برچسب: Ice

  • In Shattered Ice, a Hockey Player’s Suicide Stuns a Small Town

    In Shattered Ice, a Hockey Player’s Suicide Stuns a Small Town


    When Jake Miskin was a high school athlete, five fellow students died by suicide in his small Massachusetts town. He set out to tell the kind of story he wishes they would have seen, that could have given them hope. The result is the moving, insightful Shattered Ice, which plays this weekend at Dances With Films.

    Shattered Ice world premiered in February at the Sedona International Film Festival, where Miskin shared in a Q&A that the film uses sports as a metaphor because sports are how “a lot of lot of kids have their first heartbreak, their first friends, their first obstacles in life.”

    It follows a high school hockey player named Will Mankus (breakout Charlie Gillespie, himself a longtime hockey player, leading an excellent cast) who spirals after the suicide of his best friend and teammate Danny (Sterling Beaumon).

    Will goes quiet and takes up whiskey, blaming himself for not seeing the signs. So do many other people around the film’s town of Nehoiden, a fictional stand-in for Miskin’s real-life hometown of Needham, a Boston suburb that shares with Nehoiden both a quiet reserve and deep love of winter sports.

    Miskin hopes Shattered Ice can break the metaphorical ice around the still-taboo subjects of mental illness and suicide.

    “It’s inspired by my hometown, where we lost five students to suicide while we were in high school,” he said in the Sedona Q&A with festival executive director Patrick Schweiss. “I always wanted to tell a story about the conversations my friends or our town were or weren’t having, and showing how people grieve differently.”

    Also Read: The 25 Coolest Film Festivals in the World, Including Dances With Films

    The film doesn’t focus so much on the reasons for a particular suicide as on the wreckage every suicide leaves behind. The town of Needham came through to help him tell the story: Miskin and fellow producer Benjamin Stephen raised money through grassroots community fundraising — including a raffle and reaching out to local charities and investors — and making use of local businesses after dark.

    (Your Massachusetts-based correspondent first met Jake when I overheard him pitching Shattered Ice at local breakfast spot Bagel’s Best — which turns up in a key scene in the film.)

    Even as they raised money, Miskin and his collaborators plugged away to attract experienced, very assured director Alex Ranarivelo, whose past films include the sports dramas Born a Champion and The Ride, and actors including The Flash and Suits LA veteran Matt Letscher, as well as The Walking Dead actress Kyla Kenedy, How to Get Away With Murder actor Jack Falahee, and, crucially, producer and skating consultant Christopher V. Nelson, who worked on arguably the greatest hockey movie of all, 2004’s Miracle. (He vetoed actors who couldn’t skate.)

    Ranarivelo said he was especially intrigued by the script because hockey is “so macho, and it’s guys being tough — it kind of felt like the last place where you’re going to open up and be vulnerable.”

    Falahee, who is deeply sympathetic in his role as a young coach with problems of his own, was drawn to the film because he, too, had lost a friend to suicide. He took up acting when a friend, who had been expected to perform in a school play, took his own life. Falahee decided that appearing in the play would be a way to mourn the loss.

    Shattered Ice at Dances With Films

    Miskin and his colleagues are working to get the film screened for high school athletes all over the country, and already have a plan to screen it for Massachusetts college hockey players, who are uniquely familiar with the culture of stress, bravado, and holding it all in that the film portrays so effectively.

    The film’s partners include The Hidden Opponent, a non-profit that promotes mental health for student athletes.

    Stephen went to school with Miskin and lost the same friends. He noted that they, like Danny in the film, didn’t seem like people who needed help.

    “The students that we lost, the friends that we lost, a lot of them were just like Danny — student athletes, really talented. Everything on the surface is perfect. People are jealous of them, and, you know, they had standing in the school, social standing in the town and community,” he said.

    “And I really think that it just goes to show — hopefully this came across in the message of the film — that you can never really know what someone’s going through. And the only way to really bring that out is to start talking and having those conversations.”

    Following its World Premiere in Sedona, Shattered Ice had its East Coast Premiere at the Berkshire International Film Festival, where it screened to a sold-out audience and won the festival’s Audience Award for Narrative Feature. Dances With Films in Los Angeles will host the West Coast Premiere of Shattered Ice on June 29th @ 4:30pm at the TCL Chinese Theatres in Hollywood. Tickets are available here.

    If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources.

    Main image: Shattered Ice. Nehoiden Films.



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  • The Ice Tower by Lucile Hadžihalilović Lost magic

    The Ice Tower by Lucile Hadžihalilović Lost magic


    The Ice Tower (La tour de glace) is the fourth feature by Lucile Hadžihalilović. The film premiered in the 2025 Berlinale competition, making it the first time that any of the director’s films was presented in a major European competition. The previous films all opened at TIFF. Set in the 1970s, the film follows Jeanne (Clara Pacini), a 15-year-old orphan who flees her foster home in a snowy mountain village, seeking freedom in the city. After stealing the ID of a girl named Bianca and looking for a place to sleep, she breaks into a building, unaware it’s a film studio where The Snow Queen is being filmed, starring the renowned actress Cristina van den Berg (Marion Cotillard).

    Jeanne is discovered by Cristina, but instead of giving her up, the latter ends up getting a bit part in the production, and the two end up spending a significant amount of time together even though Jeanne, sorry Bianca, seems to have an obsession with Cristina. Or is it due to the part she plays? As the oldest in the foster home, she was the bedtime storyteller, and the story she told was, lo and behold, the Snow Queen’s. What a coincidence! It is almost like someone made the story up. I use the word story loosely. Anyone who has seen Hadžihalilović’s previous films knows that it is not her main objective; instead, she focuses on… That is the question.

    The Ice Tower
    Beautiful and layered or merely muddled?

    What is the focus of The Ice Tower? What lies in or behind the supposedly beautiful images with their carefully chosen props? An image early on is a litmus test for how the spectator will react to the film. While fleeing, Bianca encounters a bridge crossing a river. The way the bridge is lit and framed looks either intense and captivating or like a knockoff by someone who watched arthouse films without ever getting their essence. It is not the artificiality that is the issue. Other directors like Guy Maddin or Wojciech Has have repeatedly utilised artifice with full control of the medium. Something that Hadžihalilović is never close to achieving. Instead, we are treated to kitschy ennui.

    The Ice Tower powered by dry ice

    My mind drifted to the Quay Brothers’ tedious version of Sanatorium Under the Hourglass more than once. That film’s runtime was 75 minutes, but it felt longer. The Ice Tower clocks in at 118 minutes, which feels like an eternity. The pacing is glacial, which could inspire the spectator to make word puns considering the main character. Whatever the outcome, it is bound to be way more subtle than Jeanne calling herself Bianca, referring to the fake white stuff floating in the air during the shooting of the film within the film.

    Fans of Hadžihalilović’s work should feel at home. The production designer Julia Irribarria and the cinematographer Jonathan Ricquebourg from Earwig (2021) are still on board. The director’s style, or lack thereof, is instantly recognisable. In Arthur Penn’s masterful Night Moves (1975), Harry Moseby’s wife invites him to see My Night With Maude with her. He rejects the suggestion, saying that “he saw a Rohmer film once, and It was kind of like watching paint dry.” I was considering making a similar pun with dry ice, but as everyone who had it presented along with a dessert in a restaurant knows, it actually creates an effect.

    The Ice Tower
La tour de glace
    Clara Pacini and August Diehl in The Ice Tower.

    I have never been a fan of Hadžihalilović’s films, thinking that they rely too much on a vague mood with purportedly deep connotations. However, the Stockholm Film Festival awarded her the MaIn Prize, The Bronze Horse, for her debut feature, Innocence (2004), which incidentally also featured Marion Cottilard. In The Ice Tower, all the thespians seem deserted and lost, including August Diehl and Gaspar Noé as the director. The shining exception is newcomer Clara Pacini, as Jeanne, whose character is the only one who doesn’t appear to be frozen by boredom. It is not the first time that the director seems most confident working with children.

    I was surprised to come across some positive reviews, even if many of them contained serious reservations. An even bigger surprise was the Silver Bear the film received for Outstanding Artistic Contribution. The award was given to “the creative ensemble.” If any film should have been awarded for its look, it is Reflection in a Dead Diamond (Reflet dans un diamant mort).

    The Ice Tower (La tour de glace)
    La tour de glace featured - The Disapproving Swede

    Director:
    Lucile Hadzihalilovic

    Date Created:
    2025-04-25 05:30

    Pros

    • The acting of newcomer Clara Pacini.

    Cons

    • Glacial pace
    • Stale and lifeless
    • Artificiality without insight



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