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  • 13 Stars of the 1970s Who Are Still Going Strong

    13 Stars of the 1970s Who Are Still Going Strong


    Here are some stars of the 1970s are still going strong.

    Diane Keaton

    United Artists – Credit: C/O

    After breaking out with The Godfather, Diane Keaton hit icon status with Annie Hall (above) and has never let it go.

    After a run of films including Reds, Baby Boom, the Father of the Bride films, and Something’s Gotta Give, she returned in 2023 with the sequel Book Club: The Next Chapter. She was terrific in Mack & Rita, too. She’s terrific in everything.

    Say, whatever happened to that guy who played her husband in The Godfather films? What was his name again?

    Al Pacino

    Credit: C/O

    Oh, that’s right. Al Pacino, one of the greatest actors of the 1970s and all time, broke out with 1971’s The Panic of Needle Park (still haunting) before beginning a run of ’70s hits that included not just the first two Godfather films but also Dog Day Afternoon (above), and Serpico.

    In the ’80s, he mostly chose his shots carefully, settling on an iconic turn in Scarface. His spectacular ’90s run included an Oscar-winning role in Scent of a Woman — he’s ridiculously only one once, out of nine nominations — followed by Heat, Donnie Brasco, Devil’s Advocate and more.

    Recent highlights include Once Upon a Time in Hollywood, The Irishman, and a hilarious role in House of Gucci. Like others on this list, he has finally moved into television (OK, streaming) with Amazon’s Hunters.

    Pacino, 84, also appeared last year with Michael Keaton in Knox Goes Away, which Keaton directed, and in Modì, Three Days on the Wing of Madness, directed by his Donnie Brasco co-star, Johnny Depp.

    He also just released a new autobiography, and has made so many great movies we can think of at least five you’ve likely never heard of.

    Robert De Niro

    MGM – Credit: C/O

    Robert De Niro, a man with whom Pacino has repeatedly co-starred and jousted for roles, may also be his best competition for best actor of the 1970s (and perhaps ever?).

    After breaking out in 1970s roles including The Gang That Couldn’t Shoot Straight (above) and Bang the Drum slowly, he became a film icon with Mean Streets, The Godfather Part II (for which he won his first Oscar), Taxi Driver, and The Deer Hunter. Next came 1980’s Raging Bull, which earned him his second Oscar.

    His too-many to list roles between then and now include Goodfellas, Casino, Awakenings, Silver Linings Playbook, Heat, Jackie Brown, Midnight Run, and the Meet the Parents franchise. He earned the most recent of his Oscar nominations for The Irishman, which again paired him with Pacino and Martin Scorsese, though the film marked the first time he worked with both.

    He was also up for an Oscar for best supporting actor last year for his role in Killers of the Flower Moon.

    Jamie Lee Curtis

    Credit: C/O

    The latest winner of the Best Supporting Actress Oscar for Everything Everywhere All at Once may always be best known for her role as Laurie Strode in 1978’s Halloween (above), a role she has repeatedly revisited, including in the latest Halloween trilogy, before vowing that she will never play the character again.

    Her other career highlights have included widely varied roles in films from Trading Places to A Fish Called Wanda to True Lies to Knives Out.

    She earned raves for her latest, The Last Showgirl, alongside Pamela Anderson, and was one of the first stars to step up and pledge $1 million to support the recovery from the L.A. fires.

    Sylvester Stallone

    United Artists – Credit: C/O

    Despite a breakout role in 1974’s The Lords of Flatbush, Stallone wasn’t happy with the roles he was being offered. So he blacked out his windows to focus and wrote several screenplays, one of which turned out to be Rocky. Then he insisted on playing the title role and became one of the breakout stars of the 1970s.

    In the process, he helped invite the modern blockbuster — and franchise — and did it again with the Rambo films. Rocky led to Creed, in which Stallone starred in the first two installments. This year he’s back with the fourth and perhaps final Expendables film.

    All that and he decided to give TV a try, playing an ex-con who goes West in Tulsa King (above). He’s remarkably never gotten an Oscar, though Rocky won Best Picture and Best Director for John G. Avildsen.

    He’s also the subject of a compelling recent Netflix documentary about his life and career called Sly, and was recently named one of President Trump’s “Special Ambassadors to Hollywood.”

    Sally Field

    Universal Pictures – Credit: C/O

    We like her, we really like her. Sally Field, a two-time Best Actress Oscar winner for 1979’s Norma Rae (above) and 1984’s Places in the Heart, is also a 1960s star, thanks to her appearances on Gidget, starting in 1965, and the The Flying Nun.

    In roles from Sybil to Smokey and the Bandit to Mrs. Doubtfire to Forrest Gump to Lincoln, she demonstrated exceptional range, and mastery of award-ceremony speeches — her “You like me, right now, you like me” speech for Places in the Heart still holds a place in the heart of anyone who’s seen it.

    Last year she stood out in 80 for Brady, proving she’s still got comic chops — and a love of hot wings that took everyone by surprise. We also loved her in HBO’s Winning Time as Jessie Buss.

    Meryl Streep

    Universal Pictures – Credit: C/O

    Perhaps the greatest actress, period, Meryl Streep was already highly respected when she earned the first of her 21 Oscar nominations for her role in 1978’s The Deer Hunter (above), alongside a stellar cast that included Robert De Niro, and established herself in the process as one of the most promising stars of the 1970s.

    She has won an Oscar three times, once for Best Supporting Actress in Kramer v. Kramer, and twice for Best Leading Actress in Sophie’s Choice and The Iron Lady.

    Her endless list of films includes Out of Africa, Sophie Choice, Doubt, The Hours, the Mamma Mia films, The Devil Wears Prada, and The Post, for which she received her most recent Oscar nomination. She stole the show as pitiless President Janie Orlean in Don’t Look Up, and appeared recently in the Apple TV+ drama Extrapolations and Hulu’s Only Murders in the Building.

    Jodie Foster

    Columbia Pictures – Credit: C/O

    One of our all-time favorite actors — and a two-time Best Actress Oscar winner for The Accused and Silence of the Lambs — Jodie Foster broke into the industry with a Coppertone ad at age three.

    She quickly established herself as a powerhouse with astonishing range, starring in Freaky Friday and Taxi Driver in 1976, when she was barely a teenager, making her one of the youngest stars of the 1970s.

    She was back in crime-solving last year as the star of HBO’s True Detective: Night Country, and was up for an Oscar for best supporting actress for her role Nyad. She also just won a Golden Globe for Night Country.

    As for her Silence of the Lambs co-star…

    Anthony Hopkins

    20th Century Fox – Credit: C/O

    Anthony Hopkins broke out in 1960s roles including The Lion in Winter (1968) and Hamlet (1969), then found success in the 1970s with films like A Bridge Too Far (1977) and Magic (1978). He entered the next decade with The Elephant Man (1980).

    But things really took off with Silence of the Lambs (1991) — for which he won a Best Actor Oscar with just 16 minutes of screen time. From there he went on to star in films liike Nixon (1995), Amistad (1997), Hannibal (2001), The Human Stain (2003), Alexander (2004) and Hitchcock (2012). Along the way he’s also dropped into the Thor, Transformers and Mission: Impossible Franchises.

    But perhaps his best work of all was for 2020’s The Father, in which he earned his second Best Actor Oscar for his role as an octogenarian losing his faculties. He does almost everything in a role that an actor can do. His long list of awards includes four BAFTA Awards and an Olivier Award, as well as being knighted by Queen Elizabeth II.

    Hopkins, 86, was also excellent as an immigrant grandfather in 2022’s underseen Armageddon Time. His latest work includes Freud’s Last Session, in which he plays Sigmund Freud, and he just starred in Netflix’s new film Mary as King Herod.

    Clint Eastwood

    Universal Pictures – Credit: C/O

    Remarkably, Clint Eastwood isn’t just a star of the 1970s who is still going strong — he was a star in the 1950s, when he broke out in 1950s films including Francis in the Navy, The First Traveling Saleslady and Ambush at Cimarron Pass.

    The 1960s brought a steady role on the TV show Rawhide, and he became one of the most iconic stars of the 1960s in Sergio Leone’s “Man With No Name” trilogy: A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, The Bad and the Ugly (1966).

    He loomed large in the 1970s with the Dirty Harry franchise, Thunderbolt and Lightfoot, and Escape from Alcatraz, but he also notably launched his directing career in 1970 with 1971’s Play Misty for Me, in which he also starred (above).

    His stunning filmmaking career includes two Oscars each for directing and producing The Unforgiven (1993) and Million Dollar Baby (2005). His other outstanding films include Mystic River (2003), Letters From Iwo Jima (2006) and American Sniper (2014).

    Now 93, he continues to star in and direct films — his latest was 2021’s Cry Macho, and last year he released his latest film, Juror #2.

    Jane Fonda

    United Artists

    Jane Fonda broke out in 1960s hits like Cat Ballou, and buoyed her reputation with films like Barefoot and the Park and They Shoot Horses, Don’t They before the decade was over. (She also ended up on a lot of dorm walls thanks to 1968’s Barbarella.)

    But she owned the next decade, becoming one of the leading stars of the 1970s — and most acclaimed.

    In 1971, she won her first Best Actress Oscar for a daring turn in Klute, and won her second for 1978’s Coming Home (above), in which Fonda, one of Hollywood’s most outspoken progressives, acted opposite Jon Voight, who in recent years has become one of Hollywood’s most outspoken conservatives. It gives the movie and added layer of curiosity.

    She was nominated for four additional Oscars in a stellar career that also included 9 to 5, On Golden Pond (in which she starred with her father, Henry Fonda), The Morning After, Stanley and Iris, and Luck.

    Jane Fonda seems somehow busier than ever: She recently starred with Sally Field in 80 for Brady and Diane Keaton in Book Club: The Next Chapter, and just wrapped up a long TV run on Grace and Frankie.

    Steve Martin

    Universal Pictures – Credit: C/O

    Steve Martin seems like he hasn’t aged since his hair turned prematurely grey — and because his frantic comic energy seems boundless.

    After years of struggle, Steve Martin scored a Saturday Night Live hosting gig in October 1976 that finally won mass audiences over to his absurdist comedy. From there he packed arenas and made his first film, 1979’s The Jerk (above), a huge hit despite many critics’ failure to recognize its brilliance.

    From there he went on a run of hits that continues to this day, including Three Amigos (1986), Roxanne and Planes, Trains and Automobiles (both 1987), Dirty Rotten Scoundrels (1988), Parenthood (1989), Bowfinger (1999) the Father of the Bride films, the Pink Panther films, and It’s Complicated (2009).

    Now 79, he’s currently starring with his Three Amigos pal Martin Short on Hulu’s Only Murders in the Building, and will appear this weekend on NBC’s SNL 50: The Anniversary Special.

    Michael Caine

    MGM

    The 91-year-old winner of two Oscars, for 1986’s Hannah and Her Sisters and 1999’s The Cider House Rules, broke out in the 1960s with films including Zulu, Alfie, and The Italian Job, and kept in stride throughout the 1970s with classics including Get Carter and A Bridge Too Far. 

    Decades later, the dashing actor gained a new generation of film fans in Christopher Nolan’s Dark Knight trilogy — an experience he discusses in the new memoir Don’t Look Back, You’ll Trip Over: My Guide to Life, on sale March 25 from Mobius. You can read an excerpt of it here.

    His most recent film was 2023’s The Great Escaper.

    Jacqueline Bisset

    Films of 1977
    Columbia Pictures – Credit: C/O

    British star Jacqueline Bisset broke out in 1968 with roles in The DetectiveBullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. She spent the 1970s decade making good on that promise, starring in films including Airport — the second highest-grossing film of 1970 — as well as Murder on the Orient Express, St. Ives, and The Deep, one of the biggest hits of 1977, a crucial year for film.

    She also earned a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical in Who Is Killing the Great Chefs of Europe, and made the ageless masterpiece Day for Night (1973), which won the Academy Award for Best Foreign Language Film and feels as fresh today as it ever did.

    She has never stopped working, and thriving, in both film and television. Her latest film is the new Western Long Shadows, in which she stars with Dermot Mulroney.

    Harrison Ford

    Universal Pictures – Credit: C/O

    You knew this one was coming, right? After breaking out in The Conversation and American Graffiti (above), he wasn’t yet one of the biggest stars of the 1970s. But Harrison Ford legendarily snagged the role of Han Solo in Star Wars while agreeing to run lines with actors auditioning for the film.

    Soon he was starring in Blade Runner, Working Girl, two Jack Ryan movies and of course the Indiana Jones films, the latest of which, Indiana Jones and the Dial of Destiny, opened last year. Ford promises he’s done with the whip and fedora, but given his seemingly boundless energy, who can say?

    Ford also stars on the hit Yellowstone prequel 1923, and, as we mentioned, appears this week in Captain America: Brave New World, playing the president of the United States… who turns into a red Hulk.

    Like This List of 15 Stars of the 1970s Who Are Still Going Strong?

    Paramount – Credit: C/O

    You might also like this list of Classic Movies That Bombed at the Box Office, including the 1970s classic Willy Wonka and the Chocolate Factory, above.

    Main image: Sally Field in Smokey and the Bandit. Universal Pictures.



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  • 15 Classic Black and White Movies That Are Still a Pleasure to Watch

    15 Classic Black and White Movies That Are Still a Pleasure to Watch


    if you think classic black and white movies are dull, we hope this list will change your mind.

    The General (1926)

    Credit: C/O

    The next time a CGI movie makes you sigh with its lack of style and verve, you’ll feel especially awed by The General, a silent black and white movie masterpiece that pretty much epitomes the concept of pulling out all the stops.

    Buster Keaton’s character helping the Confederate Army hasn’t aged well. Everything else has. A bit of a bomb in its time, The General is stunning now thanks to its clockwork inventiveness and derring-do. It’s hard to believe anyone made anything this ambitious, so early in the life of cinema.

    Keaton, known as the great stone face, throws his body into violent-yet-comic hazards without changing his expression — a skill he developed while being kicked around vaudeville stages by his father, hence the nickname “Buster.” Okay, maybe that didn’t age so well, either.

    Metropolis (1927)

    Credit: C/O

    Fritz Lang’s silent, expressionistic Metropolis somehow still feels futuristic and avant-garde nearly 100 years after its release.

    Operatic and vast in scope, it’s a visual feast that moves much slower than modern films — which is a sheer joy if you can allow yourself the time.

    Also, it’s moral, literally spelled out in the final inter-title – feels especially relevant in the age of A.I. It is simply: “The Mediator Between the Head and the Hands Must Be the Heart.”

    Originally 153 minutes long, Metropolis has been frequently recut, and while we aren’t big fans of chopping down a great director’s work, we think you can grasp the gist of the film with one of the shorter versions.

    It Happened One Night (1933)

    Clark Gable and Claudette Colbert in It Happened One Night. Columbia Pictures. – Credit: C/O

    One of two Frank Capra films on this list. It Happened One Night is a screwball comedy that inspired countless road movies and rom-coms, almost none of them as good.

    Clarke Gable and Claudette Colbert have electrifying chemistry as, respectively, a newspaper reporter on the make and a socialite on the run, trying to reunite with her husband. Yes, husband: This movie is fairly gleeful endorsement of extramarital love, and It Happened One Night could get away with that sort of thing because it came out just before the restrictive Hays Code took effect.

    It also endorses showing a little leg (shame!) while hitchhiking (shame! shame!). It may leave you with the impression that life was a little more fun about a hundred years ago.

    Casablanca (1942)

    Credit: Warner Bros.

    When people say they love old movies, this is likely the old movie they’re picturing. It’s perfect from beginning to end.

    Ingrid Bergman, who also appears later on this list, is captivating as Ilsa Lund, a woman torn between love and her duty to fight fascism. Humphrey Bogart, as her ex-lover Rick, is as good a male lead as any movie had ever had.

    But Casablanca is a movie where every single person is giving it their all, from director Michael Kurtiz to writers Howard Koch and Julius and Philip Epstein.

    Everyone has their favorite moment, but ours is “I’m shocked, shocked” which we think about every time we read the latest headlines.

    The Postman Always Rings Twice (1944)

    Credit: C/O

    If you ever long for the good old days, watch this one to remind yourself that people of the past were anything but naive.

    John Garfield makes being a drifter look like a good life choice when his character, Frank, wanders into a service station operated by the stunning Cora (Lana Turner). Unfortunately, she runs it with her husband.

    Frank and Cora work out a little scheme to take care of that obstacle. It goes about as well as you’d expect if you’ve ever seen a ’40s noir.

    Double Indemnity (1944)

    Credit: C/O

    The most fun movie ever made about insurance, this noir extravaganza sizzles off the screen in moments like the anklet scene — aka the “how fast was I going” scene — between Fred McMurray as an insurance man and Barbara Stanwyck as a scheming client.

    It never goes too fast, which somehow makes it all the more wildly seductive.

    It inspired many (often color) films, including 1981’s very good Body Heat, but we still prefer the black and white movie.

    High Noon (1952)

    Gary Cooper and Grace Kelly in High Noon. United Artists. – Credit: C/O

    High Noon seems to fly by as it unfurls in real time over the 85 tight minutes leading up to the title. Gary Cooper plays Will Kane, a New Mexico marshall ready to ride into the sunset with his new bride Amy (Grace Kelly).

    But Frank Miller, a brutal outlaw Kane once sent to prison, will arrive in town at noon, as his gang is ready to meet him. Everyone would understand if Kane slipped out of town to let someone else deal with the disaster to come.

    But that’s not what he does.

    It’s a Wonderful Life (1946)

    Credit: C/O

    Did you make it through another holiday season without watching this Frank Capra gem?

    If so, like many of us, you may wrongly remember it as a sweet little affair. But no. The film is surprisingly honest about how much failure and struggle are part of the cost of living, and makes a clear-eyed case about why it’s still worth it to press on.

    Also, we have to agree with this tweet about how the phone scene between Donna Reed and Jimmy Stewart, despite its lack of anything gratuitous, is pretty hot.

    Notorious (1947)

    Old Movies
    Ingrid Bergman in Notorious. RKO Radio Pictures. – Credit: C/O

    The Alfred Hitchock films of the 1950s and ’60s could get a little slow — but Notorious crackles from start to finish thanks to the presence of one of the all-time greatest actresses, and magnetic lead characters.

    Ingrid Bergman is magnificent as Alicia Huberman, whose virtue and morality are in constant question. She juggles endless demands and expectations, keeping her intentions a mystery until the very end.

    Cary Grant as T.R. Devlin, a U.S. agent who recruits her. When people start falling in love, things get very tricky.

    All About Eve (1950)

    Credit: C/O

    From the start of theater critic Addison Dewitt’s very unreliable narration (wryly delivered by George Sanders), you know you’re in excellent hands with this showbiz satire written and directed by Joseph L. Mankiewicz.

    Bette Davis plays a Broadway star who won’t give up the spotlight, and Anne Baxter is Eve Harrington, a shrewd manipulator ready to take her place. It’s a dynamic we’ve seen a million times since, from The Devil Wears Prada to Showgirls, but no one’s done it with more wit than All About Eve.

    When a young Marilyn Monroe is the seventh or eight billed person in the cast, you know you’ve got an incredible lineup of actors.

    The Sweet Smell of Success (1957)

    Credit: C/O

    TMZ might want to take notes from this noir classic, a story of a showbiz columnist, J.J. Hunsecker (Burt Lancaster) who rules Broadway with a velveted fist.

    Ruthless press agent Sidney Falco (Tony Curtis) toadies up to him, but proves to be pretty clever himself, as he tries to break up a relationship between Hunsecker’s little sister Susan (Susan Harrison) and a jazz guitarist.

    It’s also one of the most beautifully shot black and white movies — the lights of Broadway have never felt so hot.

    The Apartment (1960)

    Credit: C/O

    You’ll find yourself saying again during The Apartment: They made this in 1960? A Mad Men-era story of sex and ambition — and an obvious Mad Men influence — the film is about a young clerk on the make (Jack Lemmon) who has to loan out his apartment to executives who use it for secret trysts with vulnerable women, including one played by an adorable, and vulnerable, Shirley MacLaine.

    You quickly finding yourself rooting hard for the have-nots in this film about refusing to bend over for the man.

    MacLaine, Lemmon, director Billy Wilder and screenwriter IAL Diamond reunited three years later for Irma la Douce, which revisited some of the themes of The Apartment. It’s not a black and white movie, but don’t hold that against it.

    Psycho (1960)

    Janet Leigh in a promotional image for Psycho. Paramount. – Credit: C/O

    We know, everyone thinks first of the shower scene. But Psycho hooks you long before that with its setup: Janet Leigh’s Marion Crane robs her boozy boss to flee across the Arizona desert to the arms of her deadbeat boyfriend. It’s juicy as hell, even before she checks into the worst possible hotel.

    The only thing that keeps Psycho from perfection is its stodgy expository ending that feels unnecessary now, but may have been helpful for a 1960 audience that hadn’t yet seen a million movies about psychos.

    You know how Shakespeare plays can feel cliched, but only because they were the first to do something that later inspired countless shallow imitations? Psycho is exactly like that.

    The Third Man (1949)

    British Lion Film Corporation – Credit: C/O

    Joseph Cotten plays pulp novelist Holly Martins, who arrives in ghostly postwar Vienna to investigate the death of an old friend, Harry Lime. But things aren’t as they seem.

    The highlight is an utterly chilling little monologue by Orson Welles as he and Cotten ride a Ferris wheel and look at all the little people below.

    Breathless (1960)

    Credit: C/O

    We could tell you about all the great film deconstruction critic-turned-director Jean-Luc Godard is doing in this sexy, breezy girl-and-a-gun French crime thriller, but just watch it. You’ll be blown away by how fresh and cool it feels all these decades later.

    Also, if you’re not a fan of subtitles, a lot of it is in English. This is one of those black and white movies that may sound like it’s going to be a challenge, but turns out to be as fun as anything you’ve ever watched.

    Liked This List of Black and White Movies That Are Still a Sheer Pleasure?

    Old Movies of the 1960s That Are Still a Pleasure to Watch
    Credit: C/O

    You might also like this list of the 1960s Classic Movies That Are Still a Pleasure to Watch. Several are, yes, black and white movies.

    Main image: Ingrid Bergman in Notorious. RKO Radio Pictures.





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