برچسب: Creative

  • Why London is the Creative Hub for Modern Music and Film Production Studios? — Every Movie Has a Lesson

    Why London is the Creative Hub for Modern Music and Film Production Studios? — Every Movie Has a Lesson


    </p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">London has long been a stage for the world’s<br /> most iconic music, film, and television creations, a city where<br /> creative visions are transformed into unforgettable productions.<br /> From the Beatles’ recording at Abbey Road to blockbuster films shot<br /> at Pinewood, the capital’s studios have shaped global culture for<br /> decades.</span></p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Carrying this tradition forward, <a data-preserve-html-node="true" href="https://soundstagestudios.co.uk/">Soundstage Studios in North West<br /> London</a> stands as a fully equipped hub for film, video, and TV<br /> production. Combining cutting-edge facilities with expert technical<br /> support, it offers the perfect environment for bringing bold ideas<br /> to life in the heart of one of the world’s greatest creative<br /> capitals.</span></p> <p data-preserve-html-node="true" class="c2"><span data-preserve-html-node="true"><img decoding="async" data-preserve-html-node="true" src="https://fs2.prposting.net/uploads/2025/8/8/FAwKcFzIXUcmXII3tNbq9nmslvY2wfq8iCtXaHmh.png" width="602" height="403" alt="FAwKcFzIXUcmXII3tNbq9nmslvY2wfq8iCtXaHmh.png"/></span></p> <h3 data-preserve-html-node="true" class="c3"><span data-preserve-html-node="true">London’s Legacy in Creative<br /> Production</span></h3> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">For decades, London has been the beating heart<br /> of the global entertainment industry. It’s the city where timeless<br /> albums, award-winning films, and groundbreaking television series<br /> have been born. From the legendary sessions at Abbey Road Studios<br /> that gave us The Beatles’ most celebrated works, to the cinematic<br /> magic of Pinewood Studios, home to James Bond and Star Wars,<br /> London’s studios have shaped the soundtrack and screen of<br /> generations.</span></p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Landmarks such as Air Studios have hosted<br /> everyone from film score composers to chart-topping bands, while<br /> countless TV productions have made the most of the city’s diverse<br /> locations and world-class technical expertise. This deep heritage<br /> has created an ecosystem where creativity thrives — attracting<br /> directors, musicians, and production teams from every corner of the<br /> globe.</span></p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">It’s within this vibrant, creative landscape<br /> that Soundstage Studios has established itself. Drawing on London’s<br /> legacy, it offers a modern, fully equipped space for film, video,<br /> and TV production, combining the city’s tradition of excellence<br /> with the latest technology and an experienced support team. For<br /> today’s creators, it’s proof that London remains the ultimate<br /> magnet for global talent.</span></p> <h3 data-preserve-html-node="true" class="c3"><span data-preserve-html-node="true">Modern London Studios – What Sets Them<br /> Apart</span></h3> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Today’s London production studios are more than<br /> just spaces with cameras and microphones — they are complete<br /> creative ecosystems designed to take projects from concept to<br /> completion. Here’s what sets them apart:</span></p> <p data-preserve-html-node="true" class="c1"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Soundstage Studios</span></strong><br /> <span data-preserve-html-node="true">brings all these advantages together under one roof in North<br /> West London, ensuring every production from a single interview to a<br /> large-scale commercial shoot meets the highest creative and<br /> technical standards.</span></p> <p data-preserve-html-node="true" class="c2"><span data-preserve-html-node="true"><img decoding="async" data-preserve-html-node="true" src="https://fs2.prposting.net/uploads/2025/8/8/WaUF8gIrzRRSlrqfDF2mUSotPKnNuOm3Yr19uI0b.png" width="602" height="405" alt="WaUF8gIrzRRSlrqfDF2mUSotPKnNuOm3Yr19uI0b.png"/></span></p> <h3 data-preserve-html-node="true" class="c3"><span data-preserve-html-node="true">The Cultural Advantage</span></h3> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">One of London’s greatest strengths as a<br /> production hub is its unmatched cultural diversity. The city brings<br /> together countless nationalities, languages, and artistic<br /> traditions, creating a melting pot of influences that fuel<br /> creativity in every medium.</span></p> <ul data-preserve-html-node="true" class="c8"> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c4"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">A Global Talent Pool</span></strong><br /> <span data-preserve-html-node="true">– London attracts filmmakers, musicians, and creatives from<br /> all over the world, offering endless opportunities for<br /> cross-cultural collaboration.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c5"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Inspiration Everywhere</span></strong><br /> <span data-preserve-html-node="true">– From historic architecture to vibrant street art, the city<br /> provides a backdrop that inspires fresh concepts and innovative<br /> storytelling.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c7"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Creative Crossovers</span></strong><br /> <span data-preserve-html-node="true">– Music, film, advertising, gaming, and digital media often<br /> intersect in London, fostering an environment where experimentation<br /> and genre-blending thrive.</span><span data-preserve-html-node="true"/></p> </li> </ul> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">This cultural richness not only shapes the work<br /> produced in the city but also ensures that every project benefits<br /> from a unique mix of perspectives, styles, and skills — something<br /> few other production hubs can match.</span></p> <h2 data-preserve-html-node="true" class="c9"><span data-preserve-html-node="true">Choosing the Right Production Studio in<br /> London</span></h2> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">With so many production studios across the<br /> capital, finding the right one for your project can feel<br /> overwhelming. Here are key factors to consider when making your<br /> choice:</span></p> <ul data-preserve-html-node="true" class="c8"> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c4"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Location &<br /> Accessibility</span></strong> <span data-preserve-html-node="true">– Is the studio easy to reach<br /> for your crew, cast, and equipment transport? Proximity to public<br /> transport and parking can save valuable time.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c5"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Specialization</span></strong> <span data-preserve-html-node="true">–<br /> Some studios excel in film and TV work, others in music recording<br /> or post-production. Choose one that matches your specific<br /> needs.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c5"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Facilities &<br /> Equipment</span></strong> <span data-preserve-html-node="true">– Check for high-quality cameras,<br /> lighting rigs, soundproofing, green screen stages, and editing<br /> suites with up-to-date software.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c5"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Technical Support</span></strong><br /> <span data-preserve-html-node="true">– Ensure the studio offers experienced engineers,<br /> technicians, or production assistants to help your project run<br /> smoothly.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c5"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Flexibility</span></strong> <span data-preserve-html-node="true">–<br /> Look for studios that can adapt to your schedule, budget, and<br /> creative requirements.</span></p> </li> <li data-preserve-html-node="true" class="c6"> <p data-preserve-html-node="true" class="c7"><strong data-preserve-html-node="true"><span data-preserve-html-node="true">Reputation &<br /> Reviews</span></strong> <span data-preserve-html-node="true">– Past client feedback and industry<br /> recommendations can be a strong indicator of reliability and<br /> quality.</span></p> </li> </ul> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Selecting the right studio is about more than<br /> just finding a space — it’s about partnering with a team and<br /> environment that can help bring your creative vision to<br /> life.</span></p> <p data-preserve-html-node="true" class="c2"><span data-preserve-html-node="true"><img loading="lazy" decoding="async" data-preserve-html-node="true" src="https://fs2.prposting.net/uploads/2025/8/8/fTKKrsFnqfqvjY3pl3YpgHclmX4JYJQxgEhEjng7.png" width="602" height="391" alt="fTKKrsFnqfqvjY3pl3YpgHclmX4JYJQxgEhEjng7.png"/></span></p> <h2 data-preserve-html-node="true" class="c9"><span data-preserve-html-node="true">Why Soundstage Studios Stands Out?</span></h2> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Soundstage Studios offers a rare combination of<br /> specialist facilities and a highly accessible location, making it a<br /> top choice for filmmakers, production teams, and content creators<br /> alike. The studio features a large Green Screen Studio perfect for<br /> filming and video FX, as well as a Total Blackout Studio ideal for<br /> controlled lighting setups. This versatility makes it an<br /> exceptional venue for green screen filming, video production, film<br /> production, and high-quality remote live streaming.</span></p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">Location is another major advantage. Situated<br /> in Park Royal, just off the A40 at Gypsy Corner, the studio is<br /> within easy reach of the M40, M25, M1, and M4, as well as excellent<br /> transport links into central London. And perhaps best of all for<br /> many clients, it sits outside the Congestion Charge Zone, making<br /> access both simple and cost-effective.</span></p> <p data-preserve-html-node="true" class="c1"><span data-preserve-html-node="true">For productions that demand professional<br /> facilities, technical excellence, and unbeatable convenience,<br /> Soundstage Studios delivers more than meets expectations. It’s a<br /> space built to meet the creative and logistical needs of modern<br /> productions, right in the heart of one of the world’s most dynamic<br /> media capitals.</span></p> </div> <p><br /> <br /><a href="https://everymoviehasalesson.com/blog/2025/8/why-london-is-the-creative-hub-for-modern-music-and-film-production-studios">Source link </a></p> </div> <div style="margin-top:var(--wp--preset--spacing--40);" class="wp-block-post-date has-small-font-size"><time datetime="2025-08-12T17:57:45+03:30"><a href="https://cafilm.ir/why-london-is-the-creative-hub-for-modern-music-and-film-production-studios-every-movie-has-a-lesson.html/">12/08/2025</a></time></div> </div> </li><li class="wp-block-post post-888 post type-post status-publish format-standard hentry category-movie-news tag-creative tag-interview tag-rountable tag-team tag-the tag-with"> <div class="wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained" style="padding-top:var(--wp--preset--spacing--60);padding-bottom:var(--wp--preset--spacing--60)"> <h2 class="wp-block-post-title has-x-large-font-size"><a href="https://cafilm.ir/a-rountable-interview-with-the-creative-team.html/" target="_self" >A Rountable Interview With The Creative Team</a></h2> <div class="entry-content alignfull wp-block-post-content has-medium-font-size has-global-padding is-layout-constrained wp-block-post-content-is-layout-constrained"><p> <br /> </p> <div data-td-block-uid="tdi_91"> <div class="tdb-block-inner td-fix-index"> <h2><span style="font-family: arial, helvetica, sans-serif;"><strong>Introduction</strong></span></h2> <p><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">When FBI agent Cole returns to his hometown during a bank robbery, he uncovers a conspiracy orchestrated by the corrupt mayor. <em><strong>The Omro Heist</strong></em> blends the tension of a heist thriller with the emotional weight of a family drama—filmed in a real Wisconsin town and created by a team known for their darkly entertaining indie hits, such as <em><strong>Stealing Chaplin</strong></em> and <em><strong>The Mouse Trap</strong></em>.</span></p> <h2><span style="font-family: arial, helvetica, sans-serif;"><strong>Interview</strong></span></h2> <p><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Cinema Scholars’ own Glen Dower recently sat down with the creative team (Jamie Bailey, Simon Phillips, Ken Bressers, and Anthony Crivello) of <em><strong>The Omro Heist</strong></em> for a lengthy roundtable discussion on the making of their new film. Below are some highlights from that discussion.</span></p> <p><em><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Lightly edited for content and clarity.</span></em></p> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">On the tone and visual style of <em><strong>The Omro Heist</strong></em>, director Jamie Bailey describes the film’s warm, rusty tones as intentional: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“I wanted a 1970s film stock feel—anchored in the past, but still very much in the present. We tried to world-build something that felt lived in.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">On the cast and their chemistry, many cast members had long-standing relationships. Simon Phillips, the film’s writer and co-lead, states: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Jamie and I have done seven movies together. Ken and I, maybe more. And Anthony [Crivello]—well, he and Ken go way back to the ’70s.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Ken Bressers, the producer of the film who also plays the corrupt mayor, adds:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“I found the old bank building in a sister town to Omro and called Simon. I said, ‘This is our next location.’ We reverse engineered the story from there.”</em></strong></span></h2> </blockquote> <figure id="attachment_31296" aria-describedby="caption-attachment-31296" style="width: 691px" class="wp-caption aligncenter"><img loading="lazy" data-recalc-dims="1" decoding="async" class="wp-image-31296 lazyload" src="https://i0.wp.com/cinemascholars.com/wp-content/uploads/2025/08/omro-feature.webp?resize=691%2C408&ssl=1" alt="The Omro Heist" width="691" height="408" style="--smush-placeholder-width: 691px; --smush-placeholder-aspect-ratio: 691/408;"/><figcaption id="caption-attachment-31296" class="wp-caption-text"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Anthony Crivello stars in “The Omro Heist” (2025). Photo courtesy of Dystopian Films.</span></figcaption></figure> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Phillips notes that, while the film has the trappings of a heist, it’s not about the money: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“This isn’t Ocean’s Eleven. The problem isn’t the robbery—it’s the father-son relationship. The heist just forces them back together.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Anthony Crivello, who plays the town sheriff and estranged father, agrees: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“That emotional layering was already in Simon’s script. My character feels abandoned. His wife, Cole’s mother, died of illness, and the son left. There’s resentment. And then you add the town politics, the strained friendships—it’s rich material for an actor.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Filming in Omro and surrounding areas brought unexpected magic. Jamie Bailey recalls:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“We were kind of the circus in town. A sweet older woman literally walked up and asked, ‘Can I be in the movie?’ She ended up staying three days and shot a scene with Ken.”</em></strong></span></h2> </blockquote> <h6><span style="font-size: 12pt; font-family: arial, helvetica, sans-serif;">Crivello credits the town’s support and the production’s resourcefulness: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Ken had relationships with shop owners, homeowners. We got amazing locations—diner, bait shop, even back alleys—because of community connections.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Despite its layered feel, The Omro Heist stuck closely to its script. Bailey states:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Very little was ad-libbed. Simon knew what he wanted. We introduced all the players early and let the situation unfold.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Phillips further elaborates:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>That introduction—particularly the dynamic between the sheriff and his FBI son—sets the emotional stakes. “There’s a flashback-style conversation we keep returning to. They’re talking, but they’re not really connecting. That sets the stage for everything.”</em></strong></span></h2> </blockquote> <p><a href="https://www.youtube.com/watch?v=ISb09zA2-B8">https://www.youtube.com/watch?v=ISb09zA2-B8</a></p> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Bressers approached the mayor as more than just a villain. </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“He wasn’t in it for the money. He was motivated by power—by outsmarting people. He’s two-faced—one version for his secretary and inner circle, another for the public. His downfall isn’t about losing money—it’s that someone out-thought him.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Crivello adds:</span></h6> <blockquote> <h2><span style="font-size: 18pt; font-family: arial, helvetica, sans-serif;"><strong><em>“There’s a great scene between the mayor and the bank manager, where they’re maneuvering like chess players. It’s tense, intelligent writing.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Asked about the film’s realism, Phillips reveals a personal connection: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“My mom worked at a bank and was robbed by the IRA in the ’80s. She told me they had training on what to do—use the robber’s name, humanize yourself. Some of that found its way into the script.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Still, the movie plays more like <em><strong>Die Hard</strong></em> than a procedural. Phillips elaborates:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em> “It’s not really about the cash, It’s about confusion and misdirection. You think it’s one thing, and then it shifts. I love that cat-and-mouse tension.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Casting, like everything else in the film, was about relationships. Says Phillips:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Tony recommended Mackenzie Jones for the female lead, even before he was cast himself. We like to cast people we’ve worked with. Non-union productions need reliable, talented actors—and when you’ve seen someone deliver on set, that trust is invaluable.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">After two preview screenings—one in Omro, another in Milwaukee—the team made changes based on audience reactions. Bailey goes on to clarify:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“We didn’t reshoot, but we tightened scenes, reshuffled a few things. One big change was starting the film with Simon and Damir’s face-off—it throws the audience right into the tension. That note came directly from the screenings.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Bressers emphasizes the value of early previews: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Filmmakers—screen your movie before locking it. Watch when people laugh, when they check their phones. The final cut of The Omro Heist is measurably better because of those notes.”</em></strong></span></h2> </blockquote> <figure id="attachment_31297" aria-describedby="caption-attachment-31297" style="width: 694px" class="wp-caption aligncenter"><img loading="lazy" data-recalc-dims="1" decoding="async" class="wp-image-31297 lazyload" src="https://i0.wp.com/cinemascholars.com/wp-content/uploads/2025/08/MV5BOTBkNGNhMDctOWMyYi00M2U0LWFiZTgtMDNhN2EyOGIxZDY4XkEyXkFqcGc%40._V1_.webp?resize=694%2C383&ssl=1" alt="The Omro Heist" width="694" height="383" srcset="https://i0.wp.com/cinemascholars.com/wp-content/uploads/2025/08/MV5BOTBkNGNhMDctOWMyYi00M2U0LWFiZTgtMDNhN2EyOGIxZDY4XkEyXkFqcGc%40._V1_.webp?w=1009&ssl=1 1009w, https://i0.wp.com/cinemascholars.com/wp-content/uploads/2025/08/MV5BOTBkNGNhMDctOWMyYi00M2U0LWFiZTgtMDNhN2EyOGIxZDY4XkEyXkFqcGc%40._V1_.webp?resize=768%2C424&ssl=1 768w" data-sizes="auto, (max-width: 694px) 100vw, 694px" style="--smush-placeholder-width: 694px; --smush-placeholder-aspect-ratio: 694/383;"/><figcaption id="caption-attachment-31297" class="wp-caption-text"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Tony Lee Gratz stars in “The Omro Heist” (2025). Photo courtesy of Dystopian Films.</span></figcaption></figure> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Crivello highlights the film’s grassroots success: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“We screened at the Milwaukee Independent Film Festival and won Best Feature. Jamie and Simon were nominated individually. That local love really matters—it helped get press, interest, and distribution.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Jamie Bailey sums up the production experience simply: </span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“Any day I get to hold a camera feels like I’m 13 again, making movies with my friends. That joy doesn’t go away.”</em></strong></span></h2> </blockquote> <h6><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;">Crivello adds:</span></h6> <blockquote> <h2><span style="font-family: arial, helvetica, sans-serif; font-size: 18pt;"><strong><em>“The layering, the complexity, the characters—this isn’t your typical indie heist film. It has depth. And it was made with heart.”</em></strong></span></h2> </blockquote> <p><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt;"><em>The Omro Heist, a wild ride of a high-stakes thriller that redefines the heist genre, is available on TVOD/Digital across all platforms now.</em></span></p> <h3 class="p1"><span style="font-family: arial, helvetica, sans-serif;"><strong>Read more Cinema Scholar interviews!</strong></span></h3> <h3><span style="font-family: arial, helvetica, sans-serif;"><strong><a href="https://cinemascholars.com/sundance-2024-an-interview-with-filmmaker-daniel-barosa/">Sundance 2024! An Interview With Filmmaker Daniel Barosa</a></strong></span></h3> <h3><span style="font-family: arial, helvetica, sans-serif;"><strong><a href="https://cinemascholars.com/showdown-at-the-grand-an-interview-with-writer-director-orson-oblowitz/">SHOWDOWN AT THE GRAND: An Interview With Writer/Director Orson Oblowitz</a></strong></span></h3> <h3><span style="font-family: arial, helvetica, sans-serif;"><strong>Keep up with Cinema Scholars on social media. 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