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  • The Top 10 films set in Berlin

    The Top 10 films set in Berlin


    Berlin, a city with a cinematic history as rich and layered as its checkered past, has been a muse for filmmakers since the dawn of cinema. From the silent films of the Weimar Republic, through the city’s division into East and West, to the reunification, Berlin’s narrative has been captured on film in myriad ways. The city’s cinematic landscape has given rise to some of the most iconic films in history, reflecting its political, cultural, and emotional transitions. Some films are more known than others, and this list of the top 10 films in the Grey City doesn’t necessarily include the most famous ones.

    10. Germany Year Zero (1948)

    Germany Year Zero
    Germannia anno Zero by Roberto Rosselini.

    The third film of Roberto Rossellini’s war trilogy following Rome, Open City and Paisan is the bleakest of the trilogy. The depiction of young Edmund trying to navigate war-torn Berlin is hardly a beacon of hope. This was young Edmund Moeschke’s only screen appearance, but it was enough to engrain him in spectators’ minds for years. The film was shot both on location and in the studio, marking it somewhat of a disruption with the neo-realist methods. Reactions to the film were mixed, with some deeming it melodramatic. In any case, it remains a powerful work and spawned a sequel of sorts. More about that later.

    9. Menschen am Sonntag (1930)

    Menschen am Sonntag
    Menschen am Sonntag by Robert Siodmak and Edgar G. Ulmer.

    The amusing Menschen am Sonntag (People on Sunday) was directed by Robert Siodmak and Edgar G. Ulmer with a script by Billy Wilder. Eugen Schüfftan was the cinematographer, and Fred Zinneman was his assistant, so the film was made by several future Hollywood personalities. Since the film is from 1930, it has nothing to do with the contemporary draconian laws of what activities are not allowed on Sundays in Germany. The loose story is about a group of people trying to enjoy their weekend. The film is short and constantly entertaining.

    8. Rabbit à la Berlin (2009)

    Krolik po - The Disapproving Swede
    Rabbit à la Berlin (Królik po berlińsku) by Bartosz Konopka.

    This is the most unusual film on the list. It is a documentary of sorts about the wild rabbits that lived in the no man’s land between the Berlin walls for 28 years. It was a safe home lush with grass, free from predators, and even guarded from human interference. They were trapped but content. As their numbers grew into the thousands, guards tried to remove them, but the rabbits held on. Then, one day, everything changed: the Wall came down. Suddenly, their sheltered world was gone, and they had to leave their comfortable home behind. They migrated to West Berlin, forming small colonies that still exist today.

    This description makes the metaphorical side of the film more than evident. This medium-length film not only shows the rabbits but also contains commentaries from several people, including soldiers, experts, and other witnesses. It manages to paint a portrait of the living situation in East Berlin playfully without shying away from the truth. The rabbits started spreading around when the wall came down, but they were less sheltered than before. Just like with Pepe, people decided to kill off some of them. The film shows how their lives changed and that most moved to the Western side like many people did. Rabbit à la Berlin is available in German on YouTube.

    7. Cabaret (1972)

    Cabaret Liza Minelli
    Cabaret with Liza Minelli.

    It is difficult not to include Cabaret on the list. Bob Fosse captures the city’s energy and tension during the final years of the Weimar Republic. Through the Kit Kat Club, the film contrasts the era’s nightlife with the rise of Nazism. Liza Minnelli’s performance as Sally Bowles and Joel Grey’s Emcee add to its impact. With striking musical numbers composed by John Kander and the sharp social commentary, Cabaret remains an essential Berlin classic. Maybe some people would even be able to spot differences compared to today’s society.

    6. Die dritte Generation (1977)

    Die dritte Generation
    Die Dritte Generation

    Rainer Werner Fassbinder’s Die Dritte Generation (The Third Generation 1979) is one of the director’s boldest films, taking a sharp take on terrorism in West Germany. Set in a chaotic, divided Berlin, it follows radicals driven more by boredom than ideology. Blending satire and thriller, Fassbinder critiques media influence and manipulation. The film’s fragmented storytelling and grainy, disorienting cinematography heighten its sense of paranoia. Die Dritte Generation captures the disillusionment of late-1970s Berlin, making it a thought-provoking portrayal of the city’s political tensions. Who is actually funding the terrorists? The cast includes Eddie Constantine, which also goes for…

    5. Allemagne année 90 neuf zéro (1991)

    Allemagne année 90 neuf zéro.
    Eddie Constantine in Allemagne année 90 neuf zéro.

    The title of Jean-Luc Godard’s Allemagne année 90 neuf zéro obviously refers to the aforementioned Rossellini film. It also harks back to the director’s previous Alphaville: Une étrange aventure de Lemmy Caution, where Eddie Constantine played a variation of his signature role, Lemmy Caution. In 1990, he is just a fish out of water as Philip Marlowe in The Long Goodbye (1973), albeit for different reasons. It is one of the first and best films about the new reality after the Berlin Wall came down. The entire film is available on YouTube with English subtitles.

    4. Flight to Berlin (1984)

    Flight to Berlin
    Tusse Silberg in Flight to Berlin.

    Christopher Petit’s first film, Radio On (1979), became an instant cult classic, while his sophomore effort, An Unsuitable Job for a Woman (1982), was sadly underrated. Flight to Berlin is his third film and also the third on this list that features Eddie Constantine. The storyline about Susannah (Tusse Silberg), who is whisked away from her hotel for interrogation, dives straight into mystery and essentially keeps it that way. The film captures the split city, but as I mentioned before, it’s also full of references to films by Godard and other directors. It is a film worth seeing by a director who seems to be forgotten nowadays.

    3. M – Eine Stadt sucht einen Mörder (1931)

    M Fritz Lang

    Fritz Lang’s M – Eine Stadt sucht einen Mörder (1931) is a seminal German film set in Berlin’s bustling, shadowy underbelly during the Weimar Republic. The story centres on Hans Beckert, a child murderer whose crimes disrupt the city’s fragile order. Berlin’s criminals, facing police pressure, take justice into their own hands, forming a parallel justice system. This portrayal of Berlin is both a character and a backdrop, showcasing the city’s dark, labyrinthine streets where fear and paranoia reign. The criminals’ response to Beckert’s deeds is pragmatic; they organize to capture him, not out of morality but to restore their disrupted business.

    Joseph Losey made an underrated remake in 1951. That was not the only time when that director presented a film that didn’t get the reception that it deserved.

    2. Possession (1981)

    Possession
    Isabelle Adjani and Sam Neill in Possession.

    Possession is the only film in English by Andrzej Żuławski and his most well-known internationally, even if it was distributed in a truncated version in the US. The story of a spy (Sam Neill) and his wife (Isabelle Adjani) is not a film easily forgotten. That goes for the thespians as well. Adjani stated that it took years for her to recover from the shooting, and Sam Neill recently said that he “escaped that film with my sanity barely intact”. The cold war setting of Berlin has rarely felt more distressing. A pivotal scene takes place in the famous Café Einstein, which is, sadly, permanently closed.

    1. Der Himmel über Berlin (1987)

    Der Himmel über Berlin
    Der Himmel über Berlin

    The number 1 was an obvious choice. The title Der Himmel über Berlin has nothing to do with the fact that Uber was the vehicle provider at last year’s Berlinale (now replaced by Cupra) but with two angels that descend on the city and try to grasp what it means to be human. The English title, Wings of Desire, works very well too. This romantic and philosophical film boasts splendid cinematography by veteran Henri Alekan and wonderful performances by Bruno Ganz and Otto Sander, among others. It is Wim Wenders’ most accomplished work.

    The screening in a packed Draken in Gothenburg in 1988 is one of my most treasured cinematic memories. With its giant screen, this beautiful cinema was the perfect venue for the film, and the ambience was phenomenal. It didn’t get worse when Ganz and Sanders took the stage after the screening. The portrait of Berlin is interesting at a time when Potsdamer Platz was basically a hole in the ground.

    This rounds up the list of the best films set in Berlin. It remains to be seen if the future will bring more memorable films from the city.



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  • Semaine de la Critique 2025

    Semaine de la Critique 2025


    Semaine de la Critique 2025 When I’m 64

    This year marks the 64th edition of the Semaine de la Critique (labelled Critics’ Week by those who don’t habla), the section dedicated to first and sophomore works. This parallel section, organized by the French Union of Film Critics, continues its tradition of discovering and championing new voices in global cinema. Under the artistic direction of Ava Cahen, now in her fourth year, Critics’ Week remains a haven for first and second feature films. This year’s selection was presented earlier today, comprising 11 films, seven of which are in the competition.

    The Opening Film this year is Adam’s Interest (L’intérêt d’Adam) by Laura Wandel. Her first film, Playground (Un monde), piqued some people’s interest in the 2021 Un Certain Regard and won the FIPRESCI prize. That the sophomore film lands in Semaine de la Critique instead feels like a demotion. Starring Léa Drucker and Anamaria Vartolomei, the film deals with a mother seemingly unable to care for her malnourished son. The other special screenings are all French. Baise-en-ville, directed by and starring Martin Jauvat, is described as a working-class comedy. Whether Baise-En-Ville is adjacent to Ennui-sur-Blasé is not confirmed at the time of writing, even though I went through the entire battle dispatch.

    Love Letters (Des preuves d’amour) is the debut feature by Alice Douard. The story revolves around Céline, who is expecting her firstborn. But she’s not the one who’s pregnant. In three months, her wife Nadia will give birth to their daughter. The closing film is Dandelion’s Odyssey (Planètes), which follows four dandelion achenes that survive a series of nuclear explosions destroying Earth.

    Semaine de la Critique 2025 Useful Ghosts
    Useful Ghosts by Ratchapoom Boonbunchachoke.

    Regarding the competition films, we find the Thai film Useful Ghosts about a man whose deceased wife returns by possessing a vacuum cleaner. It is directed by Sleepless City (Ciudad Sin Sueño) is Guillermo Galoe’s first feature set in the biggest slum in Europe on the outskirts of Madrid. The cinematography is by the masterful Rui Poças. Kika is Alexe Poukine’s first film about a social worker suddenly struck by tragedy. Yet another first feature is Imago by Déni Oumar Pitsaev, an autobiographical documentary set in Georgia. Left-Handed Girl by Shih-Ching Tsou takes place in Taipei after a mother and her two daughters return there after living in the countryside.

    Ciudad Rui Pocas - The Disapproving Swede
    Sleepless City by Guillermo Galoe.

    Nino, by debutant Pauline Loquès, is set during three days when the titular character wanders around the streets after losing his keys. Finally, Sven Dresser’s Rietland (Reedland) portrays the reed-cutter Johan, who becomes obsessed with the murder of a teenage girl.

    The Semaine de la Critique 2025 will take place from May 14 to 22. The jury president, Rodrigo Sorogoyen, will be joined by Jihane Bougrine, French-Canadian cinematographer Josée Deshaies, Indonesian producer Yulia Evina Bhara, and Oscar-winning British actor Daniel Kaluuya. 



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  • Semaine de la Critique 2025

    Semaine de la Critique 2025


    Semaine de la Critique 2025 When I’m 64

    This year marks the 64th edition of the Semaine de la Critique (labelled Critics’ Week by those who don’t habla), the section dedicated to first and sophomore works. This parallel section, organized by the French Union of Film Critics, continues its tradition of discovering and championing new voices in global cinema. Under the artistic direction of Ava Cahen, now in her fourth year, Critics’ Week remains a haven for first and second feature films. This year’s selection was presented earlier today, comprising 11 films, seven of which are in the competition.

    The Opening Film this year is Adam’s Interest (L’intérêt d’Adam) by Laura Wandel. Her first film, Playground (Un monde), piqued some people’s interest in the 2021 Un Certain Regard and won the FIPRESCI prize. That the sophomore film lands in Semaine de la Critique instead feels like a demotion. Starring Léa Drucker and Anamaria Vartolomei, the film deals with a mother seemingly unable to care for her malnourished son. The other special screenings are all French. Baise-en-ville, directed by and starring Martin Jauvat, is described as a working-class comedy. Whether Baise-En-Ville is adjacent to Ennui-sur-Blasé is not confirmed at the time of writing, even though I went through the entire battle dispatch.

    Love Letters (Des preuves d’amour) is the debut feature by Alice Douard. The story revolves around Céline, who is expecting her firstborn. But she’s not the one who’s pregnant. In three months, her wife Nadia will give birth to their daughter. The closing film is Dandelion’s Odyssey (Planètes), which follows four dandelion achenes that survive a series of nuclear explosions destroying Earth.

    Semaine de la Critique 2025 Useful Ghosts
    Useful Ghosts by Ratchapoom Boonbunchachoke.

    Regarding the competition films, we find the Thai film Useful Ghosts about a man whose deceased wife returns by possessing a vacuum cleaner. It is directed by Sleepless City (Ciudad Sin Sueño) is Guillermo Galoe’s first feature set in the biggest slum in Europe on the outskirts of Madrid. The cinematography is by the masterful Rui Poças. Kika is Alexe Poukine’s first film about a social worker suddenly struck by tragedy. Yet another first feature is Imago by Déni Oumar Pitsaev, an autobiographical documentary set in Georgia. Left-Handed Girl by Shih-Ching Tsou takes place in Taipei after a mother and her two daughters return there after living in the countryside.

    Ciudad Rui Pocas - The Disapproving Swede
    Sleepless City by Guillermo Galoe.

    Nino, by debutant Pauline Loquès, is set during three days when the titular character wanders around the streets after losing his keys. Finally, Sven Dresser’s Rietland (Reedland) portrays the reed-cutter Johan, who becomes obsessed with the murder of a teenage girl.

    The Semaine de la Critique 2025 will take place from May 14 to 22. The jury president, Rodrigo Sorogoyen, will be joined by Jihane Bougrine, French-Canadian cinematographer Josée Deshaies, Indonesian producer Yulia Evina Bhara, and Oscar-winning British actor Daniel Kaluuya. 



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  • 7 Ways to Build a Better Business — Every Movie Has a Lesson

    7 Ways to Build a Better Business — Every Movie Has a Lesson



    Getting into business is not for the faint-hearted. Even when you’re a natural-born entrepreneur and you love nothing more than to dedicate yourself to a project, you’re going to find that the ups and downs in business can be tough. With that being said, it is always worth it when you’re doing something you love. While not everyone will want to be an entrepreneur, and some people will be better suited to the corporate world, if you are thinking about getting into business, it’s always important to do it in the right way. Even if you’ve been in business for a while, you may also be looking for ways to improve what you do.

    Ultimately, you always want to make sure that your business is the best it can be. It’s not always easy to know what steps you need to take in order for that to happen. Plus, when you’re busy balancing a lot of plates, it can be hard to dedicate your time to something else. But in this blog post, we’re going to change that for you. So if you’d love to be able to build a better business or make sure that you’re setting things up in the best way from the start, you’ve come to the right place. Let’s take a look at the seven things you can do to make that happen!

    1. Be in it For the Right Reasons

    First of all, you’re going to want to make sure that you’re in this for the right reasons. If you’re not motivated by passion or making a difference, you may find that your interest in what you’re doing will tail off. Sure, it’s nice to be able to make money and enjoy more freedom, but you have to care about the business nature itself in order to stay dedicated to it!

    2. Be Ethical

    Something you should always look to do is have a good moral compass and focus on operating ethically. If you don’t, you may find that it comes back to haunt you! Being a good person and building a good company that makes a difference will always help you to stand the test of time!

    3. Focus on Efficiency

    Another thing that you might want to pour your time and energy into is efficiency. This isn’t from a cost-cutting perspective, but more so about ensuring that you’re using your time, energy, and resources as effectively as possible. Removing anything redundant in your business and focusing on improving workflow can make a huge difference to how the business runs too.

    4. Understand Your Customer More

    If you want to get better results, you need to spend more time getting to know your customer. Ultimately, you can only ever see success with sales and revenue if you know what your customers want. That way, you can meet their needs and solve their problems. To do that, you need to know more about them. For this, you’ll want to find the best sales intelligence platform to support your sales team. The more you know your customers, the more effective your sales and marketing will become.

    5. Care About Your People

    If there’s one thing that will pay dividends for you, it’s looking after your people. Caring about your employees doesn’t take a lot of time and money, but it goes a long way. When your staff feel seen and heard, and they know you care about their happiness and wellbeing, they’ll be a lot happier at work. Happy employees stay loyal. They also do a much better job for you because they’re more invested in the success of the company!

    6. Do Good in the World

    It’s also wise to make sure that you’re doing good in the world. It could be with your products and services directly themselves or with the charitable efforts that you make. People are always drawn to good people and companies that care – so this will also help with your reputation too.

    7. Enjoy the Process

    Finally, you’re also going to want to make sure that you’re enjoying everything you do. Of course, there are always going to be challenging times and moments where you feel like giving up – and there will always be boring tasks to do too! But ultimately, if you want to be able to build a better business, that always begins with you. Do things that you love, remove redundant tasks, do it all your way, don’t follow the crowd, and move away from things that are causing you stress. As an entrepreneur, you get to build whatever kind of business you want! So never forget that.



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  • The Berlinale Independent Juries Prizes 2025: Hidden Gems

    The Berlinale Independent Juries Prizes 2025: Hidden Gems


    Today, the Berlinale Independent Juries prizes were awarded. There are several sections under this umbrella, and the awards were given out as follows:

    PRIZES OF THE ECUMENICAL JURY

    These awards were handed out in three sections. The Competition prize went to O último azul (The Blue Trail). The Panorama Award went to The Heart Is a Muscle, while the Forum prize was given to Holding Liat.

    Gabriel Mascaro independent juries prizes
    Gabriel Mascaro, director of O ùltimo azul (The Blue Trail)

    PRIZES OF THE FIPRESCI JURY

    The FIPRESCI awards were given to four sections. The Competition prize went to Drømmer (Dreams). The Panorama prize was given to Bajo las banderas, el sol (Under the Flags, the Sun). The Forum award went to La memoria de las mariposas (The Memory of Butterflies). The last prize for the new section, Perspectives, was given to Kaj ti je deklica (Little Trouble Girls).

    TEDDY AWARDS

    The prize for Best feature film went to Lesbian Space Princess. Best Documentary/Essay Film was awarded to Satanische Sau (Satanic Sow) by veteran Rosa von Praunheim. Best Short Film was given to Lloyd Wong, Unfinished. The Jury Award was given to Wenn du Angst hast nimmst du dein Herz in den Mund und lächelst
    (If You Are Afraid You Put Your Heart into Your Mouth and Smile)
    . That film also took the prize for the Title that roll of Your Tongue. Finally, a Special Teddy Award was handed out to Todd Hayes, the jury president of the main competition this year.

    GUILD FILM PRIZE

    Dag Johan Haugerud won his second award for Drømmer (Dreams (Sex Love)) when he was given the Guild Film Prize. I’m slightly puzzled by these awards, but it might be seen as a soothing film in troubled times.

    Drömmar
    Drømmer (Dreams (Sex Love)

    CICAE ART CINEMA AWARD

    The Forum prize was yet another win for Wenn du Angst hast nimmst du dein Herz in den Mund und lächelst
    (If You Are Afraid You Put Your Heart into Your Mouth and Smile)
    . The Panorama Award went to Sorda (Deaf). The latter won the PANORAMA AUDIENCE AWARD for feature film as well. The Audience prize for best documentary was given to Die Möllner Briefe (The Moelln Letters).

    Regarding other awards, Hysteria by Mehmet Akif Büyükatalay was given the LABEL EUROPA CINEMAS. Die Möllner Briefe (The Moelln Letters) scored another win with the AMNESTY INTERNATIONAL FILM AWARD. The HEINER CAROW PRIZE was given to Palliativstation (Palliative Care Unit) by Philipp Döring.

    Two German newspapers have their own READERS‘ JURY AWARD. The one from Berliner Morgenpost meant a third win for O último azul (The Blue Trail), while the prize from TAGESSPIEGEL went to The Swan Song of Fedor Ozerov.

    All of the awards from the independent juries and further information can be found here.



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  • The Berlinale Awards 2025 – The Disapproving Swede Strange

    The Berlinale Awards 2025 – The Disapproving Swede Strange


    The 2025 Berlinale Awards were presented on February 22. It was the 75th edition of the festival and the first under the reign of Tricia Tuttle. The jury president, Todd Haynes and his jury members had a thankless task since the competition selection was particularly uninspired this year.

    Berlinale Awards overview

    The Golden Bear went to Drømmer (Dreams (Sex Love)), directed by Norwegian filmmaker Dag Johan Haugerud. The inclusion of the film in the competition was surprising since it had already opened in Norwegian cinemas in October. It is also the second film in the trilogy rather than the third. Sex was screened in the Panorama section of last year’s Berlinale, while Love (reviewed here) was presented on the last day of the Venice Film Festival. The probable cause of the shuffle is that the initial plan was to present Drømmer at some festival between the Berlinale and Venice.

    The Silver Bear Grand Jury Prize went to O último azul (The Blue Trail) by Brazilian director Gabriel Mascaro. I was a fan of his 2019 Panorama entry, Divino amor, but found this work disappointing after a highly promising start.

    Gabriel Mascaro
    Gabriel Mascaro with his Silver Bear for O último azul (The Blue Trail).

    Argentinian filmmaker Iván Fund won the Silver Bear Jury Prize for El mensaje (The Message). There are things to admire in this film, but it is still a bit too insignificant and ruined by the usage of one particular piece of music. Fund’s work will not always be on my mind.

    For Best Director, the Silver Bear was awarded to Huo Meng for his sophomore film, Sheng xi zhi di (Living the Land). It’s a film I have yet to watch.

    El Mensaje Iván Fund
    The Silver Bear Jury Prize for El mensaje (The Message) being touched by Iván Fund.

    Acting accolades lit up the ceremony, with Rose Byrne earning the Silver Bear for Best Leading Performance in If I Had Legs I’d Kick You, directed by Mary Bronstein. This was the other of the two films in the competition that was not a world premiere. Bronstein’s film premiered at Sundance shortly before the Berlinale. Andrew Scott took the Silver Bear for Best Supporting Performance in Richard Linklater’s Blue Moon.

    The Silver Bear for Best Screenplay went to Radu Jude for Kontinental ’25. The Romanian auteur is no stranger to the Berlinale and inexplicably won the Golden Bear in 2021 for Bad Luck Banging or Loony Porn. His new film will not surprise anyone who knows the director’s work but boasts a strong performance by Eszter Tompa.

    Kontinental 25
    Actress Eszter Tompa and director Rade Jude in the middle representing Kontinental ’25

    Finally, the Silver Bear for Outstanding Artistic Contribution honoured the creative ensemble behind La Tour de glace (The Ice Tower), directed by Lucile Hadžihalilović. This is the most inexplicable of the awards. Like the director’s previous films, it relies on mood rather than a cohesive style and moves at a glacial pace (no pun intended).

    The Berlinale 2025 winners were not exciting and, in some ways, predictable. That Todd Haynes would appreciate the queer-themed Drømmer is hardly a shock, but the awards for Jude’s and, above all, Hadžihalilović’s film are not easy to comprehend. As I wrote before, Haugerud’s film won two prizes at the Independent Awards earlier in the day. Personally, I find Haugerud’s trio superficial beyond belief. I’ve been wondering what makes his films so attractive in some quarters and have reached the disheartening conclusion that the films are the cinematic equivalent of a comfort blanket. Cinematic might not be the apt choice of words for these films devoid of cinematic qualities.

    Forzani Cattet Testi
    Bruno Forzani, Hélène Cattet, and Fabio Testi.

    Regarding films that should have won awards or snubs to descend to Oscar lingo, the most glaring omission is Reflet dans un diamant mort (Reflection in a Dead Diamond) by Bruno Forzani and Hélène Cattet. Reflections is the operative word in this masterful amalgamation of styles, taking its starting point in Italian sixties films. There will be a review and an interview with the directors with no hint of disapproval published soon on these pages. Yunan is another film that could have won an award. Even though it was hampered by Tarrismes with a tad too obvious references, it was indisputably one of the better films in the competition.

    Tricia Tuttle’s first edition may have worked well regarding the market side, but when it comes to the film selections, there remains plenty of work that needs to be done.



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  • Quick and Easy Online Casino Payment Methods for American Players — Every Movie Has a Lesson

    Quick and Easy Online Casino Payment Methods for American Players — Every Movie Has a Lesson



    American online gaming revenue reached $5.16 billion, and online casino payment methods played a vital role in this success. PayPal stands as the most trusted payment platform, with 78% of Americans choosing it for their online transactions. This shows how payment priorities continue to shape the digital world.

    Credit cards and bank transfers remain common choices, but players can now access many more payment options. These include e-wallets, cryptocurrency, and cash deposits at casino cages. On top of that, players expect quick deposits starting at $5 and withdrawals that process within 24 hours from modern online casinos.

    Let’s look at the most dependable payment methods for American players to help you understand deposit limits, processing times, and security features. This piece covers everything from traditional banking options to innovative payment solutions that help you pick the best way to fund your online casinos in US account.

    Understanding Online Casino Banking Options in the US

    American players need to know how to handle online casino payment methods in a complex legal setup. The U.S. banking options work differently from other countries because federal and state laws affect how players deposit and withdraw their money.

    Current legal landscape for American players

    The Unlawful Internet Gambling Enforcement Act (UIGEA) is the life-blood of federal laws that control casino online payment processing. The law came into effect in 2006. Players can still gamble online legally, but banks can’t process payments for unlawful internet gambling. Banks and credit card companies must screen and block payments to businesses that act as internet casinos.

    Legal online casinos run their operations in several states. Players can enjoy regulated online casino gaming in Delaware, New Jersey, Pennsylvania, Connecticut, West Virginia, and Michigan. Each state has its own licensing authority. The NJ Division of Gaming Enforcement and Michigan Gaming Control Board make sure gambling sites protect your money, data, and personal information.

    How state regulations affect payment processing

    Payment options vary a lot between different states. Casino operators in the same state might offer different payment methods. The Multi-State Internet Gaming Agreement (MSIGA) controls transactions between states, especially for online poker.

    States have different rules about:

    • Types of games allowed
    • Geolocation restrictions
    • Payment processing platforms
    • Licensing requirements

    Players in New Jersey might see different casino deposit options than those in Michigan or Pennsylvania. Legal gambling sites must follow strict know-your-customer (KYC) and anti-money laundering (AML) rules. These rules decide how you verify your deposits and withdrawals.

    Key factors to think over when choosing payment methods

    Your choice of casino payment options should depend on these important factors:

    Security and reliability come first. Pick payment methods that use encryption and strong fraud prevention systems. Licensed casinos work with trusted payment platforms that handle online banking transfers safely.

    Transaction speed changes based on your payment choice. Some methods give you instant deposits. Withdrawals can take anywhere from 24 hours to five days.

    Fee structures aren’t the same for all methods. Credit cards might charge more for casino deposits as cash advances. E-wallets often cost less per transaction.

    Deposit and withdrawal limits start from $5-10 and can go up to $30,000 with certain methods like Skrill. Players who bet big might prefer debit cards, cash deposits, or e-wallets that let them move larger amounts.

    Acceptance rates differ between methods. Visa and Mastercard are accessible to more people but might reject gambling transactions more often. Special casino payment services usually work better.

    The best payment method matches your banking style, safety needs, and how you like to play. This way, you’ll have a smooth time at online casinos.

    Popular Credit and Debit Card Options for Casino Deposits

    Credit and debit cards are the backbone of online casino payment methods. Non-prepaid debit cards make up 56.6% of all card payments in the United States. Credit cards account for 33.7%. You can save time, money, and avoid frustration by knowing how each option works to fund your casino accounts.

    Visa and Mastercard acceptance rates

    Visa leads the pack as the most accepted card at online casinos. People call it the “Swiss Army Knife” of gambling payments. Mastercard ranks second and shows up with Visa at almost every trusted gaming site. Both cards have similar acceptance rates today, but your success depends on your bank.

    Some banks like Capital One and Union Bank block all gambling transactions, legal or not. Wells Fargo and Chase let you gamble where it’s legal. Citi and Bank of America usually say no to these transactions as of February 2024.

    American Express and Discover limitations

    American Express and Discover lag by a lot behind the market leaders. Amex holds about 17% of the U.S. credit card market with over 44 million American cardholders. Yet, it puts tighter restrictions on gambling transactions.

    You’ll rarely see Discover as a deposit option, though some casinos accept it. Data shows Amex usually caps maximum deposits at $750, which is lower than other cards.

    How to avoid cash advance fees and declined transactions

    Your credit card company might label online gambling as a “cash-like” transaction. This triggers cash advance fees of 3% to 5% or at least $10. These charges start collecting interest right away without any grace period.

    Here’s how you can avoid declined transactions:

    • Make sure your card works for international transactions
    • Try services like Wyrz or Play+ as middlemen
    • Tell your bank about your gambling plans ahead of time
    • Load money into e-wallets first instead of direct deposits

    Debit card vs. credit card considerations

    Debit cards beat credit cards in several ways for casino deposits. They pull money straight from your checking account, so you won’t rack up high-interest debt. You also dodge those pesky cash advance fees that come with credit cards.

    Credit cards give you better fraud protection than debit cards. But gambling with credit means you’re betting with borrowed money. This can lead to overspending and make it hard to track your real gambling budget.

    Debit cards are the smarter choice for most players. Five states (Tennessee, Iowa, Massachusetts, New Hampshire, and Rhode Island) don’t even allow credit card gambling.

    Best 5 Casinos with Popular Payment Methods

    American players need trusted platforms that provide secure online casino payment methods with multiple banking options. Here are five top casinos that excel in payment flexibility, security, and quick processing times. You also can check the best 5 online casinos at https://listonlinecasino.com/.

    Red Dog Casino

    Red Dog Casino takes payment security seriously with encrypted transactions and multiple banking choices. Players can use Visa, Mastercard, Bitcoin, Litecoin, Flexepin, and Ethereum. The casino’s minimum deposit is USD 20.00 for cryptocurrencies and USD 30.00 for credit cards. Players must complete KYC verification before their first withdrawal. Bitcoin payouts take 1-3 business days to process. Cryptocurrency transactions are the quickest way to get your money right now.

    Vegas Casino

    Vegas Casino shines with low deposit limits that start at USD 5.00 to USD 10.00. The casino’s payment options have PayPal (24-hour processing), Trustly bank transfers, and major debit cards. PayPal transactions at Vegas Casino are quick – you’ll get your money in under an hour after review. High-stakes players will love the generous maximum limits, with debit card deposits up to USD 30,000.

    Wild Casino

    Wild Casino stands out with 19 cryptocurrency options, making it perfect for crypto users. Players need USD 20.00 minimum for most crypto deposits and USD 25.00 for credit cards. The casino’s cryptocurrency deposits can go up to USD 1,000,000. Credit card deposits come with fees between USD 6.25 flat rate and 12.5% of your deposit amount.

    Super Slots Casino

    Super Slots puts crypto first with high maximum deposits of USD 100,000 (or USD 500,000 for Bitcoin). Visa and Mastercard users have lower limits of USD 2,500. Players must wait 3 days after credit card deposits before requesting withdrawals. The casino requires players to wager all deposited money at least once before cashing out.

    Las Atlantis Casino

    Las Atlantis welcomes players with credit cards, cryptocurrency, and Flexepin payment options. Minimum deposits vary from USD 30.00 for cards, USD 20.00 for crypto, and USD 40.00 for USDT. Players can withdraw between USD 150.00 and USD 250,000 per transaction. The casino verifies all withdrawals, with Bitcoin taking 1-3 days and card payments needing 3-4 business days.

    E-Wallets and Digital Payment Solutions

    E-wallets have become a popular choice over traditional online casino payment methods, and 37% of people who bet on sports online now prefer them. These payment platforms make transactions faster and give users more privacy than regular banking options.

    PayPal’s growing acceptance at US casinos

    PayPal leads the pack as the most trusted e-wallet at regulated US casinos. It watches for fraud 24/7 and uses top-notch encryption. You’ll only find PayPal at fully licensed operators, where it works just like a separate checking account. This means you don’t need to share your bank details with gaming sites. Players who value their privacy will appreciate that PayPal transactions never show up on bank statements.

    Venmo and Cash App integration

    Millions of users love Venmo because it makes moving money so simple. The app now lets you deposit at certain online casinos and confirms your payment right away. Cash App has caught on with Bitcoin users too, letting them deposit and withdraw using crypto. Bitcoin payouts through Cash App usually happen within 24 hours – sometimes instantly. Users can withdraw up to USD 90000.00 each week.

    Skrill and Neteller availability for American players

    Skrill works in 163 countries and handles 35 different currencies. Some operators let you deposit up to USD 50000.00 with this gambling-focused e-wallet. Neteller, another big name in global e-wallets, doesn’t work with US casinos anymore. Both services got their start with gamblers in mind, launching in 1999 and 2001.

    Apple Pay and Google Pay casino compatibility

    Mobile payments keep getting bigger in the casino world. Apple Pay has more than 500 million users worldwide and dominates 90% of the US digital wallet market. Face/Touch ID adds an extra security layer that traditional payments can’t match. Google Pay uses cutting-edge encryption and makes you approve each transaction through the app. Right now, these services only work for deposits at online casinos in seven states where online gambling is legal.

    Bank Transfer Methods for Secure Casino Transactions

    Bank transfers are one of the most trusted online casino payment methods Americans use for secure and large transactions. Your bank account connects directly to casino platforms without middlemen. This gives you strong protection through bank-level encryption.

    ACH/eCheck processing explained

    Automated Clearing House (ACH) transfers work as electronic money movements between US banks. eChecks are the digital version of paper checks. The ACH/eCheck casino deposit goes through several steps:

    1. A third-party financial solution reviews your request form
    2. The ACH network clears and charges the check
    3. Your bank sends the money to the casino

    These transactions take 3-5 business days to complete. This is much faster than regular eChecks that need one to two weeks. The fees are budget-friendly at about 0.75% of your deposit amount, which makes them great for bigger deposits.

    Wire transfer options for high-rollers

    Wire transfers are the top casino deposit option for high-stakes players. You’ll need at least USD 2500.00 to start. The money moves straight between bank accounts with no upper limits.

    High-stakes players love wire transfers because they’re extremely secure and handle large amounts. The only drawbacks are the processing time of several business days and bank fees between USD 15.00-50.00 for each transfer.

    Online banking integration (Trustly)

    Trustly bridges your bank account with online casinos to speed things up. It works with more than 99% of US bank accounts through direct API connections. You just pick your bank from their list and log in with your banking details.

    VIP Preferred and Play+ prepaid systems

    VIP Preferred is a special ACH service that over 500 casino sites accept nationwide. Once you sign up, you can use ACH, online banking, and e-checks with higher limits than regular methods.

    Play+ gives you FDIC-insured reloadable accounts made specifically for casino transactions. This prepaid system gives account holders branded cards. Your money stays safe with deposit insurance up to USD 250000.00. Both systems offer higher limits and process payments faster than standard bank transfers.

    Withdrawal Options and Processing Times

    Players want their winnings fast when they use online casino payment methods. Your payout speed and withdrawal limits depend on several factors that affect how you get your money.

    Fastest payout methods for US players

    Bitcoin and other cryptocurrencies lead the pack for quick withdrawals. Players can get their funds in under an hour after the casino processes them. E-wallets like PayPal come next, with money arriving in 1-4 hours at leading casinos. Play+ prepaid cards let you access your funds the same day, sometimes in just 12 hours. Your actual withdrawal time depends on the casino’s processing window (24-72 hours) and your chosen payment method’s transfer speed.

    Verification requirements and KYC procedures

    You need to complete Know Your Customer (KYC) checks before your first withdrawal. The process needs these documents:

    • Government-issued photo ID (passport, driver’s license)
    • Proof of address (utility bill or bank statement from last 6 months)
    • Payment method verification

    KYC does more than meet legal requirements—it stops underage gambling, prevents money laundering, and spots problem gambling patterns. The first verification can take anywhere from 24 hours to several days. Complete this right after signing up instead of waiting until withdrawal time to speed up future payouts.

    Withdrawal limits and how they vary by method

    The smallest amount you can withdraw ranges from USD 1.00 to USD 15.00, based on your payment choice. Maximum limits show big differences—cryptocurrency users can often withdraw USD 100,000+, while traditional banking methods might limit you to USD 2,000-50,000 monthly. VIP players usually get higher withdrawal limits and faster processing.

    Tax considerations for casino withdrawals

    The IRS taxes all your gambling winnings. Report them on Form 1040 or 1040-SR (Schedule 1). Form W-2G winnings face a 24% federal tax withholding. You can only deduct gambling losses if you itemize deductions on Schedule A, and only up to your claimed winnings. Keep detailed records of your wins and losses for tax purposes.

    Conclusion

    American players need to know how online casino payment methods work in the regulated gambling market. Credit cards have some limitations, but new payment options give players more freedom and better security. Players who want the fastest withdrawals should use cryptocurrency as it takes just a few hours. PayPal and other e-wallets strike a good balance between quick transfers and dependable service.

    Every payment option needs top-notch security. Licensed casinos use strong encryption, require identity verification, and follow state rules carefully. These protective measures keep your money safe and help transactions go smoothly in places where gambling is legal.

    Your gaming style should guide your choice of payment method. Big spenders might want wire transfers or VIP Preferred to move large amounts of money. Casual players could do better with e-wallets or Play+ prepaid cards. Processing speed, fees, and withdrawal limits are key factors that shape smart payment decisions.

    Good record-keeping of your transactions is vital because you must report all gambling winnings to the IRS. Payment methods that give you clear transaction records make tax season much easier to handle.



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  • Mickey 17 by Bong Joon-Ho

    Mickey 17 by Bong Joon-Ho


    Mickey 17 is the latest film by Bong Joon-Ho. After several delays, it was presented as a Berlinale Special Gala presentation at this year’s festival in Berlin. Robert Pattinson plays Mickey Barnes, an “expendable” on a mission to colonize the icy planet Niflheim. He’s cloned each time he dies—17 times so far—retaining most memories. After surviving a suicide mission, Mickey 17 returns to find Mickey 18 already created, leading to a chaotic clash of identities. The two must navigate a harsh regime led by the ruthless leader Marshall (Mark Ruffalo) and his cunning wife, Ylfa (Toni Collette), who see expendables as disposable. Facing erasure, the Mickeys grapple with survival, loyalty, and their own existence during harsh circumstances.

    This is Bong’s third film in English, and to say that the first two were among his more significant achievements would be an exaggeration. Even though I watched Snowpiercer (2013) under ideal circumstances (alone in a huge cinema), it didn’t manage to grip me. The less said about Okja (2017), the better. My expectations for the new Bong film were not high, but at least I knew that this year’s Honorary Golden Bear laureate, Tilda Swinton, would not be in the film. It turned out that her part in the previous two films was basically split into the aforementioned couple.

    Mickey 17
    Naomie Ackie, Robert Pattinson, Bong Joon-Ho, and Toni Colette at the Mickey 17 press conference.

    Mark Ruffalo hams it up in the most egregious sense, nowhere near enjoying himself as much as in Poor Things. In contrast, Collette, who is constantly better than the films she appears in, manages to elevate a part marred by seriously lax writing. Pattinson succeeds in creating two different Mickeys. It could be discussed how distinctive the differences are supposed to be, considering the fact that each iteration is manufactured on a 3-D printer fed with far from first-rate material. The printer could have been a perfect metaphor for the film if not all the characters had been two-dimensional. I haven’t read the novel Mickey 7 By Edward Ashton, so I don’t know where the cartoonish characters derive from.

    The substance of Mickey 17

    The film is an inartful mixture of Snowpiercer and some Terry Gilliam themes, with a fair amount of Arrival (2016) thrown in. The latter is because of some creatures on Niflheim called creepers. The rulers see them as dangerous entities that have to be killed. It was during such a mission that Mickey 17 was erroneously reported dead. Will it turn out that those creatures are actually dignified, verging on sentient? Anyone who is surprised by the answer might find value in Mickey 17, but most people would be advised to skip this. Is there any reward for the spectator who makes it through the whole thing? That might be Naomie Ackie in the role of Nasha.

    Toni Collette
    Mark Ruffalo and Toni Collette in Mickey 17.

    I have been told that Nasha’s part has changed compared to the source novel. As the film stands, she is the most attractive character whose urges seem to come from sincere impulses, however conflicted they may be. Ackie throws herself into the part and delivers the film’s best performance, even though Pattinson does well on his double duty as well. Mickey 17 is Bong’s first film since the award-winning Parasite (2019). The inclusion at the Berlinale was not obvious; it wasn’t even the European premiere since it had been screened in London two days before. Still, the buzz around the film may have been enough for Tricia Tuttle to consider the inclusion of the film a feather in her hat.

    The attempts at satire are a dictionary definition of the term blatant and are not worth commenting upon. The Berlinale crowd should be the perfect audience for this kind of political punching, but not even The Guardian critic was convinced. I doubt that many other spectators will be either. At the press conference, the cast mostly spoke about how much fun they had on the set rather than approaching the film. That is a warning sign if there ever was one. At least Bong didn’t have to bother to attend the Awards ceremony. Hopefully, Bong will continue to draw inspiration from Korean masters instead.

    The Mickey 17 budget was $118 million, meaning that Warner Bros can expect a substantial loss on this sloppy project.

    Mickey 17
    Mickey 17 Featured 1 - The Disapproving Swede

    Director:
    Bong Joon-Ho

    Date Created:
    2025-04-13 16:33

    Pros

    • Naomi Ackie
    • Toni Collette



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