of fictionalized celebrities (including a memorably awful Tobey Maguire)
    • A rare female perspective in the male-dominated gambling genre

    2. Uncut Gems (2019) – Anxiety Attack Cinema

    Adam Sandler shocked critics with his portrayal of Howard Ratner, a jewelry dealer and gambling addict spiraling out of control. The Safdie brothers direct this stress-inducing masterpiece featuring:

    • The most realistic depiction of gambling addiction ever filmed
    • A pulsating electronic score that mimics a gambler’s racing heart
    • A career-defining performance from Sandler that’s light-years from his comedies

    3. The Card Counter (2021) – Poker as Penance

    Paul Schrader’s haunting film follows William Tell (Oscar Isaac), a former military interrogator who channels his trauma into poker. Unlike typical casino movies, this focuses on:

    • The monastic discipline of professional card counting
    • How gamblers use ritual to cope with past demons
    • The quiet intensity of low-stakes games rather than Vegas spectacle.

    Casino movies work because they tap into our deepest fantasies and fears about risk-taking. They let us imagine what we’d do with a lucky streak or how we’d handle devastating losses when dealing with real online casino all from the safety of our seats. These three modern classics show how the genre continues to evolve, offering everything from pulse-pounding tension to deep character studies. So next time you want to feel the rush of the casino without leaving home, these films are your perfect bet. 



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  • Bethany Rooney and Mary Lou Belli Share Essential Advice in Directors Tell the Story

    Bethany Rooney and Mary Lou Belli Share Essential Advice in Directors Tell the Story


    Directors Bethany Rooney and Mary Lou Belli first teamed up 15 years ago to share their experiences in the moviemaking guide Directors Tell the Story: Master the Craft of Television and Film Directing. And while many things have stayed the same since then, plenty has changed — from streaming standards to the rise of intimacy coordinators to changes in the number of opportunities.

    This month, they release the third edition of the book, which is packed with practical gems and updated advice on how to make it as a working director. The directors, whose credits include Elsbeth, Tracker, Criminal Minds: Evolution, The Ms. Pat Show, Chicago Med, and many more, shared some thoughts with MovieMaker about the book and their prolific careers.

    We talked with them about starting out, letting the best idea win, and making room for new talent.

    MovieMaker: One section of the book details how directors got their first jobs. Can you tell us about your first directing jobs? 

    Bethany Rooney:  I started in the business as secretary to Bruce Paltrow and Mark Tinker on The White Shadow, then became the associate producer of St. Elsewhere, and then Bruce gave me my shot four years in. He believed in giving people their opportunity to direct — and I am forever grateful to him!

    Mary Lou Belli: I was an acting coach on the series Charles in Charge and shadowed the director, Phil Ramuno, who was generous enough to let me into both of his shot listing sessions on the aforementioned show and the editing room on another. The EP, Al Burton, gave opportunities to three other desiring women on that same series.

    MovieMaker: We have a regular feature called Things I’ve Learned as a MovieMaker. What would be one crucial thing you’ve learned making movies or television over the years?

    Bethany Rooney: I believe it’s a three-part process before you even shoot. First you imagine your story. Then you prep it: block and shot list or storyboard it. Then you communicate it. You tell your production designer, your first assistant director, your director of photography, your whole crew, “This is how I see it, this is what I’d like to achieve.” You get them on board with your concepts, hopefully, they’re wildly enthusiastic, just as you are. Then you get to do the really fun part: shoot it. Now you’re getting the actors on board. Now you’re making a movie!

    Mary Lou Belli: This is a people business. Your reputation depends on the impression you make and that is critical. It is important to be prepared so you are perceived as an artist who takes the craft seriously. Then it is vital to treat everyone with respect, knowing that they are your collaborators. And finally always give credit when someone has made a contribution.

    MovieMaker: What is one problem you’ve solved on a project that you made you particularly proud?

    Bethany Rooney: I keep having to learn this same lesson over and over. When I get behind in my schedule for the day, I need to take a look at what is left to shoot and figure out a way to accomplish it more quickly while still telling the story and maintaining the show’s style. The crazy thing is, those scenes are always my favorites! I think it’s because in that pressurized moment, my creativity becomes the driving force. I see the scenes differently, and allow myself to abandon standard coverage.

    Mary Lou Belli: During Covid, I had an actor sent home because she had tested positive. The part this actor was playing was pivotal to the scene. She would die by the end of it. I had already shot the master but had yet to finish coverage that would include her close up while she was pummeled with bullets.

    I had a suggestion from a camera operator who said that with a handheld camera, he could become the POV of that character watching her love interest, who was also dodging fire. That other character gave a magnificent performance — the camera operator “collapsed to the floor” while watching it. 

    This scene was based on a true life event of the death of Breonna Taylor.… It turned out to be so much better because this alternate way to tell the story humanized her death through the eyes of the man who loved her. I give credit to the camera operator for suggesting this, and I learned that the best idea wins.

    Directors Tell the Story Authors Bethany Rooney and Mary Lou Belli on Changes in TV

    MovieMaker: What recent trends do you see in film or television? Are they here to stay?

    Bethany Rooney: Streamers have a different paradigm: They get all the scripts written before they begin shooting. This means that they can cross-board the shooting schedules, which further means that directors are hired usually for a block of two episodes. So now there are four directors for eight episodes. And four other directors are without those jobs. It’s part of the contraction of the industry – and I hope that trend doesn’t stay. 

    Mary Lou Belli: I see shorter orders and a general contraction in the industry. Where I was used to  a TV season offering more opportunities for up-and-coming talented directors, there are just way less chances now. I hope this trend changes, I fear it might not. But it becomes more important for those lucky enough to be working to know that there will be less work, and if we want to ensure that up and coming talent gets a shot, we all have to be satisfied with less work.

    MovieMaker: What makes the latest edition of your book special?

    Bethany Rooney: Besides the fact that there’s a new chapter on Augmented Reality and Visual Effects, there’s a lot of updates on other areas of television production that have evolved in the past few years, especially as it was affected by the pandemic. Apps for directors, casting, intimacy coordinators, post-production, Zoom… We walk the reader through these new methods.

    Mary Lou Belli: All our new and updated info is presented with the spirit in which the 1st and 2nd edition were written: with an eye toward giving inside information through practical application. We don’t hold back about the knowledge we have acquired while we’ve been in the trenches or in some cases prepping to get in the trenches.

    For example, a director must study the show they are about to direct or would like to direct. By that keen observation, one figures out the style, tone and look of the show. We take the reader through that process and many more by sharing how we do it or things we have observed.

    MovieMaker: Why should every director have your book?

    Bethany Rooney: We have learned a lot by directing hundreds of episodes. We’ve also learned a lot by teaching the craft. It’s all practical, detailed, and road-tested. Both of us truly love directing television, and it shows on every page.

    Mary Lou Belli: It’s a handbook. It is reference tool. And hopefully it is path toward a dream.

    MovieMaker: What are you working on now?

    Bethany Rooney: An episode of Criminal Minds – season 19 (!) on Paramount Plus.

    Mary Lou Bell: I am wrapping the fifth season of The Ms. Pat Show where I direct as well as executive produce. I am returning in the fall to direct on another season of Elsbeth.

    Directors Tell the Story: Master the Craft of Television and Film Directing is available on pre-sale now. Get 20% off with code 25ESA1



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