Wednesday Addams from the show Wednesday is the Netflix character whose style is copied the most with 4,884,650 monthly searches tied to her fashion. The black dresses, white collars, and moody visuals have clearly become more than just a costume, they’re a full-blown trend.
Portrayed in The Crown, Princess Diana comes in second with 643,810 monthly searches. Her look channels vintage luxe and what many call an old money vibe. Her 80s and 90s staples, like pastel suits and classic knits, have found new life with fashion-forward audiences.
Daphne from Bridgerton is third, drawing 613,330 monthly searches with her feminine, fairy-tale regencycore style. Flowing empire-waist dresses, pastel tones, and ornate detailing bring a fantasy element that makes her wardrobe a favorite among fans looking for elegant escape.
Emily Cooper from Emily in Paris ranks fourth with 502,610 monthly searches. Her outfits are bold and full of personality, think bright prints, designer bags, and dramatic layering. Her fashion choices may be over the top, but that’s exactly why they stand out.
Stranger Things’ Eleven’s look has changed over time, and her evolving style keeps fans interested. She ranks fifth and gets 145,440 monthly searches. Early on, her outfits had a tomboy feel. Later, she adopted more vintage 80s styles that viewers now see as cool and collectible.
Eddie Horniman from The Gentlemen, comes in sixth, and brings 79,280 monthly searches with his relaxed but stylish wardrobe. Think countryside jackets, textured fabrics, and simple layers. It’s a grounded look that gives off confidence without being flashy.
In seventh, Ruby Matthews from Sex Education, picks up 59,090 monthly searches for her confident, fashion-forward style. Her wardrobe is all about bold pieces, tight fits, and standout accessories. It’s a modern version of the classic popular-girl look.
Another character from Emily in Paris, Sylvie Grateau, gets 57,090 monthly searches, mostly for her sharp, minimalist fashion and ranks eighth. She wears clean, tailored pieces in muted tones, exactly the kind of wardrobe that says power and elegance without trying too hard.
In ninth place, the third Emily in Paris character Camille Razat pulls in 36,300 monthly searches with her softer, more understated French style. Her outfits are simple and sleek, making them easier to wear in real life. They give off that effortless vibe people often associate with Paris.
Maeve Wiley, the second Sex Education character finishes the list with 18,040 monthly searches. Her look is bold in a different way, with dark clothes, chunky boots, and a hint of punk. It’s the kind of style that stands out without needing color or flash.
A spokesperson from Kaiia commented on the study: “Streaming characters are setting real-life fashion trends. Viewers aren’t just watching, they’re searching for these outfits and using them as style guides. This shows how much influence on-screen wardrobes can have, especially when they offer something bold, nostalgic, or aspirational.”
Does anyone get excited for the birth of their fourth child? Or seventh? Or is it more like that feeling you get when you fit piece number 2000 in that last hole in the jigsaw puzzle? You know what I’m talking about. You’re excited when you dump the pieces out of the box and find all of the edges. You’re still pretty into it as you assemble the major features of the picture.
But when all that’s left is the monotonous portions of sky and water, you grit your teeth and methodically try to fit every single remaining piece into every single remaining opening, silently cussing every time a piece doesn’t fit. As that last piece settles in, you feel relief at finishing it, mixed with the thought, “I’m never doing a puzzle again.” Is this still an analogy to having kids? You decide. Bet you’re wondering how many kids I have.
That’s also the entirety of the Jurassic Park/World franchise. Jurassic Park was new exciting, and awesome. Every film after that has been increasingly disappointing to the point where you have to question your sanity for continuing to go back for more. You’ll even lie to yourself that number four (Jurassic World) was better than most. Am I still actually talking about kids? You know you’re thinking it.
Jonathan Bailey and Scarlet Johansson star in “Jurassic World Rebirth” (2025). Photo courtesy of Universal Pictures.
Jurassic World: Rebirth is what happens when you’ve run out of ideas. Scratch that, Jurassic World: Fallen Kingdom is what happens when you run out of ideas. Rebirth is what happens when you have a midlife crisis and don’t care that you ran out of birth control. Despite its title implying a reboot of the franchise, Rebirth is just another sequel in the franchise.
Synopsis
To be fair, it does kinda-sorta reboot in that it’s five years later and Earth’s climate has killed the vast majority of the dinosaurs not living around the equator. The military isn’t trying to weaponize them, nobody is trying to sell them on the black market, and there isn’t a prehistoric locust to be found anywhere. There isn’t even a third attempt to build an amusement park or zoo around them. That leaves pharmaceuticals.
That’s right folks. This time around, dinosaurs are going to cure…checking notes…heart disease? That’s it? Nothing lofty like cancer or Alzheimer’s? And, they’re not even really going to cure it, just treat it so people can live ten to twenty years longer? I guess from a how-do-we-make-as-much-money-as-possible angle, treating heart disease would be rather lucrative. Those GLP-1 medications are making boatloads of money.
If you’re confused, dinosaurs aren’t ‘literally’ curing heart disease. However, that would be an interesting scene – a velociraptor wearing a lab coat and stethoscope walking toward a patient with a syringe. Wasn’t that a Dr. Who episode? [Googles for five minutes] Anyway, pharmaceutical executive Martin Krebs (Rupert Friend) puts together a team to go on a quest to obtain blood samples from three of the largest dinosaurs to ever live.
Like all good video games, each dinosaur inhabits a different biome, providing a different setting for each MacGuffin. In this case, sea, land, and air. Why the largest animals? They lived the longest and had the biggest hearts. Why three different species? Diversity, I guess. And to make sure you understand how video-game-like this all is, two of the three dinosaurs are the kind that want to eat them.
Discussion
It’s not that the filmmakers couldn’t have made an exciting movie featuring the team hunting for one elusive herbivore. Or even getting close enough to the land dinosaur (Titanosaurus) by overcoming a bunch of sharp teeth-related obstacles. They just chose to go with the most obvious excuse to include harrowing scenes featuring a Mosasaurus (sea) and Quetzalcoatlus (air) – to send the team of humans to the carnivores.
The team itself is a by-the-numbers quest team. In addition to the money guy, there’s the wheelman – boat captain Duncan Kincaid (Mahershala Ali), the brains – paleontologist Dr. Henry Loomis (Jonathan Bailer), the muscle/dino chow (Ed Skrein, Bechir Sylvain, Philippine Velge), and the team leader – mercenary Zora Bennett (Scarlett Johansson). All this sounds like a perfectly fine summer action blockbuster, right?
Bechir Sylvain, Jonathan Bailey, and Scarlet Johansson star in “Jurassic World Rebirth” (2025). Photo courtesy of Universal Pictures.
Here’s where it gets redundant and pointless – a second group of people gets tangled up in the mission. Reuben Delgado (Manuel Garcia-Rulfo) is sailing across the ocean with his two daughters, Teresa (Luna Blaise) and Isabella (Audrina Miranda), and Teresa’s stoner boyfriend Xavier (David Iacono).
After the Mosasaurus capsizes their boat (and inexplicably doesn’t finish the job and eat them), they are rescued by Zora and crew. When they all get to the island, the two groups are separated, and the film jumps back and forth between the fetch quest crew and the stupid family drama. And all because there is a clause in the franchise contract (or so I’m told) that requires children to be put in peril. Don’t pretend you aren’t rooting for these annoying vestigial screenplay organs to become a dinosaur’s late-night indigestion.
Further Analysis
Here’s where it gets worse. In a nod back to Jurassic World, Jurassic World Rebirth features more mutant dinosaurs. One is a cross between a raptor and a pterosaur, and the other is a cross between a xenomorph and a rancor. No, I’m not mixing my movies. The Distortus Rex (a name I didn’t makeup) looks like if Return of the Jedi and Alien got drunk and, nine months later, the result was a baby no mother could love.
And that just about sums up the movie as a whole. Okay, so maybe that’s a little harsh. Jurassic World Rebirth isn’t the worst movie in the franchise. That’s because Jurassic World: Dominion exists. And this latest film does have a few really fun action sequences, including our old friend the T-Rex. And, Johansson, Ali, Bailey, and Friend give pretty good performances when they easily could have phoned them in and nobody would have noticed or cared.
Conclusion
Between the unnecessary Delgado family, the insipid and lazy mutant dinos, the film consisting largely of rehashing stuff from its preceding films, and two Titanosaurs getting to second base with each other as the humans watch in awe, Jurassic World Rebirth inspires the same question as every family with several children – are we done yet?
Rating: Ask for seventeen dollars back and call your doctor if you experience blurred vision, bleeding from the ears, involuntary eye-rolls, memory loss, a severe drop in IQ, or a strong desire to throw Junior Mints at people who unironically clap at the end of this movie.
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There’s something magical about casino movies that keeps us glued to the screen. Maybe it’s the way the roulette wheel spins with our hearts racing, or how a poker player’s blank face hides a world of strategy. These films transport us to a world where fortunes change with a single card flip, where ordinary people become high-rolling risk-takers, and where the line between smart play and dangerous obsession blurs beautifully. Online casino movies aren’t just about gambling – they’re about human nature, everyone’s dreams of easy money, and the thrilling dance between luck and skill. Here’s why we can’t look away from these cinematic gems, along with three recent films that mastered the art of the gamble
Compelling reasons Why People Like Casino Movies
a) Thrill of Risk with no Reckoning
You will experience the excitement of gambling without losing our shirts. You can cheer when someone puts everything on a poker bet or hold our breath as dice roll across a table, secure in the fact that our money is still in our pockets. It’s a rush – like riding a rollercoaster from the safety of our own chair.
b) The Style And Luxury
From Monte Carlo’s glittering chandeliers to Vegas’ lights, casino films ignite dream realms we are irresistibly attracted to. Designer tuxedos, champagne coupes clicking together, high- stakes suspense make us imagine members of an elite club in which we all stylishly roll dice.
c) High-Stakes Human Drama
Aside from the cards and chips, casino movies are all about dramatic narratives of greed, addiction, and redemption. When a bettor puts everything on one hand, we aren’t looking at a bet – we are looking at what people do when they are desperate or determined.
Three Must-See Casino Movies of the Last Decade
1. Molly’s Game (2017) – The Poker Princess
Aaron Sorkin’s directorial debut tells the true story of Molly Bloom, who ran Hollywood’s most exclusive underground poker games. Jessica Chastain delivers a career-best performance as the Olympic skier turned poker entrepreneur. The film stands out for:
Riveting monologues that make poker strategy sound like poetry
An all-star cast of fictionalized celebrities (including a memorably awful Tobey Maguire)
A rare female perspective in the male-dominated gambling genre
2. Uncut Gems (2019) – Anxiety Attack Cinema
Adam Sandler shocked critics with his portrayal of Howard Ratner, a jewelry dealer and gambling addict spiraling out of control. The Safdie brothers direct this stress-inducing masterpiece featuring:
The most realistic depiction of gambling addiction ever filmed
A pulsating electronic score that mimics a gambler’s racing heart
A career-defining performance from Sandler that’s light-years from his comedies
3. The Card Counter (2021) – Poker as Penance
Paul Schrader’s haunting film follows William Tell (Oscar Isaac), a former military interrogator who channels his trauma into poker. Unlike typical casino movies, this focuses on:
The monastic discipline of professional card counting
How gamblers use ritual to cope with past demons
The quiet intensity of low-stakes games rather than Vegas spectacle.
Casino movies work because they tap into our deepest fantasies and fears about risk-taking. They let us imagine what we’d do with a lucky streak or how we’d handle devastating losses when dealing with real online casinoall from the safety of our seats. These three modern classics show how the genre continues to evolve, offering everything from pulse-pounding tension to deep character studies. So next time you want to feel the rush of the casino without leaving home, these films are your perfect bet.
