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  • 28 Years Later review – Danny Boyle is finally…

    28 Years Later review – Danny Boyle is finally…



    Like a rabid zombie with a wanton desire to gorge mindlessly on its prey, filmmaker Danny Boyle has got a bloody sweet tooth for nostalgia lately. From publicly despoiling a copper-bottomed cult classic for cringey call-back kicks (Trainspotting 2), to appeasing the gold” radio crowd (Yesterday) and reframing the punk era as a dressing-up box farrago (TV series Pistol), he’s drawn heedlessly to the amber glow of youth and happier, more fruitful times of days yonder.

    You might deduce a hint of autobiography, then, in his new film 28 Years Later, which introduces a closed society of Northumbrian island dwellers who have experienced no technological or social evolution since the initial outbreak of the Rage virus that was documented in 2002’s frisky genre hit, 28 Days Later. A benign form of socialism has taken over, and this close-knit group of survivors have been able to subsist and persist via collective endeavour and unselfconscious empathy, sharing food and supplies and embracing a level of full-tilt social equality that would have a Tory grandee scoffing into his kedgeree. 

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    The British mainland, meanwhile, has been left to fester, now a global no-go territory and under strict quarantine from Europe (sound familiar?). While many of the infected have also succumbed to the ravages of time, some have also evolved into a supercharged breed that, with their non-verbal yowling and distaste for clothing, resemble a new iteration of pre-historic man. And leading the packs are the dangerous new alpha” variants, immune to the slings and arrows of the islanders and apparently the product of steroids present in the original strain.

    Where the original film leached on the bleeding edge aesthetics of the Dogme 95 movement, with its use of consumer grade digital cameras to immerse us in all the blood-vomiting detail of the urban apocalypse, this new one opts for a mix of classical high definition vistas as best to emphasise the bucolic splendor of northern England. Yet there’s still great glee taken in having us monitor the explosive exit wounds caused by arrows hitting their targets directly in the face.

    The story follows 12-year-old Spike (Alfie Williams) whose loving, burley pops Jamie (Aaron Taylor-Johnson) is making him an extra large fry-up this morning, as he’s heading to the mainland for his first foraging mission. Upstairs, his ailing mum Isla (Jodie Comer) writhes around in bed, suffering from an illness that no-one can diagnose or assist with, as there is no-one with medical training on the island. 

    Without going into too much detail, the film is as fervent in its love for the NHS and socialised medical provision as was Boyle’s 2012 Olympic opening ceremony, praising the presence of doctors even when they don’t have the tools to help those who are suffering. And it also offers a stinging critique of all those who actively yearn for the halt of progress, and what we see here is the horrible upshot of what a country would look like if indeed the clocks were to grind to a halt. 

    The first half of the film sees Spike and Jamie tooled up and ready to do battle with the infected, while the second focuses on the son’s attempts to find some relief for his mother. There are a number of references and influences at play, including fantasy franchise building like The Hunger Games movies, and some of the more outré modern folk horror offerings, such as those by Ben Wheatley. Screenwriter Alex Garland is someone who has been vocal in his love and respect for modern video games, and the dynamic here, with the insistently paternal father clashing with the rebellious son, feels like an homage to the 2018 title God of War.

    There are little suggestions of allegory and satire in the mix, but Garland has this time managed to find a nice sweet spot where meaning and message don’t choke the story as a whole. Boyle, meanwhile, shows us some of the old magic in the various action set pieces, especially the ones where the alpha and its mighty, swinging member become involved. Tonally, the film is all over the shop, but never to the point where things don’t feel fluid or coherent. Anachronism is used for humour, particularly in a climactic scene which, for this viewer, might be considered one of the most jaw-dropping and bold in recent memory. A mic-drop moment par excellence

    It’s a film which manages to have its daft thrills and convincingly pivot to wistful philosophical introspection, and while there are certainly some rough edges and unexplored plot avenues, it probably counts as one of Boyle’s strongest works this century. This one needs to do numbers to ensure that the entire trilogy comes to fruition (Nia DaCosta’s second instalment is in the can and arriving early 2026), and we can honestly say something now that we haven’t been able to say for a long time: Danny deserves your dosh.

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  • 28 Ways Later | Little White Lies

    28 Ways Later | Little White Lies



    If Danny Boyle and Alex Garland’s much-feted 28 Years Later taught us anything, it’s that the UK has struggled to cope with being Ground Zero for a zombie apocalypse. Cut off from the rest of the world, the nation’s infrastructure and culture crumbled at the point of origin: sometime in late 2001 (when 28 Days Later was filmed). With this in mind – plus the gonzo out-of-nowhere ending of the film, largely indecipherable to non-British audiences with no knowledge of who Jimmy Saville is – we’ve been thinking. How else might the rage virus and demise of the British Isles impacted the world? Until Alex Garland reveals more lore in 2026’s 28 Years Later: The Bone Temple, allow us to speculate…

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    1. The last-ever Premier League table is topped by Sam Allardyce’s Bolton Wanderers.
    2. Based on the streaming video capabilities of the circa-2001 internet, it is unlikely that any survivors, certainly by the time of 28 Years Later, had ever rubbed one out to online pornography. Old copies of FHM and Loaded have become their own form of currency.
    3. The cast of recently-broadcast sitcom The Office tragically succumbed to the rage virus, ensuring that Ricky Gervais’ career never took off and that the US was never really exposed to it in any meaningful capacity. Mike Schur never remakes the show for a US audience, thereby narrowly avoiding ruining network television for years to come.
    4. JK Rowling’s brain worms were unable to fight back the rage virus, and the final three Harry Potter books were never written. Not only does this lead to the anti-trans movement in the UK never really taking hold, it results in the first Harry Potter movie never being released in late 2001. Decades later, people talk about it like The Day the Clown Cried.
    5. Without music execs Simon Fuller and Simon Cowell living long enough to ensure Pop Idols success, American Idol and The X Factor never exist, completely changing the television and music landscape of the 2000s. More tragically: One Direction were never formed.
    6. Margaret Thatcher, who began to exhibit symptoms of memory loss around 2000 but did not retire from public life until early 2002, died not of a stroke but of being eaten by an infected, and was almost certainly lucid enough to understand what was happening.
    7. Similarly, Britain’s then-Prime Minister, Tony Blair, was eaten by a zombie while trying to flee the capital on a chopper shortly after giving a radio broadcast urging the nation to maintain calm and dignity.
    8. Charli XCX survives the rage virus as a child, but instead of dedicating her life to music, she starts her own Jimmy-style cult in Essex, in which she refers to all her peers as brats. As such, Brat Summer still happens. Just with more severed heads.
    9. Banksy, who was in Mexico in 2001 working with an art activism collective, inadvertently survives by virtue of being out of the country. He becomes even more famous, his art gets even worse, and he wins the Nobel Peace Prize for installing a large mirror against the exterior wall of the abandoned British Consulate in New York, with a sign that reads The Real Zombie’.
    10. Instead of Love Island ever coming to pass, a reality television series funded by a French production company is briefly piloted. Entitled Peste Île’ (Plague Island) it sees a team of wilderness enthusiasts attempt to survive in the Forest of Dean for a fortnight. The project is abandoned after all 20 contestants die within a week.
    11. The final Number One single the UK ever experienced was Bob the Builder’s cover of Mambo Number Five.
    12. After word gets out about the rage virus first developing in apes, animal testing is banned globally. Greater awareness and empathy towards the great apes leads to greater conservation efforts; none of the species are endangered.
    13. Paddington Bear never received a revival via Paul King’s charming films. Instead, following global demand for British nostalgia products, it is Rupert the Bear who becomes the world’s favourite fictional ursine character.
    14. With no internet and limited access to power, watching VHS tapes is a rare treat for the people of England. Mostly they relay what they remember of old films and television shows through word of mouth. This leads to some obvious embellishments and alternate versions. No one can agree on what exactly Noddy was.
    15. Elton John, who was in LA at the time of the outbreak, recorded another charity version of Candle in the Wind’ dedicated to all those lost to the rage virus. All the proceeds go to survivors who made it out of the United Kingdom before it was declared a no-go zone.
    16. The loss of the UK actors delays the production of the television adaption of George R. R. Martin’s Game of Thrones even more than it already was, and the author feels less pressure to fulfil expectations. At the same time he also doesn’t become embarrassingly rich, which reduces his distractions. The A Song of Ice and Fire’ series concludes in a timely fashion. Eventually plans for a television adaptation are abandoned altogether because they can’t find enough actors who can do good Northern accents.
    17. Boris Johnson is tragically killed trying to prove zombies are perfectly harmless with the right handling” during a publicity stunt in an aborted mayoral campaign for the London enclave.
    18. As we see in 28 Years Later, the Angel of the North remains standing – as do many of the UK’s landmarks, including the Clifton Suspension Bridge and the Folkestone White Horse. Big Ben, however, stops bing-bonging three years into the pandemic due to lack of maintenance. The large crowd of zombies drawn towards it every hour due to the noisy bing-bongs are most confused.
    19. Top Gear never aired, thus preventing a generation of men from building their entire sense of humour around it.
    20. Due to the chaos of the virus, many animals escaped from zoos. Although most were eaten by the infected or desperate humans, some survived and even thrived. Notable additions to the UK wildlife include a herd of zebras running loose on Cannock Chase and Chester Zoo’s big cat collection, who thrive on the England/​Wales border.
    21. Gorillaz only released a single, self-titled album, with the fate of Albarn and Hewlett unknown to the wider world, elevated to mythical status. But in reality, they continue to work on the project well into the end times. Demon Days’ never makes it out of the UK, but becomes the stuff of legend within the island, with bootlegs cassettes duplicated and shared around by travelling merchants.
    22. The Oscars’ annual In Memorium’ segment was replaced with a musical tribute to Great Britain. There was a tasteful powerpoint featuring various British actors who succumbed to the virvirus,ile Elton John performed his new cover of Candle in the Wind’.
    23. Die Another Day was never filmed, and Pierce Brosnan’s time as Bond finished with The World Is Not Enough. After a decade of warring over the rights, Hollywood went ahead with a reboot. It absolutely tanked.
    24. A decade after the rage virus outbreak, David Fincher and Aaron Sorkin teamed up to make a tasteful drama about it called The Viral Network’. It won Best Picture at the 2012 Oscars.
    25. Meanwhile, numerous film projects are scrapped in the interest of good taste because their disease-related plots are considered to be too soon.” The zombie genre is effectively dead for at least a decade, while academics pontificate on how in retrospect, it’s obvious that the pop culture about pandemics was a collective anticipation of Rage. George R. Romero retires and lives the rest of his life in haunted shame for things he really has no control over. However, in the early 2010s, an upstart filmmaker named Eli Roth (whose debut, Cabin Fever, was shelved due to the outbreak) makes the first major zombie movie in a long time, drawing tremendous controversy but a huge box office take, reviving the genre.
    26. Prince William, on his gap year in Africa, is the only surviving member of the Royal Family after the Queen Mother turned and infected everyone at Sandringham. He resettles in Cape Town and in subsequent years haunts the European party circuit, befriending the deposed Hapsburg and Bourbon claimants, and waving to an increasingly indifferent crowd at F1 races (which Verstappen dominates to a tiring degree in the absence of Lewis Hamilton). He is referred to colloquially as The Dauphin of Rage Island”.
    27. The Great British High Street is frozen in time at its zenith. No vape shops, no American candy shops, no Harry Potter souvenir shops or Cash Converters. On TikTok, teenagers post grainy photographs of random British town centres with Take me back to this <3’ set to Robbie Williams’ Angels’.
    28. For obvious reasons, the 2012 London Olympics never happened. Danny Boyle never directs the opening ceremony. Hang on…did Danny Boyle survive the zombie apocalypse? 





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  • 28 YEARS LATER Review: Don’t Call Them Zombies


    Introduction

    The hype was real leading up to the worldwide rollout of director Danny Boyle and writer Alex Garland’s long-awaited film, 28 Years Later, on June 19, 2025. 28 Days Later (2002), directed by Boyle and written by Garland, reinvigorated the undead sub-genre of horror by reimagining the concept of the zombie in a raw, visceral, and contemporary way. Unlike the traditional slow-moving, undead corpses popularized by George A. Romero’s ‘Dead’ films, Boyle’s infected were fast, feral, and driven by rage.

    Shot on digital video, the film’s gritty, documentary-style visuals added a sense of realism and urgency. 28 Days Later also influenced a new wave of horror, paving the way for movies like Dawn of the Dead (2004), [REC] (2007), and World War Z (2013), all of which adopted the fast zombie trope and leaned into viral outbreak narratives. The sequel film28 Weeks Later (2007), didn’t capture the lightning in a bottle of its predecessor. And it also featured a new director (Juan Carlos Fresnadillo) and new writers. Still, it was largely seen as a commercial and critical hit.

    The plan to make 28 Months Later was always there. But, like so many other projects, it was stuck in development hell. Mired in years-long battles as to who controlled the IP rights, all creative parties did what they always do. They moved on. In late 2022, however, Cillian Murphy (star of the original film), Boyle, and Garland put on a United front in their desire to see the third film finally get made. With Boyle directing, Garland writing, and Murphy acting as executive producer, we were off to the races. But was it worth the wait?

    28 Years Later
    Aaron Taylor-Johnson and Alfie Williams in “28 Years Later” (2025). Photo courtesy of Sony Pictures Releasing.

    Synopsis

    28 Years Later (repackaged from 28 Months Later) opens with a group of children in the Scottish Highlands watching an episode of the “Teletubbies.” Their enjoyment is interrupted when a horde of ‘rage’ infected flesh eaters bursts through the doors and windows of their cottage. The slaughter is brutal and quick. However, one child, Jimmy (Rocco Haynes), escapes, running to his father, a Priest, ready to embrace the salvation that is coming. Jimmy is given a crucifix and told to run before his father – the Father – is overtaken and consumed by the undead.

    Forward to…28 Years Later (keeping in line with the first two films), and we are transported to a water-surrounded little hamlet in Northumberland, England, called Holy Island. There, 12-year-old Spike (Alfie Williams) resides with his mother, Isla (Jodie Comer), and father, Jamie (Aaron Taylor-Johnson). Isla suffers from ‘episodes’ that periodically send her into hallucination-like states. Spike and his father leave the safety of Holy Island to go on a foraging mission (via a long causeway) on the mainland—mistake number one.

    While Jamie is content to live humbly in this new communal society, young Spike knows that Mom needs a doctor. The only way to find one is for the pair to venture back to the mainland and seek out the fires that burn in the distance. There, the apparently crazy Dr. Kerson (Ralph Fiennes) awaits, covered in iodine. Along the way, there will be rage-infected ‘runners’ trying to stop Spike from saving his mom. Boyle and Garland have also come up with bloated and crawling ‘Slow Lows” and steroidal and evolved Alphas to make things all the more horrifying and difficult.  

    https://www.youtube.com/watch?v=mcvLKldPM08

    Discussion

    Like most undead films, their writers and directors love to inject their product with social commentary. George Romero, Lucio Fulci, and Danny Boyle had plenty to say concerning the state of the world. In 28 Years Later, Boyle’s at it again with undertones to a post-COVID world and a post-Brexit Britain. The problem is that his third entry in the series just isn’t that interesting. It lacks the energy and excitement of the first film. It also doesn’t help that Aaron Taylor-Johnson’s character is wholly unlikable and makes one bad decision after another.

    On the plus side is Alfie Williams as Spike. He’s fantastic and will for sure be front and center in the 4th film, due out in 2026, titled 28 Years Later: The Bone Temple. Also, if you love Ralph Fiennes, then you won’t be disappointed. Fiennes and Williams take over the final third of the movie. They elevate what was, essentially, a coming-of-age/family melodrama for the first hour. Jodie Comer as Isla is fine. But she seems like she’s in a different film. Which is understandable, considering she’s mentally checked out for much of this one.

    There’s no denying that Boyle is a master filmmaker. He filmed 28 Years Later wholly on iPhones. Albeit tied into the most insane-looking camera rigs you’ve ever seen. Still, compared to the first film, which came out almost a quarter century ago, 28 Years Later doesn’t measure up. The colors are (purposely) muted and dull. And the set design is, for the most part, bland and unoriginal. A Swedish soldier (Edvin Ryding) joins the final third of the film for comic relief and, just when the characters seem to be finding their groove, he quickly disappears.

    28 Years Later
    Ralph Fiennes stars in “28 Years Later” (2025). Photo courtesy of Sony Pictures Releasing.

    Conclusion

    Maybe it’s that for the last twenty-five years we’ve been oversaturated with all things undead. Perhaps we simply expected a pair of OGs (Boyle and Garland), who are throwing their hat back into the ring, to deliver something truly unique and exceptional. 28 Years Later is a perfectly “OK” undead/horror movie. It’s got some top-notch camera work and fine acting. Especially Alfie Williams and Ralph Fiennes. However, to have one jump scare in the entire film shows you how much Boyle has changed direction.

    It’s just not on the same level as the now beloved classic that is 28 Days Later, and not as “big” and epic as Juan Carlos Fresnadillo’s 28 Weeks Later. There’s also an ending scene in the new film that’s completely out of left field and off the rails. It’s a call back to the film’s beginning and sets up the sequel rather nicely. However, it likely will piss off some Boyle/Garland loyalists. 

    Currently, 28 Weeks Later has grossed about $67 million on a whopping $60 million budget. For some perspective, the original 28 Days Later made over $80 million on a minuscule $8 million budget. When all is said and done, this polarizing threequel will make its money back and then some. The fourth installment has already finished filming and has promised to bring back Cillian Murphy’s ‘Jim’ character in some fashion, with Murphy having a supposed major role in the third and final film in this new trilogy. 

    28 Years Later, starring Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, and Alfie Williams, is directed by Danny Boyle, written by Alex Garland, and playing in theaters globally. It’s being distributed by Sony Pictures Releasing.

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  • 28 Years Later – Review


    28 Years Later marks a much anticipated  return to the franchise, with Alex Garland and Danny Boyle once again at…

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  • 28 Years Later | Elio | Buckaroo Banzai (1984)

    28 Years Later | Elio | Buckaroo Banzai (1984)


    A woman in a black coat, a movie poster with a cartoon boy in a blue boat, and a gold-coloured medal.

    On Truth & Movies this week, The Rage virus rears its ugly head again in 28 Years Later, we check out Pixar’s latest, Eliot and finally, for film club it’s The Adventures of Buckaroo Banzai Across the 8th Dimension.

    Joining host Leila Latif are Fatima Sheriff and David Jenkins.

     

    Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.

     

    Email: truthandmovies@tcolondon.com

    BlueSky and Instagram: @LWLies

     

    Produced by TCO



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