In a world where the lines between work and relaxation often blur, people are rethinking the way they unwind. Gone are the days when a night out at a bar or a loud party was the default plan for winding down after a stressful week. These days, more and more individuals are finding joy in creating cozy, curated environments at home—complete with their favorite movies, snacks, friends, and the added bonus of a dab rig kit. This trend is turning the simple concept of “movie night” into an elevated ritual for relaxation, mindfulness, and connection.
The Rise of Elevated Movie Nights
The classic movie night has always been a cherished pastime. But as people seek deeper comfort and personalization in their leisure time, the movie night experience has been redefined. Instead of merely pressing play on a streaming service and calling it a night, many are now setting the scene—dim lighting, ambient music beforehand, plush blankets, gourmet snacks, and the inclusion of cannabis concentrates enjoyed through a dab rig kit. This piece of gear is becoming the centerpiece of modern chill sessions, offering a refined and flavorful way to experience cannabis in a relaxed setting.
While bongs and joints might still have their place, dab rigs bring a level of sophistication and intentionality to the session. Users often describe a more flavorful, smooth, and controlled experience that pairs well with the laid-back vibe of a movie night. Whether you’re watching a cult classic with friends or diving into a thought-provoking documentary solo, dabbing can add an extra layer of sensory enjoyment to the experience.
Why Dabbing Fits the Chill Night Vibe
So why are dab rigs so well-suited to movie nights? First, the act of dabbing itself is slow and deliberate. Unlike smoking a joint, which can be more casual or social, dabbing encourages mindfulness. The process of heating the nail, selecting the right concentrate, and taking that smooth, flavorful inhale creates a ritualistic feel that complements the cozy, slowed-down pace of a movie night.
Second, dabbing is often cleaner and more discreet than traditional smoking. There’s less lingering odor, which makes it perfect for indoor environments. For people living in apartments or shared housing, this makes dabbing a much more viable and respectful option. It also doesn’t hurt that modern dab rigs come in sleek, artistic designs that double as décor for your coffee table or entertainment area.
Personalizing the Experience
One of the biggest appeals of incorporating a dab rig into movie night is the ability to tailor the experience. Not only can you choose different strains or concentrates for specific effects (think Indica for relaxing or Sativa for staying alert), but you can also coordinate the strain with your movie genre. Want to watch a psychological thriller? Go for something cerebral that enhances your analytical thinking. Comedy night with friends? Opt for a hybrid that promotes euphoria and sociability.
With the addition of a dab rig, the whole experience becomes more customizable. You can experiment with temperatures for different terpene profiles, share hits with friends using carb caps or directional airflow, and even try out infused snacks or beverages to complement your session.
The Social Side of Movie Nights with a Dab Rig
What was once a casual gathering is now transforming into a sensory event. Sharing a dab rig among friends fosters a sense of community and connection, not unlike sharing a bottle of wine or passing around a bowl. But unlike alcohol, dabbing often leaves users more engaged with the movie and less likely to experience grogginess the next day (depending on dosage and strain, of course).
Conversations flow, laughter is louder, and the movie feels more immersive. Whether it’s a nostalgic throwback flick or a new blockbuster, sharing the experience with others while enjoying a dab enhances the emotional connection to both the content and your companions.
Creating the Ultimate Chill Atmosphere
Here are a few tips to elevate your next movie night with a dab rig kit:
Prep the Environment: Set up a clean, cozy space with comfortable seating, good ventilation, and mood lighting. Fairy lights or a few candles can go a long way in creating ambiance.
Choose the Right Dab Rig: Whether you’re using a traditional glass rig or an electronic version, make sure it’s clean and functioning well. A quality dab rig enhances the taste and potency of your concentrates.
Curate the Media: Pick films that suit the vibe you’re going for. Some favorites among dab enthusiasts include trippy visuals like Doctor Strange, high-stakes thrillers like Inception, or laid-back comedies like Pineapple Express.
Snack Smart: Go beyond popcorn. Try infused treats, gourmet nachos, or a charcuterie board with sweet and savory options. Hydrate well—keep water and some herbal teas or mocktails handy.
Mind the Dosage: Start slow, especially if you’re new to dabbing. The goal is relaxation and enjoyment, not going overboard.
Final Thoughts
Movie nights are no longer just about watching a film—they’ve become an immersive wellness and bonding experience. Adding a dab rig kit into the mix introduces a whole new level of intentional relaxation, one that emphasizes comfort, connection, and mindful indulgence. It’s no wonder that more people are turning to this combo as their go-to way to unwind.
Whether you’re flying solo or chilling with a group, a movie night with a dab rig is about more than just cannabis or entertainment—it’s about embracing slow living, savoring the moment, and curating a night that speaks to all the senses.
In the past decade, the intersection of pop culture and environmental awareness has grown increasingly prominent. As the entertainment industry embraces storytelling with deeper social messages, environmental consciousness has found a strong foothold in modern cinema. Today’s movies are no longer just about captivating visuals or heart-stopping drama — they’re becoming powerful tools for shaping consumer behavior, including a growing trend toward eco-friendly product use.
One of the most noticeable ways this shift is occurring is through the visual and narrative inclusion of green habits and sustainable lifestyles. From post-apocalyptic films that highlight the dire consequences of environmental neglect to futuristic utopias powered by renewable energy, movies are influencing how audiences think about the planet. This influence extends beyond the screen, driving demand for environmentally responsible products, including fashion, food containers, and even sustainable vitamin packaging — an innovative solution that blends wellness and environmental care.
Eco-Conscious Themes in Modern Storytelling
Films such as WALL-E, Avatar, Interstellar, and Don’t Look Up have been instrumental in planting seeds of environmental awareness. WALL-E gives a haunting look at a world overwhelmed by waste and abandoned by humanity, urging audiences to reflect on their own consumption patterns. James Cameron’s Avatar blends stunning visual effects with a story of ecological balance and the dangers of exploiting nature. These narratives stir empathy and urgency, encouraging viewers to be more mindful of their environmental footprint.
Furthermore, documentary-style films and series — such as Our Planet, Seaspiracy, and Before the Flood — have gained massive popularity by educating viewers on the real-world consequences of pollution, climate change, and overconsumption. The result? A more informed audience that’s eager to align their purchasing decisions with their values.
Celebrity Endorsements and Green Branding
The influence of Hollywood celebrities in shaping consumer behavior is well-established. When actors and filmmakers adopt eco-friendly habits or launch sustainable product lines, they create a ripple effect among their fans. Stars like Leonardo DiCaprio, Emma Watson, and Mark Ruffalo have used their platforms to champion sustainability, often tying their advocacy to the movies they produce or star in.
Take, for example, the red carpet appearances featuring gowns made from recycled materials or organic fabrics — these not only challenge fashion norms but also spotlight sustainable options for mainstream audiences. As celebrities tie their personal brand to eco-friendly causes, companies are quick to follow suit, knowing that green branding is no longer a niche marketing strategy but a mainstream expectation.
Product Placement with a Purpose
One of the more subtle yet effective strategies for encouraging eco-friendly product use lies in purposeful product placement. When characters in popular movies are shown using reusable water bottles, biodegradable packaging, or electric vehicles, they’re setting a precedent for what is “cool” or “responsible” in modern society.
Filmmakers are increasingly collaborating with sustainable brands to integrate these products into their stories. This seamless inclusion allows viewers to subconsciously associate these items with desirable lifestyles. For instance, seeing a beloved hero opt for an eco-friendly gadget or vegan meal can significantly influence fan preferences and spark conversations about better choices.
The Rise of the Eco-Conscious Consumer
The generation that grew up watching environmental cautionary tales is now stepping into adulthood with a firm commitment to sustainability. Gen Z, in particular, is known for prioritizing ethical consumption and demanding transparency from the brands they support. Movies that echo these values resonate deeply with this audience, strengthening the cycle of awareness and action.
This has created a feedback loop where the demand for sustainable products fuels more eco-conscious media, and vice versa. The result is a new cultural norm where being environmentally responsible is not only expected but celebrated. Brands that offer biodegradable, compostable, or refillable options — from skincare to cleaning supplies — are finding favor with these emerging consumers.
Hollywood’s Influence on Industry Shifts
Major studios are also taking action behind the scenes. From adopting green production practices to setting sustainability goals, Hollywood is trying to lead by example. The Producers Guild of America’s Green Production Guide provides resources for sustainable filmmaking, helping studios reduce their carbon footprint without compromising artistic quality.
Moreover, large-scale films with sustainability at their core are often supported by environmentally focused promotional campaigns. These may include collaborations with NGOs, eco-friendly merchandise, or awareness drives that encourage the audience to take real-world action.
For instance, promotions around nature-themed films might include tree-planting partnerships, ocean clean-up donations, or limited-edition packaging made from recycled materials. These efforts further bridge the gap between on-screen inspiration and real-life impact.
A New Frontier for Brand Innovation
As moviegoers increasingly expect eco-conscious narratives and aesthetics, brands are finding creative ways to align themselves with this trend. Innovative packaging solutions — such as those made from mushroom mycelium, recycled ocean plastics, or biodegradable polymers — are gaining traction. These not only reduce environmental harm but also tell a compelling brand story that fits within the green ethos of modern cinema.
For example, companies that produce health and wellness products are reimagining their packaging to minimize waste. By adopting sustainable vitamin packaging, brands can appeal to the health-conscious and environmentally aware consumer — a demographic heavily influenced by lifestyle portrayals in films and series.
Conclusion
The powerful blend of storytelling and visual influence that defines cinema has always shaped societal values. Now, as the climate crisis becomes an unavoidable part of the global conversation, movies are stepping up to reflect and reinforce eco-friendly behavior. From the stories they tell to the products they showcase, films are nudging audiences toward a greener future.
As consumers continue to take cues from their favorite movies and celebrities, industries must respond with genuine, sustainable innovation. Whether it’s through eco-conscious product placement or behind-the-scenes green production methods, the film industry is becoming a vital player in the shift toward more responsible consumer habits. And in that shift lies an exciting opportunity for brands, creatives, and viewers alike to rewrite the script on sustainability.
A surfer meeting her mother, a discussion of God and Buddha, and a police officer struggling with cultural identity were among the subjects stories in NewFilmmakers Los Angeles’ InFocus: Asian Cinema program and InFocus: Immigration programs.
The event, which also included the Los Angeles premiere of Laramie Dennis’s debut narrative feature Where In the Hell, began with a collection of films that told stories of immigration, emigration and activism, as well as navigating two cultures and the contemplation of places aspired to and left behind.
The day continued with a program that spotlighted Asian-American talent and storytelling in front of and behind the camera. It featured themes of family dynamics, dating pitfalls, fitting in, vulnerability, perseverance and standing up to fight for a brighter future.
The night concluded with the Los Angeles premiere of Where In the Hell, a buddy roadtrip “traumedy” about a prop master whose trip with her girlfriend is interrupted and a struggling actor on his way to an audition. The film brings heart and a grounded approach to existential turmoil.
NFMLA showcases films by filmmakers of all backgrounds throughout the year, across both our general and InFocus programming. All filmmakers are welcome and encouraged to submit their projects for consideration for upcoming NFMLA Festivals, regardless of the schedule for InFocus programming, which celebrates representation by spotlighting various communities of filmmakers as part of the NFMLA Monthly Film Festival. This project is supported in part by the National Endowment for the Arts.
Here are more details on the filmmakers and films.
“DelMar” directed by Lucy Morales Carlisle
About Lucy: Lucy Morales Carlisle is an Emmy-nominated, two-time Webby winner and a multidisciplinary filmmaker with over a decade of experience in digital media and post production. She holds a BFA from the School of Visual Arts and a MFA in Media Arts from The City College of New York. As an immigrant displaced by the Salvadoran Civil War, her work explores themes of identity and isolation. Lucy is passionate about telling stories that resonate with the Latine community, focusing on women and culture.
About “DelMar”: A female surfer navigates life between a rural beach town in El Salvador and Maryland, where she goes to live with a mother she has never met.
Watch the NFMLA interview with Lucy Morales Carlisle, director of “DelMar”:
About Josephine: Josephine is passionate about stories of duality that offer hope to underdogs, outsiders, and misfits while humorously critiquing them. A master of tone, she enjoys bending genres and crafting modern love stories that explore themes of friendship, community, romance, justice, and self-acceptance. She is an alumna of UCLA’s Film Program, Film Independent’s Project Fellowship, UCB’s improv and sketch program, and the Universal Writers Lab. Josephine has written for Seasons 2 and 3 of First Wives Club on BET+ and Season 2 of Dollface on Hulu. Additionally, she has developed projects for Netflix, Disney+, Bound Entertainment, and CJ Entertainment.
About “Wabi-Sabi”: When an insecure woman goes on a date at a traditional Japanese tea house, her best friend’s advice about white guys with Asian fetishes threatens to ruin her love life and her sanity.
Watch the NFMLA interview with Josephine Green Zhang, director of “Wabi-Sabi”:
About Anthony: Anthony Ma is an award-winning Taiwanese American actor, writer, director, and voiceover artist born & raised in Arcadia, California. “Chinese Antique” (2009), a short film he wrote and produced, was screened at film festivals nationwide and received audience choice awards at the 168-Hour Film Festival and NFFTY. Elevator (2015), a feature he wrote and produced, was filmed in Los Angeles, New York, and Japan, garnering an Honorable Mention for Screenwriting at DisOrient Asian Film Festival. The latest feature he co-wrote, Staycation (2018), premiered at the final LA Film Festival and received the LA Muse Award. As an actor, he most notably guest starred in Scandal, S.W.A.T., and This Is Us. The LA Asian Pacific Film Festival awarded him Best New Actor for the rom-com indie feature Love Arcadia (2015). He was also a co-host on the HBO Max foodie reality series Family Style.
About “God & Buddha Are Friends”: A young Taiwanese American boy falls into an existential crisis when a charismatic Christian pastor comes between him and his overprotective Buddhist mother.
Watch the NFMLA interview with Anthony Ma, director of “God & Buddha Are Friends”:
“Three Women Named Svetlana” directed by Natalia Boorsma
About Natalia: Natalia Boorsma is a Dutch/Serbian writer and director based in Amsterdam. “Three Women Named Svetlana” (2024) was her graduation film and was selected by film festivals such as Cannes Indie Shorts Awards, Shortcutz Amsterdam, Filmski Front and the Leiden International Film Festival. In the future she wants to experiment with a mixture of documentary and fiction.
About“Three Women Named Svetlana”: On a sunny spring day, three women, all named Svetlana, are waiting at a small train station somewhere in the south of Serbia.
Watch the NFMLA interview with Natalia Boorsma, director of “Three Women Named Svetlana”:
About Laramie: Laramie Dennis got her start in New York directing and developing Off-Off-Broadway plays, most notably at the Flea Theater and Soho Rep. Her background in theater continues to inform her directing style. Where in the Hell, an offbeat road movie completed in 2024, marks her feature film debut as a writer/director. Other projects include Life on sMars, which earned her a spot at Through Her Lens: The Tribeca Chanel Women’s Filmmaker Program, along with a development grant from The Tribeca Film Institute, and Girl Pretending to Read Rilke, an Athena List finalist for 2025.
About “Where in the Hell”: A pair of defectors from the crumbling L.A. film industry find themselves on an unlikely road trip to track down a missing girlfriend.
Watch the NFMLA interview with Laramie Dennis, director of “Where in the Hell”:
About Neha Aziz: Neha Aziz is a Pakistani-born writer, director, film programmer, and podcaster living in Austin She currently works as the Artistic Director for Austin Asian American Film Festival, and as a Film Programmer for Big Sky Documentary Festival and the Cleveland International Film Festival. In 2021 she was named an iHeartRadio NextUP fellow. Her show Partition debuted in August 2022 and has been featured on Apple Podcasts, NPR, The Austin Chronicle, and more. In 2023, Neha was one of five recipients of the WAVE Grant from Wavelength Productions.Her short, “So, That Happened” is currently on the festival circuit. She was a writer for the PBS Digital Series Roots of Resistance, and she was just named a 2025 Unlock Her Potential Directing Mentee.
About “So, That Happened”: Sheila and Imran haven’t seen each other since college, but when Imran moves back to Austin, an opportunity arises for the pair to get acquainted once more.
Watch the NFMLA interview with Neha Aziz, director of “So, That Happened”:
About Holly: Holly M. Kaplan is a writer and director of mixed Cantonese heritage born and raised in New York City. She was selected for NALIP and Netflix’s Latino Lens: Narrative Short Film Incubator for Women of Color to write, direct, and produce “Sunflower Girl.” Holly has worked as a Co-Executive Producer/Director’s Assistant on Pretty Little Liars: Original Sin and was a former apprentice to the late Independent producer/director Ben Barenholtz. She earned her BA in Film & Media Arts from American University. Currently, Holly is developing the feature-length script of Sunflower Girl with Stowe Story Labs.
About “Sunflower Girl”: When a 13-year-old Chinese-American girl has the opportunity to go skateboarding with her crush, it comes at the cost of abandoning her little sister.
Watch the NFMLA interview with Holly M. Kaplan, director of “Sunflower Girl”:
About Luca: Luca Bueno is a Brazilian-born director, producer, and writer with a multicultural background, having lived in South America, France, and the U.S. At 15, he became Brazil’s youngest credited crew member on The Dreamseller (2016). His directing credits include “Bodies” (2024), “Luna” (2022), and “Skyward” (2025), with Luna earning multiple festival awards. Luca holds a Bachelor’s in Film Production and a Master’s in Directing from Loyola Marymount University. Now based in the U.S., he continues to create films while engaging with an audience of 120,000 on social media.
About “Bodies”: Two LAPD officers respond to a disturbing call in an immigrant neighborhood, where Officer Alvarez confronts an unsettling truth that tests his duty, empathy, and cultural identity.
Watch the NFMLA interview with Luca Bueno, director of “Bodies”:
About Rhym: Rhym was born to an Algerian mother and a father from Mali. She grew up in the Ivory Coast before moving to Louisiana and earning a writing degree. Rhym has a prolific career in entertainment as an actress and director. She is a 2023 CDDP (Commercial Director Diversity Program) fellow and strives to create narrative features with female leads challenging the status quo.
About “Cartes”: An undocumented Malian goes through great lengths to continue working for a non-profit organization she loves.
Watch the NFMLA interview with Rhym Guissé, director of “Cartes”:
About Alexandra: Alexandra “Alle” Hsu is a Chinese American director/producer from Orange County, California. Alle has directed several short films: “Sophie” (HK),” “Our Way Home” (US), “Rencontres Paysannes” (France), “POP!” (US), and “Unwavering” (US), which have screened at over 20 festivals worldwide including having premiered at Oscar-qualifying festivals Austin, Foyle, and Bend, to name a few. Alle has been a part of prestigious programs SFFILM FilmHouse, CBS Leadership Pipeline, WIF Mentoring, Asian Women Empowered, Unlock Her Potential, Gold House Futures, KSW Interdisciplinary Writers Lab, and the CQNL Storylines Lab. FilmHouse supported her feature Queens, inspired by a family story around the 1960s New York Worlds Fair, which was also a Finalist for the SFFILM Westridge grant, a semifinalist in the Big Vision Empty Wallet Level Up Lab and a Finalist in the Giant Leap Accelerator. At CQNL, she developed a feature about her great-grandmother, Zhang Youyi. With a background in documentaries, she strives to tell stories truthfully and authentically, while shining a light on stories that have been left untold and that stimulate conversations. Alle received an MFA from NYU Tisch and a BA from Scripps College double majoring in Media Studies and Asian Studies.
About “Unwavering”: Carolyn Kim joins a college student movement for Ethnic Studies in 1968. Inspired by real events.
Watch the NFMLA interview with Alexandra Hsu, the director, and Christine Hughes, writer of “Unwavering”:
About Grace: Grace is a Filipino-American director who excels in genre filmmaking and world-building. Finding magic in the mundane is at the heart of the stories they tell. Their film, “Lola,” has screened at UTA x Gold House, AFI Fest, FilmQuest, and LA Asian Pacific Film Festival, among others, and won awards from the Television Academy, the Directors Guild of America, Imagine Entertainment, Adobe, and Indy Shorts International Film Festival, where they won the Directorial Debut Award. Their latest project, “”Halcyon Days,”” is sponsored by Film Independent and received Panavision’s NFP Grant. Grace was a semi-finalist for the Commercial Director Diversity Program and is a member of the Alliance of Women Directors. Their work has been shortlisted by Disney, Sundance Sloan, and Sony.
About “Lola”: A thirteen-year-old science prodigy journeys into her grandma’s deteriorating mind to save one precious memory they have together.
Watch the NFMLA interview with Grace Hanna, director of “Lola”:
“Deep Into the Forest” directed by Xinhao “Violet” Lu
About Xinhao: Xinhao “Violet” Lu is a Los Angeles-based Asian writer and director. His most recent film, Deep Into the Forest, premiered at 2024 Tribeca Festival and the 9th CAA Moebius Film Festival, and has been officially selected by lots of international film festivals. His dark comedy short film Red Man won Best Experimental film at the 2023 LA Shorts International Film Festival. His first short film Reunion Night was nominated for Best Film and Best Cinematography in “Mao” International Film Week in China. Prior to his MFA in Directing from the AFI Conservatory, he studied Finance at Tianjin University of Finance and Economics in China. He loves to explore the impact of the times on ordinary people and to speak out against social inequality.
About “Deep Into the Forest”: A talented orienteering athlete makes an unexpected decision under the injury of his foot and the pressure of being pushed to compete at a national competition by everyone.
Watch the NFMLA interview with Xinhao “Violet” Lu, director of “Deep Into the Forrest”:
Cucks are having their pop culture moment, from HBO productions like Mountainhead and The White Lotus to Apple TV+’s Your Friends and Neighbors, to the Manhattan courtroom where Sean “Diddy” Combs stands trial.
The word cuck, short for cuckold, refers to a man whose female partner has sex with other men, often humiliating him in the process. It alludes to the cuckoo bird, because of its tendency to lay its eggs in the nests of other birds. The word dates back to medieval times: References to cuckolds are found in the works of Chaucer and William Shakespeare. Humiliated men are natural fodder for drama.
That’s especially true today, an age when the term cuckold has been co-opted and shortened by conservatives, who demean moderate or conservative men they deem to be soft as “cucks.” Liberals (and sometimes fellow conservatives) have fired back by calling supposedly soft right-wingers as “cuckservatives.” The phrase has also come into common use to refer to anyone who is a sucker or rube.
But cuckolding need not be humiliating: For some, it’s a turn-on. Some research indicates that as many as 20 percent of North Americans have engaged in consensual non-monogamy, or CNM. (This of course includes men who have sex with multiple women, who are not, by definition, cuckolds.)
Hollywood’s cuck fascination may just be catching up to the general population. PornHub’s 2024 Year in Review, one annual indicator of people’s secret desires, indicated a slight uptick in the terms “cuckold wife” (up 8%,) and “wife swap” (up 6%).
And as modern pop culture reflects, cuckery is complicated: Sexologist Jill McDevitt has said that it can be a form of masochism or sadism. Some cuckolds enjoy “the arousal that comes from relinquishing power and being humiliated,” she told Men’s Health last year. Others, she said, enjoy watching their partner with someone else, from a sadistic perspective, because he is role-playing “getting revenge on his partner by pimping her out.”
Nowhere is the complication more evident than in the Diddy trial, where the rap impresario is accused of hiring male escorts to have sex with his then-partner, Cassie Ventura, in “freakoffs,” or, in their shorthand, FOs. Prosecutors say the freakoffs amounted to sex trafficking, but Diddy’s lawyers have used texts between Ventura and Combs to argue that they were consensual, and that she enjoyed the freakoffs.
Jurors will have to decide whether Diddy’s orchestration of his partner into something that has been, since Shakespeare’s time, a shorthand for humiliation was, in fact, a power move — and abuse of power.
Hollywood is asking viewers to ask the same questions about a wide range of fictional characters. But what’s different about the cucks of today and the cucks of old is that today’s cucks are often fully aware of their partner’s sex with others, if not fully on board.
Hollywood’s Fascination With Cucks
In Wes Anderson’s 2021 The Royal Tenenbaums, Bill Murray’s Raleigh St. Clair cuts a pitiable figure as he realizes the extent of his wife Margot (Gwyneth Paltrow’s) cheating: “You’ve made a cuckold of me,” he laments.
But the Hollywood cuckolds of today are likely to be well aware of their partner’s cheating, if not encouraging of it.
Whatever the reasons, cucks and cuckery are very much in the zeitgeist, especially on prestige TV: On Season 3 of The White Lotus, the malevolent Greg Hunt (Jon Gries), who recently came into a fortune via the murder of his wife, has a fetish for watching his new partner with younger men. In the new HBO film Mountainhead, the sole likable character, Jeff (Ramy Youssef), is a multibillionaire who doesn’t want his significant other going to a sex party in Mexico, but feels powerless to tell her it’s a dealbreaker. He is open with the other powerful men in his wealthy cohort about his hopes that she won’t sleep with anyone else.
Jesse Armstrong, the writer-director of Mountainhead, previously examined cuckoldry on his show Succession, in which Tom Wambsgans (Matthew MacFayden) was afraid his wife Shiv Roy (Sarah Snook) would leave him if he objected to her sleeping around.
Perhaps the most prominent cuckold now on television is Andrew “Coop” Cooper (Jon Hamm), the protagonist of Apple TV+’s hit Your Friends and Neighbors. Coop appears, in most senses, to be an alpha male: He has a big house, a huge finance job, and a Maserati. In some ways he’s a modern Don Draper, the sturdy, traditional alpha Hamm played on Mad Man.
But Coop becomes a cuckold against his will when his wife Mel (Amanda Peet), sleeps with one of his best friends, former NBA star Nick (Mark Tallman). Unlike many other TV cucks, Coop exits the marriage because of her infidelity. But in a shock to all the friends and neighbors of the show’s title, Coop remains friendly with both Mel and Nick, and even shocks everyone by attending a party at Nick’s house. (He gets in a fight there — but not with Nick.)
In an interesting reversal, Coop makes a cuck of the man who cucked him when he sleeps with Mel on a visit to Princeton. Nick doesn’t take it well, punching Coop. But, soon after, they put their differences aside and bro out with a night on the town.
Perhaps both are heeding the words of Iago in Shakespeare’s Othello: “Beware, my lord, of jealousy/It is the green-eyed monster which doth mock/The meat it feeds on/That cuckold lives in bliss/Who, certain of his fate, loves not his wronger.”
Main image: Ramy Youssef as Jeff in Mountainhead. HBO
Some old scary movies just don’t feel scary anymore. But these films stood the test of time.
The Exorcist (1973)
Warner Bros. – Credit: Warner Bros.
Profoundly chilling even before Linda Blair’s head starts spinning, The Exorcist did for unearthing ancient demons what Jaws did for going in the water.
The franchise returned last year with David Gordon Green’s Exorcist: Believer, in which Ellen Burstyn reprised the role of Chris MacNeil for the first time in 50 years.
Jaws (1975)
Universal – Credit: Universal Pictures
A perfect movie that deploys its doll-eyed villain with impeccable skill, Jaws made everyone who has ever seen it think about sharks at least a little bit every single time we went to the beach for the rest of our lives.
It’s still every bit as scary now as it was nearly 50 years ago.
The newest film on this list, based on the first Stephen King novel, remains anxiety-inducing not because of the literal bucket of blood, but because of the high-school cruelty that still rings in the souls of anyone who experienced it.
The casual bullying, from a time when it was much more tolerated than it is today, is as upsetting to watch as it ever was.
This low-budget George Romero masterpiece retains an eerie, simple power that makes it more frightening than The Last of Us, The Walking Dead, or any of the other countless zombie stories and other scary movies it inspired.
Everyone today talks about gaslighting all the time, but Rosemary’s Baby takes us inside a Manhattan apartment building that has perfected it to terrifying extremes.
When Rosemary (Mia Farrow) becomes pregnant, everyone around her attributes her well-founded fears to hormones and paranoia. But just because you’re paranoid, as the saying goes, doesn’t mean they’re not after you. Or your baby.
Psycho (1960)
Paramount – Credit: Paramount Pictures
The Alfred Hitchcock classic implied more than it showed, but implied it quite effectively.
Psycho spawned the slasher genre, made horror respectable, and made lots of people feel a lot less safe in the shower.
A giallo masterpiece worth watching for the lurid colors alone, Dario Argento’s beautiful, haunting and terrifying story follows an American (Jessica Harper, above) at an elite German ballet academy who realizes, via some very creatively presented murders, that the school is hotbed of witchcraft.
The very confusing sequel, Inferno, released in 1980, is also very worth a watch. Don’t try to sort out the plot. Just let yourself be hypnotized in a wash of blood, color and fire.
Like them or not, Argento makes the most visually stunning horror movies.
The Texas Chainsaw Massacre (1974)
Bryanston Distributing Company – Credit: C/O
You’re creeped out just reading that title. The film’s relentlessly menacing atmospherics — buzzing flies, animal sounds — make it one of the creepiest things ever committed to film. The chainsaw stuff pushes it far over the top. But Tobe Hooper’s very smart direction also lifts it far above its many imitators.
Despite the ominous title, the film implies more than it shows — like all the best horror movies.
Also: Grainy ’70s film stock makes everything scarier.
What Have You Done to Solange? (1972)
Italian International Film – Credit: C/O
This giallo thriller has a straightforward premise: a private school teacher becomes a murder suspect when he can’t provide an alibi for a killing — because he was in the arms of one of his students. The manner of death remains gasp-inducing, all these years later.
Please note that all the other scary movies on this list are quite tame compared to the next two scary movies.
Last House on the Left (1972)
Hallmark Releasing – Credit: C/O
The directorial debut of future Scream and Nightmare on Elm Street icon Wes Craven, Last House on the Left is a difficult-to-watch story of two young women who are terrorized by escaped convicts.
Eventually, parents seek vengeance. But before that you have to sit though a deeply unpleasant scene where the convicts treat the women horribly, and one walks hopelessly into water to die, rather than let it go on any longer.
It’s loosely based on Ingmar Bergman’s The Virgin Spring, and carried the infamous tagline, “To avoid fainting, keep repeating, ‘It’s only a movie … Only a movie … Only a movie …’”
Johnny Got His Gun (1971)
Cinemation Industries – Credit: C/O
Based on a 1939 Dalton Trumbo novel, and adapted into a film by Trumbo during the Vietnam War, this powerful and deeply affecting anti-war story follows a young man named Joe who suffers battlefield injuries that cost him his arms, legs, sight and ability to see and hear. He’s left trapped in his own mind.
Long after Vietnam, the movie managed to terrify Gen X audiences thanks to Metallica, who featured clips of it prominently in their 1988 video for “One.”
Its entire ambiance is unsettling, even before we get to the scenes of Joe in his hospital bed. It’s not even technically a horror movie, but it’s one of the most resonant scary movies we’ve ever seen.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
From Station to Showroom: How Smart Commuters Are Upgrading Their Travel Experience
In an era where convenience, style, and flexibility rule our daily routines, a new wave of smart commuters is changing the way we think about travel. From reliable local transport to weekend luxury drives, modern professionals are blending practicality with aspiration—and the results are surprisingly within reach.
The Daily Commute Reimagined
For many working professionals in and around Sussex, the daily commute begins or ends at Horsham Station. While some still rely on private vehicles, an increasing number are choosing to simplify their weekday routine with dependable Horsham Station taxis. These local taxi services offer a stress-free, efficient solution to the “first and last mile” of the commute—ideal for those heading to London or nearby commercial hubs.
By outsourcing the hassle of traffic, parking, and station drop-offs, commuters are freeing up mental space and reducing the wear and tear on personal vehicles. But that’s only part of the picture.
Luxury Without Compromise: Used Porsche Finance
While Horsham taxis may handle the weekday grind, many professionals still crave the thrill of the open road on evenings or weekends—and that’s where the showroom comes in. For those dreaming of driving a performance car without the hefty new-car price tag, used Porsche finance offers the perfect bridge between aspiration and affordability.
Used Porsche models—like the Cayman, Macan, or 911—provide the brand prestige, quality engineering, and driving excitement that Porsche is known for. With competitive finance packages, buyers can spread the cost, making ownership far more accessible than most would expect.
What’s more, by combining taxi services for commuting and reserving luxury car use for personal time, drivers enjoy the best of both worlds: practicality during the week, and indulgence on the weekend.
Blog Outreach Services: Driving Smart Decisions
So how do today’s commuters and car lovers discover these upgraded lifestyle choices? Increasingly, through carefully curated online content—thanks to blog outreach services.
Instead of relying solely on traditional ads or generic search results, businesses are working with outreach specialists to place their services in front of the right audience—through articles on local lifestyle blogs, automotive platforms, and commuting advice websites. That’s how many discover that reliable Horsham Station taxis exist, that used Porsche finance isn’t just for high-earners, and that their travel habits can be smarter, simpler, and more enjoyable.
This kind of marketing puts the spotlight on real, everyday use cases—like professionals who use taxis for commuting but finance a luxury car for personal driving—and helps readers see themselves in that story.
The New Travel Lifestyle
This shift in travel habits reflects a broader trend: people are no longer bound by rigid definitions of car ownership or commuting. Instead, they’re embracing flexible, tailored solutions that align with their values and lifestyle.
It’s about elevating everyday routines—turning the journey to work into something simpler, and turning free time into something extraordinary.
In today’s world of rapid technological advancement, the fusion of sustainability and precision engineering is not just desirable, it’s necessary. As cities expand and technology evolves, the demand for smarter, cleaner, and more efficient solutions continues to grow. Among the innovations leading the charge are carport solar systems and fibre optic gyroscopes (FOGs). At first glance, these might appear to belong to entirely different realms, one grounded firmly in sustainable energy, the other in high-level navigation and instrumentation. But both play a crucial role in shaping the future of how we live, move, and power the world around us.
Carport Solar: Making Shade Work Smarter
Carport solar systems are a modern reimagining of a familiar structure. More than just a shaded area to park your car, a solar carport integrates photovoltaic (PV) panels into its roof, turning a static structure into an energy-generating powerhouse. As the drive towards renewable energy intensifies, these solar canopies are emerging as practical solutions for homes, businesses, and public car parks alike.
Unlike rooftop solar, carports don’t require an existing structure to be effective. They can be placed strategically to maximise sun exposure and optimise energy output. For property owners, they provide multiple benefits: shaded parking, weather protection, and a reduction in energy bills all while contributing to a lower carbon footprint.
Beyond private homes, commercial and municipal installations are becoming increasingly common. Shopping centres, office parks, universities, and transport hubs are using solar carports to offset electricity costs and showcase their commitment to sustainability. When combined with battery storage or electric vehicle (EV) charging stations, carport solar systems transform into fully integrated green energy solutions.
The Precision of Fibre Optic Gyroscopes
While carport solar systems deal with capturing and distributing energy, fibre optic gyroscopes operate on an entirely different plane literally. These devices are at the cutting edge of navigation and positioning systems. Used in aerospace, marine, military, robotics, and even autonomous vehicles, FOGs measure rotational movement with extraordinary accuracy.
Traditional gyroscopes relied on spinning masses. Fibre optic gyros, by contrast, use the interference of light within coiled optical fibres to detect changes in orientation. The result is a system with no moving parts, no mechanical wear, and a level of precision that mechanical solutions can’t match.
FOGs are essential in environments where GPS isn’t reliable underwater, underground, or in space. They help submarines maintain orientation without surfacing, enable aircraft and spacecraft to navigate vast distances, and assist advanced robotics in staying balanced and on-course.
As our reliance on automation and autonomous systems grows, so too does the importance of robust internal navigation. Whether for self-driving cars, unmanned drones, or mobile industrial robots, the ability to track position and movement with extreme accuracy is no longer optional; it’s essential.
Common Ground: Innovation, Sustainability and Infrastructure
Despite their differing functions, carport solar systems and fibre optic gyroscopes are both at the forefront of innovation in infrastructure. They solve different problems, one focused on sustainable energy production, the other on high-precision motion sensing but both represent forward-thinking responses to the demands of modern society.
One of the most important common threads is efficiency. Solar carports capture energy from a surface that would otherwise be idle. FOGs detect minute motion changes with incredible accuracy and no moving parts, reducing the risk of failure. These aren’t just better versions of old technologies, they are transformative improvements that open up new possibilities.
There’s also a shared emphasis on integration. Carport solar systems are often part of a wider energy ecosystem, linked with EV chargers, grid storage or smart home management. Similarly, fibre optic gyros are components in larger guidance systems, enabling precise control in everything from aviation to renewable energy infrastructure such as wind turbines.
Even in application, these technologies are starting to intersect. Imagine a future where solar-powered carports not only charge electric vehicles, but where those vehicles use FOGs to safely navigate busy roads autonomously. Energy generation and intelligent motion control, working in parallel, are forming the backbone of tomorrow’s mobility solutions.
Sustainability and Intelligence in Action
The shift toward renewable energy and autonomous navigation is not just technological, it’s philosophical. Both carport solar systems and fibre optic gyros demonstrate a commitment to sustainable progress. They show that we can create technologies that are not only high-performing but also environmentally and socially responsible.
A solar carport reduces reliance on fossil fuels and provides energy where it’s needed most, close to the vehicles that will use it. A fibre optic gyro enables efficient transport, exploration and automation without the bulk or fragility of traditional systems. Both reflect an increasing awareness of the importance of resilience, independence, and long-term value.
Looking Ahead
As we look to the future, it’s clear that innovation in infrastructure, whether grounded in energy, data, or motion is no longer a luxury. It’s a necessity. Solar carports and fibre optic gyroscopes may serve very different sectors, but they both exemplify the kind of smart, efficient, and adaptable technology we need more of.
They remind us that even the most routine parts of our daily lives: parking our car, turning a corner, or using electricity can be made smarter and more sustainable. As we continue to seek out solutions that balance progress with preservation, these technologies will play a pivotal role in helping us navigate the complexities of the modern world.
Here are some stars of the 1970s are still going strong.
Diane Keaton
United Artists – Credit: C/O
After breaking out with The Godfather, Diane Keaton hit icon status with Annie Hall (above) and has never let it go.
After a run of films including Reds, Baby Boom, the Father of the Bride films, and Something’s Gotta Give, she returned in 2023 with the sequel Book Club: The Next Chapter. She was terrific in Mack & Rita, too. She’s terrific in everything.
Say, whatever happened to that guy who played her husband in The Godfather films? What was his name again?
Al Pacino
Credit: C/O
Oh, that’s right. Al Pacino, one of the greatest actors of the 1970s and all time, broke out with 1971’s The Panic of Needle Park (still haunting) before beginning a run of ’70s hits that included not just the first two Godfather films but also Dog Day Afternoon (above), and Serpico.
In the ’80s, he mostly chose his shots carefully, settling on an iconic turn in Scarface. His spectacular ’90s run included an Oscar-winning role in Scent of a Woman — he’s ridiculously only one once, out of nine nominations — followed by Heat, Donnie Brasco, Devil’s Advocate and more.
Recent highlights include Once Upon a Time in Hollywood, The Irishman, and a hilarious role in House of Gucci. Like others on this list, he has finally moved into television (OK, streaming) with Amazon’s Hunters.
Pacino, 84, also appeared last year with Michael Keaton in Knox Goes Away, which Keaton directed, and in Modì, Three Days on the Wing of Madness, directed by his Donnie Brasco co-star, Johnny Depp.
He also just released a new autobiography, and has made so many great movies we can think of at least five you’ve likely never heard of.
After breaking out in 1970s roles including The Gang That Couldn’t Shoot Straight (above) and Bang the Drum slowly, he became a film icon with Mean Streets, The Godfather Part II (for which he won his first Oscar), Taxi Driver, and The Deer Hunter. Next came 1980’s Raging Bull, which earned him his second Oscar.
His too-many to list roles between then and now include Goodfellas, Casino, Awakenings, Silver Linings Playbook, Heat, Jackie Brown, Midnight Run, and the Meet the Parents franchise. He earned the most recent of his Oscar nominations for The Irishman, which again paired him with Pacino and Martin Scorsese, though the film marked the first time he worked with both.
He was also up for an Oscar for best supporting actor last year for his role in Killers of the Flower Moon.
Jamie Lee Curtis
Credit: C/O
The latest winner of the Best Supporting Actress Oscar for Everything Everywhere All at Once may always be best known for her role as Laurie Strode in 1978’s Halloween (above), a role she has repeatedly revisited, including in the latest Halloween trilogy, before vowing that she will never play the character again.
Her other career highlights have included widely varied roles in films from Trading Places to A Fish Called Wanda to True Lies to Knives Out.
She earned raves for her latest, The Last Showgirl, alongside Pamela Anderson, and was one of the first stars to step up and pledge $1 million to support the recovery from the L.A. fires.
Sylvester Stallone
United Artists – Credit: C/O
Despite a breakout role in 1974’s The Lords of Flatbush, Stallone wasn’t happy with the roles he was being offered. So he blacked out his windows to focus and wrote several screenplays, one of which turned out to be Rocky. Then he insisted on playing the title role and became one of the breakout stars of the 1970s.
In the process, he helped invite the modern blockbuster — and franchise — and did it again with the Rambo films. Rocky led to Creed, in which Stallone starred in the first two installments. This year he’s back with the fourth and perhaps final Expendables film.
All that and he decided to give TV a try, playing an ex-con who goes West in Tulsa King (above). He’s remarkably never gotten an Oscar, though Rocky won Best Picture and Best Director for John G. Avildsen.
He’s also the subject of a compelling recent Netflix documentary about his life and career called Sly, and was recently named one of President Trump’s “Special Ambassadors to Hollywood.”
Sally Field
Universal Pictures – Credit: C/O
We like her, we really like her. Sally Field, a two-time Best Actress Oscar winner for 1979’s Norma Rae (above) and 1984’s Places in the Heart, is also a 1960s star, thanks to her appearances on Gidget, starting in 1965, and the The Flying Nun.
In roles from Sybil to Smokey and the Bandit to Mrs. Doubtfire to Forrest Gump to Lincoln, she demonstrated exceptional range, and mastery of award-ceremony speeches — her “You like me, right now, you like me” speech for Places in the Heart still holds a place in the heart of anyone who’s seen it.
Last year she stood out in 80 for Brady, proving she’s still got comic chops — and a love of hot wings that took everyone by surprise. We also loved her in HBO’s Winning Time as Jessie Buss.
Meryl Streep
Universal Pictures – Credit: C/O
Perhaps the greatest actress, period, Meryl Streep was already highly respected when she earned the first of her 21 Oscar nominations for her role in 1978’s The Deer Hunter (above), alongside a stellar cast that included Robert De Niro, and established herself in the process as one of the most promising stars of the 1970s.
She has won an Oscar three times, once for Best Supporting Actress in Kramer v. Kramer, and twice for Best Leading Actress in Sophie’s Choice and The Iron Lady.
Her endless list of films includes Out of Africa, Sophie Choice, Doubt, The Hours, the Mamma Mia films, The Devil Wears Prada, and The Post, for which she received her most recent Oscar nomination. She stole the show as pitiless President Janie Orlean in Don’t Look Up, and appeared recently in the Apple TV+ drama Extrapolations and Hulu’s Only Murders in the Building.
Jodie Foster
Columbia Pictures – Credit: C/O
One of our all-time favorite actors — and a two-time Best Actress Oscar winner for The Accused and Silence of the Lambs — Jodie Foster broke into the industry with a Coppertone ad at age three.
She quickly established herself as a powerhouse with astonishing range, starring in Freaky Friday and Taxi Driver in 1976, when she was barely a teenager, making her one of the youngest stars of the 1970s.
She was back in crime-solving last year as the star of HBO’s True Detective: Night Country, and was up for an Oscar for best supporting actress for her role Nyad. She also just won a Golden Globe for Night Country.
As for her Silence of the Lambs co-star…
Anthony Hopkins
20th Century Fox – Credit: C/O
Anthony Hopkins broke out in 1960s roles including The Lion in Winter (1968) and Hamlet (1969), then found success in the 1970s with films like A Bridge Too Far (1977) and Magic (1978). He entered the next decade with The Elephant Man (1980).
But things really took off with Silence of the Lambs (1991) — for which he won a Best Actor Oscar with just 16 minutes of screen time. From there he went on to star in films liike Nixon (1995), Amistad (1997), Hannibal (2001), The Human Stain (2003), Alexander (2004) and Hitchcock (2012). Along the way he’s also dropped into the Thor, Transformers and Mission: Impossible Franchises.
But perhaps his best work of all was for 2020’s The Father, in which he earned his second Best Actor Oscar for his role as an octogenarian losing his faculties. He does almost everything in a role that an actor can do. His long list of awards includes four BAFTA Awards and an Olivier Award, as well as being knighted by Queen Elizabeth II.
Hopkins, 86, was also excellent as an immigrant grandfather in 2022’s underseen Armageddon Time. His latest work includes Freud’s Last Session, in which he plays Sigmund Freud, and he just starred in Netflix’s new film Mary as King Herod.
Clint Eastwood
Universal Pictures – Credit: C/O
Remarkably, Clint Eastwood isn’t just a star of the 1970s who is still going strong — he was a star in the 1950s, when he broke out in 1950s films including Francis in the Navy, The First Traveling Saleslady and Ambush at Cimarron Pass.
The 1960s brought a steady role on the TV show Rawhide, and he became one of the most iconic stars of the 1960s in Sergio Leone’s “Man With No Name” trilogy: A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, The Bad and the Ugly (1966).
He loomed large in the 1970s with the Dirty Harry franchise, Thunderbolt and Lightfoot, and Escape from Alcatraz, but he also notably launched his directing career in 1970 with 1971’s Play Misty for Me, in which he also starred (above).
His stunning filmmaking career includes two Oscars each for directing and producing The Unforgiven (1993) and Million Dollar Baby (2005). His other outstanding films include Mystic River (2003), Letters From Iwo Jima (2006) and American Sniper (2014).
Now 93, he continues to star in and direct films — his latest was 2021’s Cry Macho, and last year he released his latest film, Juror #2.
Jane Fonda
United Artists
Jane Fonda broke out in 1960s hits like Cat Ballou, and buoyed her reputation with films like Barefoot and the Park and They Shoot Horses, Don’t They before the decade was over. (She also ended up on a lot of dorm walls thanks to 1968’s Barbarella.)
But she owned the next decade, becoming one of the leading stars of the 1970s — and most acclaimed.
In 1971, she won her first Best Actress Oscar for a daring turn in Klute, and won her second for 1978’s Coming Home (above), in which Fonda, one of Hollywood’s most outspoken progressives, acted opposite Jon Voight, who in recent years has become one of Hollywood’s most outspoken conservatives. It gives the movie and added layer of curiosity.
She was nominated for four additional Oscars in a stellar career that also included 9 to 5, On Golden Pond (in which she starred with her father, Henry Fonda), The Morning After, Stanley and Iris, and Luck.
Jane Fonda seems somehow busier than ever: She recently starred with Sally Field in 80 for Brady and Diane Keaton in Book Club: The Next Chapter, and just wrapped up a long TV run on Grace and Frankie.
Steve Martin
Universal Pictures – Credit: C/O
Steve Martin seems like he hasn’t aged since his hair turned prematurely grey — and because his frantic comic energy seems boundless.
After years of struggle, Steve Martin scored a Saturday Night Live hosting gig in October 1976 that finally won mass audiences over to his absurdist comedy. From there he packed arenas and made his first film, 1979’s The Jerk (above), a huge hit despite many critics’ failure to recognize its brilliance.
From there he went on a run of hits that continues to this day, including Three Amigos (1986), Roxanne and Planes, Trains and Automobiles (both 1987), Dirty Rotten Scoundrels (1988), Parenthood (1989), Bowfinger (1999) the Father of the Bride films, the Pink Panther films, and It’s Complicated (2009).
Now 79, he’s currently starring with his Three Amigos pal Martin Short on Hulu’s Only Murders in the Building, and will appear this weekend on NBC’s SNL 50: The Anniversary Special.
Michael Caine
MGM
The 91-year-old winner of two Oscars, for 1986’s Hannah and Her Sisters and 1999’s The Cider House Rules, broke out in the 1960s with films including Zulu, Alfie, and The Italian Job, and kept in stride throughout the 1970s with classics including Get Carter and A Bridge Too Far.
Decades later, the dashing actor gained a new generation of film fans in Christopher Nolan’s Dark Knight trilogy — an experience he discusses in the new memoir Don’t Look Back, You’ll Trip Over: My Guide to Life, on sale March 25 from Mobius. You can read an excerpt of it here.
His most recent film was 2023’s The Great Escaper.
Jacqueline Bisset
Columbia Pictures – Credit: C/O
British star Jacqueline Bisset broke out in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. She spent the 1970s decade making good on that promise, starring in films including Airport — the second highest-grossing film of 1970 — as well as Murder on the Orient Express, St. Ives, and The Deep, one of the biggest hits of 1977, a crucial year for film.
She also earned a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical in Who Is Killing the Great Chefs of Europe, and made the ageless masterpiece Day for Night (1973), which won the Academy Award for Best Foreign Language Film and feels as fresh today as it ever did.
She has never stopped working, and thriving, in both film and television. Her latest film is the new Western Long Shadows, in which she stars with Dermot Mulroney.
Harrison Ford
Universal Pictures – Credit: C/O
You knew this one was coming, right? After breaking out in The Conversation and American Graffiti (above), he wasn’t yet one of the biggest stars of the 1970s. But Harrison Ford legendarily snagged the role of Han Solo in Star Wars while agreeing to run lines with actors auditioning for the film.
Soon he was starring in Blade Runner, Working Girl, two Jack Ryan movies and of course the Indiana Jones films, the latest of which, Indiana Jones and the Dial of Destiny, opened last year. Ford promises he’s done with the whip and fedora, but given his seemingly boundless energy, who can say?
Ford also stars on the hit Yellowstone prequel 1923, and, as we mentioned, appears this week in Captain America: Brave New World, playing the president of the United States… who turns into a red Hulk.
Like This List of 15 Stars of the 1970s Who Are Still Going Strong?
THC gummies are CBD oil-infused chewing gummies that are popular among cannabis lovers nowadays. These CBD THC gummies are an easy way to ingest CBD into the body. Gummies are a delicious candy-like product that contains THC. Those cannabis lovers who don’t want to vape or smoke often use THC gummies.
Another reason behind the popularity of THC gummies is their availability in multiple flavor combinations, colors, and potencies. You can choose according to your taste and needs.
Safety is the most important factor while consuming CBD products. In this blog, I’ll discuss the benefits of using THC gummies for a daily dose.
What are THC Gummies?
THC gummies, known as CBD, marijuana, or weed gummies, are THC-infused edible candies that you can easily chew and swallow. Manufacturers and online marketers made these THC gummies popular in the market by showing them as the easiest and discreet way to ingest CBD. The CBD gummies are commonly used to prevent stress and anxiety.
Making THC gummies involves extracting THC from cannabis plants and mixing it into the candy ingredients, such as gelatin, sugar, flavorings, and colors, to form a candy. Solvents such as alcohol or CO2 can be used to perform this task before mixing in gelatin, sugar, flavorings, and colors to form the final product.
Benefits of using THC gummies
CBD gummies are not just for chewing or getting psychoactive effects; rather, it has potential health benefits for the human mind and body. If you get the proper dosage according to your needs, you’ll get various therapeutic benefits.
Here are some top health benefits of using THC gummies:
1. Pain Relief:
One of the key health benefits of using THC gummies is that they help to eliminate pain in your body. When you chew CBD gum, it interacts with the inner parts of the body and immediately alleviates pain. Also, it deals with other physical pains, such as chronic pain etc. So why wait? Search for same day weed delivery services near me and get your desired weed gummies.
2. Stress and Anxiety Reduction:
Stress and anxiety are the major reasons why cannabis lovers are using THC gummies. These gummies play a key role in reducing stress and anxiety, resulting in giving you physical and mental peace. Also, it gives you a sense of calmness to forget the anxiety issues. Moreover, THC gummies also deal with the insomnia issue, promoting a better sleep routine.
In Conclusion
THC gummies are preferable if you want a daily weed dose. Always start with a lower potency and gradually increase to check the effects. THC gummies come in various shapes, sizes, flavors, and potencies, allowing users to select the one that best meets their preferences. Some THC gummies feature fruity flavors while others may offer herbal or earthy tastes; their potencies also vary between brands, offering various concentrations of THC in each gummy.
Try to search for reputable brands near your location if you want to buy high-quality THC gummies. It will help you get the desired results. Low-quality THC gummies may affect your health negatively.
