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  • 10 Sex Scenes Somebody Should Have Stopped

    10 Sex Scenes Somebody Should Have Stopped


    Movie sex scenes are a time capsule of our evolving norms around relationships and consent. These 10 went out of bounds in alarming ways.

    Last Tango in Paris (1972)

    United Artists – Credit: C/O

    A master class in how not to direct sex scenes. Thirty-year-old director Bernardo Bertolucci and 48-year-old star Marlon Brando decided the morning of the movie’s most infamous sex scene to incorporate butter into it, but didn’t tell 19-year-old lead actress Maria Schneider about it until the cameras were rolling.

    “I wanted her reaction as a girl, not as an actress,” Bertolucci, who died in 2018, later said. “I wanted her to react humiliated.” Schneider, who died in 2007, said she did indeed feel violated by the scene.

    When the scene gained renewed scrutiny in 2016, Bertolucci clarified that Schneider was aware that the scene would be violent, and that it was in the script, but that the “the only novelty was the idea of the butter. … And that, as I learned many years later, offended Maria. Not the violence that she is subjected to in the scene, which was written in the screenplay.” He also clarified that the sex in the film is all simulated. 

    Pretty Baby (1978)

    Paramount Pictures – Credit: C/O

    The recent Hulu documentary Brooke Shields: Pretty Baby catalogues the countless ways that Hollywood men sought to sexualize Shields from an early age. The film takes its title from Pretty Baby, the Louise Malle film based on a true case of a 12-year-old, raised in a brothel, and forced into exploitation by her mother.

    The film sympathizes with Shields’ character, Violet, but raised understandable alarm because it shows Shields undressed. The film was deemed so problematic even by 1978 standards that it sparked countless articles debating its decency, and the British Board of Film Classification carefully debated whether it should be legal.

    One dubious scene: a kiss between Shields, who was 11 at the time, and 28-year-old co-star David Carradine — though Shields said recently on The Drew Barrymore Show that Carradine was “gracious” and “protective” of her on set.

    Revenge of the Nerds (1984)

    Movie Sex Scenes Someone Should Have Stopped
    20th Century Fox – Credit: C/O

    You could write whole articles about the problems with Revenge of the Nerds, and many people have, but one of the main ones is a scene in which nerds use hidden cameras to watch sorority women in various states of undress. It’s a felony, nerds.

    Revenge of the Nerds, Again (1984)

    Revenge of the Nerds
    20th Century Fox – Credit: C/O

    The most troubling part of Revenge of the Nerds is a scene in which lead nerd Lewis (Robert Carradine), the supposed hero of the movie, wears a mask to trick a fellow student into believing he’s her boyfriend. After they have sex, she’s delighted by how good it was, which is the movie’s way of justifying the criminal deception. Terrible lessons all around.

    Screenwriter Steve Zacharias has said he regrets both the mask scene and the hidden camera scene, and he removed them when he sat down to write a musical adaptation of the film.

    Also Read: 12 Shameless ’80s Comedies That Just Don’t Care If You’re Offended

    Sixteen Candles (1984)

    Sixteen Candles
    Universal Pictures – Credit: C/O

    Sixteen Candles is another film in which the awfulness of a character’s behavior is compounded by the movie expecting us to like him. Jake Ryan (Michael Schoeffling) is presented as the dream guy of our heroine, Samantha (Molly Ringwald). But at one point Jake passes off his unconscious girlfriend, Carloline (Haviland Morris), to another guy, Ted.

    Jake tells Ted, “Have fun.” The next day, Caroline and the Ted conclude that they had sex. He asks if she enjoyed herself, and she says, “You know, I have this weird feeling I did,” which is the movie’s way of justifying the guys’ behavior.

    Basic Instinct (1992)

    Movie Sex Scenes Someone Should Have Stopped
    TriStar Pictures – Credit: C/O

    Sharon Stone wrote in her memoir The Beauty of Living Twice that she was tricked into the most revealing scene in Basic Instinct by a crew member who told her she needed to remove her underwear because it was “reflecting the light.”

    She said she was so shocked by the end result that she slapped director Paul Verhoeven and immediately called her lawyer — but that she eventually agreed to the release of the scene. Verhoeven later said Stone was a willing participant in the scene and “knew exactly what we were doing,” which she disputes.

    Stone told the Table for Two podcast earlier this year that she lost custody of her child in a 2004 court case because of her role in the film.

    “I lost custody of my child,” she said. “When the judge asked my child — my tiny little tiny boy — ‘Do you know your mother makes sex movies?’”

    She lamented “this kind of abuse by the system… that I was considered what kind of parent I was because I made that movie.”

    Poison Ivy (1992)

    New Line Cinema – Credit: C/O

    We don’t think depictions of bad behavior are endorsements of it, and Poison Ivy in no way suggests that there’s anything OK about the relationship between Ivy (played by a then-16-year-old Drew Barrymore) and her friend’s dad (a then-58-year-old Tom Skerritt).

    The film wasn’t intended as gross exploitation — it even premiered at the prestigious Sundance Film Festival.

    Director Katt Shea has said she and Skerritt were well aware of the potential problems inherent in the relationship between Ivy and the much older character, and that she was protective of Barrymore, using a body double for her in certain scenes.

    Nonetheless, she said in 2022 interview with Yahoo: “I don’t think that movie would be made today, period.”

    L—-a (1997)

    The Samuel Goldwyn Company – Credit: C/O

    We can’t even type the name of this movie, based on the masterful Vladimir Nabakov novel, without freaking out internet censors. You can blame gross people who use it as a euphemism for despicable criminal conduct.

    Stanley Kubrick’s 1962 adaptation of Navabov’s novel proved that you didn’t need to be explicit to tell the mortifyingly sad story of Humbert Humbert, who abducts and abuses his young stepdaughter, Dolores Haze, while lying to the audience and himself that it’s a consensual love affair instead of a serious of horrendous crimes.

    Adrian Lyne’s 1997 version decided that relaxed standards in the 1990s would allow him to finally adapt Vladimir Nabakov’s novel without leaving things to the imagination — but his timing was very bad. During the making of the film, President Clinton just signed the Child Pornography Prevention Act, which banned depictions of sexual activity by minors. Though Lynn was using an adult body double for 15-year-old lead actress Dominique Swain, distributors were so spooked that the film debuted not in theaters, but on Showtime.

    Lynn may have just gone about the whole thing wrong: Nabakov’s novel contains not a single dirty word. Kubrick’s adaptation was up to the challenge of adapting it, with similar restraint, and Lyne’s artistic endeavor felt unnecessary and misguided.

    Blue Is the Warmest Color (2013)

    Wild Bunch – Credit: C/O

    The film by Abdellatif Kechiche led a Cannes Film Festival jury to give the Palme d’Or prize to not only the director, but also his two lead actresses, Léa Seydoux and Adèle Exarchopoulos. But Seydoux said soon after that the long takes of intimate scenes were “kind of humiliating sometimes, I was feeling like a prostitute.”

    Kechiche said of the critcism: “If Seydoux lived such a bad experience, why did she come to Cannes, try on robes and jewelery all day?” he said. “Is she an actress or an artist of the red carpet?” He also said the film shouldn’t be released, because it was too “sullied.” But it was released in the end.

    Romeo and Juliet (1968)

    Olivia Hussey and Leonard Whiting in Romeo and Juliet. Paramount Pictures – Credit: C/O

    The two stars of 1968′s Romeo and Juliet sued Paramount Pictures in 2023 for more than $500 million over a scene they shot as teenagers.

    Olivia Hussey, who was 15 at the time and died last year at 73, and Leonard Whiting, then 16 and now 74, said director Franco Zeffirelli, who died in 2019, misled them by saying they would wear flesh-colored undergarments in an intimate scene, but informed them on the morning of the shoot that they would wear only body makeup.

    A judge dismissed the case in May 2023, but Whiting and Hussey filed a second lawsuit against Paramount, claiming the studio had digitally redistributed the film without their permission.

    Liked This List of Movie Sex Scenes Someone Should Have Stopped?

    NEON

    Here’s a story about the Best Picture winner Anora, which features lots of sex scenes that were carefully communicated between director Sean Baker and the film’s actors.

    You might also like this list of 12 Rad ’80s Movies Only Cool Kids Remember, featuring the sequel to Revenge of the Nerds.

    Main image: Romeo and Juliet. Paramount Pictures.



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  • 13 Shameless ’80s Comedies That Just Don’t Care If You’re Offended

    13 Shameless ’80s Comedies That Just Don’t Care If You’re Offended


    These shameless ’80s comedies had a rowdier sense of humor than the films of today. They didn’t worry if you were offended — they just wanted to make you laugh.

    Porky’s (1981)

    Kim Catrall in Porky’s. 20th Century Fox.

    It will never stop amusing us that the guy who made Porky’s, the great director Bob Clark, also made A Christmas Story. (He also made the horror movie Black Christmas and the kids movie Baby Geniuses. Talk about range.)

    Porky’s is one of those ’80s comedies that kids were often shielded from, which in retrospect makes sense: Though it was presented as a freewheeling comedy, it’s filled with weird humiliations, often of a sexual nature, and of course includes a peeping scene that doesn’t meet modern standards of consent.

    But to call back A Christmas Story, Bob Clark didn’t give a fuuuuuuuuuuudge.

    Trading Places (1983)

    Paramount – Credit: C/O

    At one point, Dan Aykroyd disguises himself as a Jamaican. That isn’t great. And some people have objected to the scene where a gorilla takes a bad guy as his mate. Maybe that isn’t so funny in retrospect.

    But other elements ofTrading Places are incredibly good, including the film’s very smart take on nature vs. nurture, and its smart observations about all the assumptions our society makes about who deserves to be rich.

    We love it’s then-modern update on the screwball comedies of the 1930s, and Aykroyd, Eddie Murphy and Jamie Lee Curtis are all extremely good. It’s one of our favorite ’80s comedies.

    Better Off Dead (1985)

    Warner Bros.

    John Cusack plays Lane Meyer, a teenager who attempts, repeatedly, to remove himself from this earth after he’s dumped by his girlfriend, Beth Truss (Amanda Wyss) for cocky blonde guy Roy Stalin (Aaron Dozier).

    The whole plot would never fly today, nor the slapstick jokes around a teenage boy trying to end himself. But the entire movie is such masterful absurdist comedy that no thinking person could possibly take it seriously.

    Also, like many of the movies of the time, it features some dicey Asian characters, but at least they’re good at racing and have girlfriends. We’d say they’re much cooler, at least by high school standards, than poor Lane is.

    Finally, Diane Franklin (above, with Cusack) is excellent as Monique, a notably smart, capable and cool dream girl. So there’s that. This is maybe the most ’80s of all ’80s comedies.

    The Man With Two Brains (1983)

    Warner Bros.

    The whole setup of this dark screwball comedy will feel a tad misogynistic to some: Steve Martin plays a mad neurosurgeon, Dr. Michael Hfuhruhurr, who falls in love with femme fatale Dolores Benedict (Kathleen Turner), then builds up resentment as she declines to consummate their marriage.

    Meanwhile, he falls in love with a disembodied brain, Anne (voiced by Sissy Spacek) and begins searching for a body in which to house her. Along the way, he roots for one attractive woman to die, and ponders killing another. It all crescendoes in a joke at the expense of compulsive eaters.

    It’s not in the same league as The Jerk, a previous collaboration between Steve Martin and director Carl Reiner, but it has some very funny scenes.

    Heathers (1988)

    New World Pictures

    Heathers is the most pitch black of ’80s comedies, and embodies fatalistic Gen X cool. It was written by Daniel Waters as a kind of counter-point to the generally sunnier John Hughes comedies of the day.

    The film stars Christian Slater as a charismatic teen lunatic who enlists popular girl Veronica in his plot to start offing popular kids, and staging things to make it look like they did themselves in — enlisting nefarious props like mineral water to makethe crime scenes more convincing.

    Remember, this was the ’80s, when the idea of deadly suburban high-school kids seemed hilariously absurd. A recent attempt to revive Heathers as a TV series was delayed and derailed by multiple incidents of real-life school violence that may the idea seem very unfunny to modern viewers.

    Coming to America (1988)

    Paramount

    There’s something to offend everyone in the brilliant comic grotesquerie of Coming to America, a movie that goes after almost every demographic but respects all variety of hustles. Eddie Murphy takes the Richard Pryor trick of playing several characters in the same scene and, with the help of make-up, perfects it.

    Coming to America has countless jokes that young, modern audiences may find shocking, but hey: They were also shocking when the movie came out. Eddie Murphy and his collaborators just didn’t care. They wanted hard laughs, and they got them.

    Airplane (1980)

    Paramount – Credit: C/O

    Airplane is loaded with questionable jokes, including June Cleaver herself speaking jive. It’s deeply inappropriate — and also one of the funniest things that has ever happened in a movie.

    Kudos to David Zucker, Jim Abrahams and Jerry Zucker — synonymous with ’80s comedies — for coming up with the idea of Barbara Billingsley delivering the line, “Oh stewardess? I speak jive.” And also for the 7,000 other great jokes in Airplane, one of the all-time greatest comedies that don’t care if you’re offended.

    The ZAZ team also came up with two more of the all-time great comedies on this list.

    More on Airplane (and the Next Two Movies on This List)

    Paramount – Credit: C/O

    “When we do screenings of Airplane! we get the question if we could do Airplane! today,” David Zucker, one-third of the Zucker-Abrahams-Zucker trio, recently said in an interview with PragerU. “The first thing I could think of was, ‘Sure, just without the jokes.’”

    He also complained that modern Hollywood is “destroying comedy because of nine percent of the people who don’t have a sense of humor.”

    Top Secret (1984)

    Paramount – Credit: Paramount

    This film, the second Zucker-Abrahams-Zucker classic on our list, features muscle-bound, gun-totin’ Black French character named Chocolate Mousse. At one point a bad guy is mounted by a bull. An extreme facial disfigurement gets one of the movie’s biggest laughs.

    Top Secret is also, for our money, maybe the funniest movie ever made: It’s an absurdist caper that crosses a Cold War spy thriller with an Elvis movie, with perfectly orchestrated sight gags that get better with ever watch. The backward bookshop scene? Mesmerizing.

    Top Secret also includes one of the all-time best jokes of ’80s comedies: “My uncle was born in America. But he was one of the lucky ones. He managed to escape in a balloon during the Jimmy Carter presidency.” That’s a great setup and payoff, whatever your politics.

    The Naked Gun (1988)

    Paramount – Credit: Paramount

    The final Zucker, Abrahams and Zucker film on our list, The Naked Gun features a dizzying, hilarious array of risque jokes, all of which are terrific. The building statues sequence is a standout.

    It’s also the only film on this list to co-star a man once accused of double homicide — a rarity among ’80s comedies.

    No one is apologizing.

    Sixteen Candles (1984)

    Credit: Universal Pictures

    John Hughes’ Sixteen Candles has gotten a lot of criticism, in retrospect, for the stereotypical Long Duk Dong character (played by Gedde Watanabe) and a scene that makes Anthony Michael Hall’s character seem predatory, in retrospect.

    Watanabe told NPR in 2008 that he was a “a bit naive” about taking on the role of Long Duk, though he still has affection for him.

    As for the other thing: Jake Ryan (Michael Schoeffling), who is presented as the dream guy of our heroine, Samantha (Molly Ringwald), passes off his unconscious girlfriend, Caroline (Haviland Morris), to another guy, Ted (Anthony Michael Hall, with Morris, above). Jake tells Ted, “Have fun.”

    The next day, Caroline and the Ted conclude that they had sex. He asks if she enjoyed herself, and she says, “You know, I have this weird feeling I did,” which is the movie’s way of justifying the guys’ behavior.

    Fast Times at Ridgemont High (1982)

    Universal – Credit: Universal Pictures

    Fast Times is the one of those ’80s comedies that is may be more offensive to religious conservatives than people on the left, because it takes the side of a high school student, Stacy (Jennifer Jason Leigh, above right, with Phoebe Cates), who has an abortion after a smooth talker gets her pregnant and then turns out to be a worthless deadbeat.

    Like Porky’s, this was one of those movies that kids in school yards spoke of in whispers — as one of those ’80s comedies that parents definitely didn’t want them to see.

    It may have just been because of the famous Phoebe Cates pool fantasy sequence, but we don’t think so. The movie’s presentation of teen realities was a much bigger threat to the Moral Majority, the religious fundamentalists who thrived through the 1980s.

    Liked Our List of Shameless ’80s Comedies That Just Don’t Care If You’re Offended?

    Spaceballs Zuniga Vespa
    20th Century Fox – Credit: C/O

    You might also like these two ’80s lists: The Best Cocky Blond Guys in ’80s Movies, and the Best Cute Brunette Friends in ’80s Movies.

    You might also like this list of 12 Rad ’80s Movies Only Cool Kids Remember, featuring quite a few ’80s comedies.

    Main image: Fast Times at Ridgemont High.



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  • Forever Creator Mara Brock Akil on Falling in Love With Screenwriting

    Forever Creator Mara Brock Akil on Falling in Love With Screenwriting


    Mara Brock Akil always wanted to be a writer. What she didn’t know was how to make a living at it. So she pursued the practical thing and attended one of the country’s top journalism schools, Northwestern University. There, she quickly realized two things: She loved higher education and journalism was not for her. 

    Working at a newspaper internship, she decided that “the news is not interested in the humanity of us. They didn’t care about the stories I thought were real news and should be included. I was leaning more toward feature-type of writing.”

    She pivoted to advertising, but after a friend invited her to an Organization of Black Screenwriters meeting hosted by producer Gus Blackmon, she found her “heart’s desire.” She talked her way into a screenwriting class and wrote her first script, a romantic project called Limits, about a girl in college.

    “I went to class and my whole life changed,” she says. “I wrote a script and I fell in love. I had endless energy. I didn’t need to eat. I was in love, and I wanted to be in that world. My whole life changed.”

    After graduating, she turned down an advertising job to work as an assistant manager at the Gap in Chicago. The retailer’s management program taught her the skills she’d need to eventually run her own show. She also frequented comedy clubs, where she befriended Mark Adkins, Sinbad’s brother and manager.

    “Eventually I knew I had to be in L.A. I couldn’t be John Hughes off the bat and stay in Chicago,” she recalls. She packed up and called Adkins, who was launching The Sinbad Show. He had one job opening left, for a production assistant. Brock Akil jumped at the chance, and wound up meeting writers like Ralph Farquhar and Michael Weithorn, as well as renowned dancer/director/actor Debbie Allen.

    The Sinbad Show was my breakthrough. I got to meet all these writers in that community and be a part of that community, and that’s why I moved along,” she says.

    “I was talented with my script, but before they saw my script they saw me. I was on time. I was helpful. Vibes and bringing that energy and spirit and knowing people’s names was my job. All of it matters.”

    Through her connections with Farquhar and Weithorn, Brock Akil became a writing trainee on their show South Central in 1994. Two years later, Farquhar enlisted her for the writing staff on Moesha. She was 25 years old.

    “And I have not looked back,” she says. “Ralph had a lovely way of rejecting my pitches when I would not give up. He would say, ‘Hey Mara, heard you, love it. But how about you save that for your pilot?’ I started going home and writing down all the things that I was saving for my pilot.”

    In 2000, Brock Akil realized her dream of creating and running her own show with the launch of Girlfriends, which ran for eight seasons. Six years later, she also created the nine-season spinoff The Game

    “If you look at TV, you’d think everybody has a murder mystery and everybody’s gonna be in the car chase. That’s not how my life rolls,” she says. 

    “My pen wants to figure out how to craft people’s real biggest dramas that still entertain and tell a story that is riveting, captivating, funny, emotional, and how the majority of us are actually experiencing life.”

    Also Read: Cobra Kai Showrunners Wax On About Its Beginning and End

    In 2013, Brock Akil continued that approach with the four-season run of Being Mary Jane, starring Gabrielle Union as a talk show host balancing her personal and work lives. Five years later, the creative got even more personal with the 10-episode series Love Is, which was inspired by her real-life marriage to writer and producing partner Salim Akil. The project explored love between a modern power couple in Black Hollywood in the 1990s.

    These days, the real-life couple works together under Akil Productions, but they continue to pursue their own writing projects. As Akil ventures more into art and different mediums of expression, Brock Akil remains interested in relationships and stories around the nuances of love and characters. She’s also passionate about teaching other writers through her residency program, The Writers’ Colony

    “I’m telling my stories and I have this urgency to stay focused on me and follow my heart. To do that, I have to build out more community and more relationships,” she says. “I’m also really excited about The Writers’ Colony, and I want to build that. Salim and I were just over here, the two of us making things together beautifully and I love that era, but you have to keep building out and I’m excited to be in this era, too.”

    Mara Brock Akil on Adapting the Judy Blume Novel Forever

    Lovie Simone as Keisha in Forever. Photo by Elizabeth Morris / Netflix

    What’s on the creative’s heart in this era is her children, and she’s been thinking a lot about the world they’re growing up in. 

    And so, under an overall deal with Netflix she struck in 2020, she’s adapted Judy Blume’s 1975 novel Forever, which has been frequently banned in schools and libraries for its depictions of teen love. 

    Notably, the first project she executive produced for Netflix, 2023’s Stamped from the Beginning, was based on Dr. Ibram X. Kendi’s Stamped from the Beginning: The Definitive History of Racist Ideas in America. A version of the book aimed at young readers was No. 2 on the American Library Association’s list of the Top 10 Most Challenged Books of 2020.

    “I was never really an IP person — I love original stories. I do think you’ll see that in Forever. But my first entries into IP, and I’m going for all the banned books,” she laughs. “It’s funny. I love it. It tickles me that the banned book is now going to go global.”

    In adapting Forever, Brock Akil focused on the novel’s essence rather than exact plot points, and added modern teen challenges like social media. In depicting how Keisha (Lovie Simone) and Justin (Michael Cooper Jr.) fall for each other, Brock Akil collaborated with Blume to remain focused on the book’s initial intent and spirit. 

    “Judy wrote Forever for her daughter in a lot of ways. For young women, it was a pivotal time of agency where the birth control pill was out there and they could think about protecting their future and exploring healthy sex and love,” she says. 

    “Here I am as a Black mother in the 2020s and I want to see my son have agency as a young Black boy. And now that he’s interested in girls, not become America’s No. 1 threat. Where is his future in the ability to explore his love life and sexuality without being off the bat a criminal? That me and my husband have to talk to our son about rape before he understands love is very harsh, but you’ve got to protect them while they’re also out there trying to figure out who they are.”

    Brock Akil says that just as Blume was making space for young girls to see themselves as full human beings and not in service to men, Forever makes space for Black teenagers in a society that isn’t always welcoming.

    “How can we be in service to our own lives?” she asks. “I was a journalist. I’m observing the truth, this lived experience, and I want to tell it through fiction. My specificity, my heart’s desire, my musing, is my window into universal storytelling.”

    Forever is streaming on Netflix beginning Thursday.

    Main image: Mara Brock Akil. Photo by Elizabeth Morris / Netflix



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  • 12 Animal House Stories That We Bet You Haven’t Heard

    12 Animal House Stories That We Bet You Haven’t Heard


    Here are 12 Animal House behind the scenes stories, including one about an actress, pictured above, who wasn’t in the movie.

    But First

    Universal – Credit: C/O

    There are many who consider 1978’s Animal House one of the best, perhaps even the best, comedy movie. It’s iconic, though those posters of John Belushi’s Bluto in his “COLLEGE” sweatshirt were too ubiquitous, and hopefully college students are a little more creative with their décor these days.

    The popularity of Animal House changed comedy, and changed film. It inspired many movies, including some outright imitators. Slobs-versus-snobs comedy, college comedies, raunchy, gross-out comedy, it was all taken to a new level of popularity starting with Animal House.

    The movie also helped bolster, or start, several notable careers. That’s why Animal House is worth delving into even further. So here are the Animal House behind the scenes stories.

    Three Character Names Were Taken from a Previous National Lampoon Project

    Universal – Credit: C/O

    Animal House is technically titled National Lampoon’s Animal House, as it was the first film produced by National Lampoon, the famed humor magazine. In addition to the magazine, the folks at National Lampoon would do one-off projects.

    In 1973, they produced the book National Lampoon 1964 High School Yearbook Parody, a full fake yearbook for the fictional C. Estes Kefauver High School in the fake Dacron, Ohio.

    Needless, to say, a ton of detail went into the 176-page fake yearbook. Time Magazine called it “the best comedy writing in the country” at the time. Doug Kenney, one of the writers on Animal House and the first editor-in-chief of National Lampoon, was able to mine some content from the fictional yearbook he helped produce.

    Larry Kroger, aka Pinto, and Mandy Pepperidge, are both characters in the 1964 High School Yearbook Parody. The name Vernon Wormer is also used, but in the yearbook he’s a gym and civics teacher.

    Chris Miller, Not Kenney, Brought Personal Fraternity Experience to the Script

    Universal – Credit: C/O

    Kenney may have had an anarchic, no-holds-barred comedic style, but he was no Bluto. While at Harvard, he had been a member of the hoity-toity, elitist Spee Club. John Christian Miller, aka Chris Miller as per his credit on the Animal House screenplay, may have gone to Dartmouth, another Ivy League school, but Kenney considered him the expert on the fraternity experience among the National Lampoon writers, according to NPR.

    Miller had actually started writing memoirs about his frat experience, a book he titled The Night of the Seven Fires, but he had abandoned it.

    Fortunately, he had kept his manuscript around. Miller ended up turning in a chapter from his memoir because he was facing a deadline, and it earned him a role as one of the credited writers on Animal House. Several of the nicknames of characters in the film are taken directly from Miller’s frat brothers.

    Not Everyone Got the Roles They Wanted

    Columbia – Credit: C/O

    Ivan Reitman would end up with a successful career as a comedy director. He directed Ghostbusters, after all. Reitman was a producer on Animal House, but he also wanted to direct. At the time, though, he had directed one film, a low-budget Canadian cult comedy. That did not suffice for the producers at Universal.

    Ultimately, fresh off the success of the raunchy comedy The Kentucky Fried Movie, John Landis was hired to direct.

    Reitman had gotten The Second City’s Harold Ramis involved in the film, and he is a credited writer. While working on the script, which took nine drafts, Ramis wrote the role of Boon with himself in mind. Landis thought he looked too old for the part (though nobody seemed to give 28-year-old John Belushi much grief) and offered him a smaller role. Annoyed, Ramis declined.

    John Landis Took a Lot of Credit for Shaping Animal House

    Universal – Credit: C/O

    In a conversation with Digital Movie Talk, John Landis called the original script for Animal House “the funniest thing I had ever read” but also “really offensive.” He said there had to be “good guys” and “bad guys” in the movie, so he created the idea of the villainous fraternity, compared to the “good guys” of Animal House.

    The director also helped shape the cast. Originally, Animal House would have effectively been a Saturday Night Live movie. In addition to Belushi, who ended up in the film, Chevy Chase, Bill Murray, and Dan Aykroyd were all originally thought of as being part of the cast as well.

    Landis, though, wanted unknowns with dramatic backgrounds. That helped pave the way for Kevin Bacon and Karen Allen to make their film debuts. With his brash personality, Landis unsurprisingly rubbed some of the other creatives on the movie the wrong way. Harold Ramis has said that Landis always called Animal House “my movie,” which frustrated the writers who had spent years on the screenplay.

    Donald Sutherland, the Biggest Name in the Movie, Missed Out on a Big Payday

    Universal – Credit: C/O

    Animal House was a cast with unknowns by and large, aside from TV star John Belushi. Oh, and Donald Sutherland, one of the biggest stars of the 1970s and a big get for the film.

    Landis has told Variety that getting Sutherland to agree to take on a small role effectively got the movie made. So how did that happen?

    Landis dropped out of high school, but lived in Los Angeles so he dove into the film business with both feet. As a young man, he got a job on the crew of Kelly’s Heroes, which involved going to then-Yugoslavia for filming.

    While there, he would sometimes do Donald a solid by babysitting his son, none other than Kiefer Sutherland. The two became friends, and Landis got Sutherland to appear in both Kentucky Fried Movie and Animal House.

    Notably, Universal offered Sutherland $25,000 a day for two days of work or two percent of the film’s gross. Presuming the movie wouldn’t be a big hit (and he wasn’t the only one), Sutherland took the guaranteed cash. That decision, in the end, would cost him roughly $14 million.

    An Academic Got a Chance to Avoid Making the Same Mistake Twice

    Universal – Credit: C/O

    Animal House had a script. It had a director. It had a cast. All it needed was a location to serve as Faber College…and that proved to be a problem. Since the movie was a period piece, set in 1962, the film needed a campus that had a timeless look. Every campus with that look would read the script and quickly decline to allow shooting.

    The film almost got to shoot at the University of Missouri, but then the school’s president read the screenplay, and that was that.

    Landis and company finally made it to the University of Oregon. The school’s president, William Beaty Boyd, also had concerns, but he also had a working memory of a similar experience. While an administrator at Cal, the school was approached to shoot The Graduate there. Cal declined because the movie “lacked artistic merit” and The Graduate was shot at USC. It then became a huge hit.

    Boyd didn’t want that to happen again. He ran it by university officials who agreed that, while raunchy, the film was a funny take on college life. All Boyd and company asked in return was that Oregon never be mentioned in the movie.

    Life Imitated Art at Times

    Universal – Credit: C/O

    The actors playing the members of Delta House were put up in a hotel in Springfield, Oregon together to bond. Bond they did, though Belushi and his wife Judy stayed at a house in Eugene (home of the university) to help Belushi stay clean during filming. Fun times were had in the hotel, but a trip to the campus did not work out as well.

    Some female students from Oregon invited the cast to a frat party. The actors went, but quickly found out that the frat had not invited them, and they were very much not welcome.

    A Small Budget Led to an All-Hands-on-Deck Approach

    Universal – Credit: C/O

    Landis got a budget of $3 million to make Animal House, a slim sum even for a comedy in 1978. Corners had to be cut everywhere. During the 32-day shoot in Eugene, Landis did not have a trailer or an office, and it was three weeks before he could watch any of the dailies he shot.

    Landis’ wife Deborah Nadoolman, a costume designer, was around to help as well. She didn’t do too much “designing” on Animal House, though. Instead, she bought most of the costumes from local thrift stores in Oregon.

    On top of that, she and Judy Belushi joined forces to make the togas for the famed toga party scene as well.

    Two Notable Scenes Were Done in a Single Shot

    Universal – Credit: C/O

    Comedy, especially physical comedy, often plays quite well if you can get it to play with as few cuts as possible. If you can do it in one shot, even better.

    Flounder was not the slickest of characters in Animal House, but Stephen Furst was an actor, not a real guy. During the scene in the grocery store where Flounder is tasked with catching assorted items being thrown his way, Landis and Tim Matheson were just off screen tossing the items at him.

    Landis did not necessarily expect Furst to nail it, but he managed to catch every item and crush the whole thing in a single take, much to the director’s amusement, and amazement.

    Then, there’s perhaps the most-famous scene in the film, the food fight. Other than Bluto’s clarion call, the actual fight was shot all in one take. Landis told the actors to have an actual food fight and to play for keeps. If you watch the scene, you can tell they listened to his advice.

    It Was Successful Pretty Much Right Away

    Universal – Credit: C/O

    Sometimes, a famed movie doesn’t hit immediately. When you are born, it’s been established as a classic, so you only know that reality. Or, perhaps, you just don’t remember when it actually came out, which isn’t surprising if a movie isn’t a hit.

    But Animal House was not some slow-burning cult classic. No, it was a huge hit.

    It helps that Landis and some of the cast went on a national tour to promote the movie. It also helps that Universal organized toga parties to promote the movie on college campuses around the United States.

    While the movie was not a hit internationally, in its first run it made more than $120. million domestically. It was so successful it got a re-release in 1979. Until 1984’s Ghostbusters it was the highest-grossing comedy movie.

    No One Could Crack a Sequel

    Universal – Credit: C/O

    Pretty much right away, the writers had an idea for a sequel set in 1967. The whole thing would be a take on the hippie scene in San Francisco.

    Miller and Lampoon writer John Weidman took a crack at putting together a treatment, but Universal turned it down, reportedly because the hippie-tinged More American Graffiti had tanked in 1979.

    In 1982, National Lampoon producer Matty Simmons co-wrote a screenplay set five years after the first movie, and a full screenplay was produced. It didn’t go anywhere, though.

    There Was a TV Show, Though

    ABC – Credit: C/O

    Delta House had a pilot, written by the writers of the film. Not only that, but John Hughes was a writer on the show. They got the actors who played Dean Wormer, Flounder, Hoover, and D-Day to reprise their roles as well. If that wasn’t enough, a promising young actor named Michelle Pfeiffer had a regular role as, um, The Bombshell. That’s all she is known as.

    Of course, Delta House couldn’t get Belushi, so Bluto was replaced by his heretofore unmentioned brother Blotto, played by Josh Mostel. On top of that, an ABC sitcom could not traffic in the same style of raunchy humor that made the movie stand out.

    Delta House only aired 13 episodes before ending.

    Liked These Animal House Behind the Scenes Stories?

    Comedies That Don't Care If You're Offended
    Credit: United Film Distribution Company

    You might also like these stories of Kentucky Fried Movie, the film that led to both Animal House and Airplane.

    Main image: A promotional image of Michelle Pfeiffer in Delta House. ABC.



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  • The Top 10 Movies of 1977, a Year That Changed Film Forever

    The Top 10 Movies of 1977, a Year That Changed Film Forever


    Here are the top 10 movies of 1977, ranked by domestic box office. The film at No. 1 permanently changed the kinds of movies that get made in Hollywood.

    10 — Semi-Tough

    United Artists – Credit: C/O

    Burt Reynolds was such a huge star in 1977 that he starred in two of the films on this list. Semi-Tough is a sports comedy that features a love triangle between the very 1970s cast of Reynolds, Kris Kristofferson and Jill Clayburgh.

    The United Artists release, which came out November 11, earned over $37 million, making it No. 10 on this list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    9 — Annie Hall

    United Artists – Credit: C/O

    Widely considered Woody Allen’s masterpiece, this romantic comedy starring Allen and Diane Keaton, as the title character, was not only a commercial but critical smash: It won the Oscar for Best Picture, Best Actress (for Keaton) and Best Director (for Allen) — as well as Best Screenplay for Allen and Marshall Brickman.

    The film, released by United Artists, debuted April and earned $38.2 million. It’s No. 9 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    8 — Oh, God!

    Warner Bros – Credit: C/O

    George Burns (right), who was 81 at the time of the film’s release, plays God, who visits normal-guy grocery store assistant manager Jerry (John Denver, left).

    When Jerry agrees to spread God’s message, his wife Bobbie (Teri Garr) isn’t sure it’s the best idea.

    The film inspired a trilogy that includes one of the film’s on this list. Released by Warner Bros. on October 7, it earned $41.7 million. It is, you guessed it, No. 8 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    7 — The Spy Who Loved Me

    United Artists – Credit: C/O

    The third James Bond film to star Roger Moore (left) — who is No. 4 on our list of James Bond Actors, Ranked — pairs him with Soviet agent Anya Amasova (Barbara Bach, right) as they try to stop a plot to end civilization in favor of a new undersea world.

    They’re bedeviled by Jaws — not the shark from the top-grossing film of 1975, but the henchman played by Richard Kiel.

    Released by United Artists on July 13, The Spy Who Loved Me moonraked in $46.8 million. It ranks No. 007 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    6 — The Deep

    Columbia Pictures – Credit: C/O

    This thriller stars Jacqueline Bisset and Nick Nolte as amateur treasure-hunting divers who come across the cargo of a World War II shipwreck, which puts them at odds with local criminals. It was co-written by Peter Benchley, who wrote the novel Jaws and co-wrote the film.

    Released by Columbia Pictures on June 17, it earned $47.3 million. Its No. 6 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    And Bisset is on our list of Stars of the 1970s Who Are Still Going Strong.

    5 — A Bridge Too Far

    United Artists – Credit: C/O

    Richard Attenborough’s World War II drama stars a plethora of great actors, including Sean Connery, Laurence Olivier, Robert Redford, Gene Hackman, Anthony Hopkins, Michael Caine, and the recently departed Ryan O’Neal. It’s also co-written by the great William Goldman (All the President’s Men, Butch Cassidy and the Sundance Kid, The Princess Bride.)

    Released by United Artists on June 15, it collected $50.8 million. It comes in at No. 5 on the list of the 10 top movies of 1977, by domestic box office, not adjusted for inflation.

    4 — Saturday Night Fever

    Paramount Pictures – Credit: C/O

    With a soundtrack that defined the late ’70s, this John Travolta disco drama follows Tony Manero (Travolta) as he splashes paint and dances up a storm in Brooklyn. It’s based on the New York article “Tribal Rites of the New Saturday Night” which author Nik Cohn later admitted he mostly made up.

    Audiences didn’t notice, or didn’t care. The Paramount Pictures release, which came out December 16, hustled up $94.2 million. It is, of course, No. 4 on the list of the top 10 movies of 1977, by domestic box office, not adjusted for inflation.

    It also earned a place on

    3 — Close Encounters of the Third Kind

    Columbia Pictures – Credit: C/O

    Stephen Spielberg’s followup to his hit Jaws, which reunited him with Jaws star Richard Dreyfuss, wasn’t as big a hit as the shark epic — but few movies are.

    Close Encounters — the second movie on this list to feature Teri Garr (who would reunite with Dreyfuss for 1989’s Let It Ride ) — earned $116.4 million after its November 16 release by Columbia Pictures. It’s No. 3 on the list of the top 10 movies of 1977, by domestic box office, not adjusted for inflation.

    2 — Smokey and the Bandit

    Universal Pictures – Credit: C/O

    This Burt Reynolds-Sally Field action comedy — about a Trans-Am on a mission to distract from a truck full of beer — was the No. 2 film domestically with a total haul of $127 million. This is one time the Bandit ended up in second place.

    By the way, all of these domestic box office totals are from Box Office Mojo, a fun site we highly recommend exploring.

    Interestingly, Smokey and the Bandit debuted on May 27 — just two days after the No. 1 movie on our list.

    1 — Star Wars

    20th Century Fox – Credit: C/O

    The 20th Century Fox film, which eventually became known as Star Wars: Episode IV — a New Hope, was the top film of 1977 with a domestic gross of $307 million. (Adjusted for inflation, that’s $1.3 billion.)

    George Lucas’ story of Luke Skywalker’s quest to rescue Princess Leia from the Death Star — and her quest to lead the Rebellion to use some secret plans to blow up said Death Star — launched the second-most successful franchise in film history. Star Wars films have made more than $5 billion, trailing only the $11.8 billion for the Marvel Cinematic Universe.

    The incredible box office receipts of A New Hope (we still just call it Star Wars) helped open studios’ eyes to new ways of making money — not just through films, but endless merchandising in the form of action figures, remote-controlled R2D2s, and lightsabers.

    It changed the kinds of movies that got greenlit, and signaled that ’70s audiences — who had grown accustomed to downbeat endings — were ready for optimism. Movies would never be the same.

    Liked This List of the Top 10 Movies of 1977, Ranked by Domestic Box Office?

    Dr. No Behind the Scenes First James Bond 007 Movie
    United Film Distribution Company – Credit: C/O

    You might also like this list of All 11 Star Wars Movies, Ranked Worst to Best or this list of 12 Rad ’80s Movies Only Cool Kids Remember.

    Main image: A publicity still of Jacqueline Bisset in The Deep. Columbia.

    Editor’s Note: Corrects main image.



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  • 11 Big Bang Theory Castmates: Where Are They Now?

    11 Big Bang Theory Castmates: Where Are They Now?


    The Big Bang Theory ran for 12 seasons and 279 episodes on CBS, earning big ratings and minting some new TV stars.

    Now that the show has been off the air for five years, what is the cast up to now?

    But First

    CBS – Credit: C/O

    CBS had no complaints about The Big Bang Theory. It had a ton of fans, as the ratings indicated. For a while, reruns on TBS were that network’s highest-rated airings as well. It also won Emmys, People’s Choice Awards, and more. However, critical assessments were mixed, and The Big Bang Theory was culturally relevant enough that it also had a lot of detractors who griped that the characters were broadly drawn.

    But the show’s very talented cast helped lend The Big Bang Theory more substance, especially as the show went on. Here’s what the Big Bang Theory cast is up to now.

    Jim Parsons

    CBS – Credit: C/O

    Parsons, a relative unknown when The Big Bang Theory began, was not supposed to be the star. Sheldon Cooper was an eccentric secondary character. He proved the breakthrough star, though, and yielded a spinoff, Young Sheldon, that has itself yielded a spinoff. Parsons also won a whopping four Emmys for playing Sheldon.

    In addition to narrating Young Sheldon, Parsons has kept busy producing and occasionally acting. He acted on stage in a version of The Boys in the Band, and then starred in a 2020 film adaptation of that play. Parsons also co-starred in Hollywood, a limited series wherein he played closeted gay Hollywood agent Henry Willson, and the 2022 drama Spoiler Alert.

    Oh, and bazinga, of course.

    Kaley Cuoco

    CBS – Credit: C/O

    Cuoco was one of the most recognizable stars of The Big Bang Theory when it debuted. As a kid, she had been on the sitcom 8 Simple Rules. Cuoco’s Penny was the “hot chick” (quotation marks not a comment on Cuoco’s looks but to indicate this was the archetype she was playing) who the “nerds” could not comprehend at first, though of course eventually she and Leonard would get together.

    There’s a good chance you have seen Cuoco all over your television in recent years. In addition to the litany of advertisements you can see her in, Cuoco starred in The Flight Attendant and Based on a True Story.

    She’s also loaned her voice to the cultishly adored Harley Quinn cartoon. That’s not one to watch with your family.

    Johnny Galecki

    CBS – Credit: C/O

    Galecki, who played Leonard, was the ostensible ”star” of The Big Bang Theory when it debuted, and to be fair he and Cuoco always remain at the center, even if others joined him. As a younger man, Galecki had been on Roseanne.

    Starring in The Big Bang Theory made Galecki, and others in the cast, very rich. That is to say, Galecki never needs to work again. He’s popped up in a few episodes of The Connors, and also the movie A Dog’s Journey, but both of those instances occurred in 2019.

    He is generationally wealthy, got somewhat recently married, more recently had a kid, and has a child from a previous relationship. If he doesn’t want to work, he’s got plenty else to do.

    Simon Helberg

    CBS – Credit: C/O

    Helberg is, in our opinion, the best actor from the main cast of The Big Bang Theory, though he didn’t get to show it a ton on the show. Howard was arguably the most broadly-drawn character, and early on, even if you liked the show, Howard may have been a bit much. Check him out in something like A Serious Man, though, and you can see his skills.

    On occasion Helberg has flashed those skills post-Big Bang as well. He’s done a couple movies, most notably the weirdo indie masterpiece Annette.

    On television, in addition to a smidge of voiceover work, Helberg played a tertiary, but important, role in Poker Face, the excellent Peacock series starring Natasha Lyonne. Check that one out for sure.

    Kunal Nayyar

    CBS – Credit: C/O

    If you’re American, there’s a good chance you haven’t seen Nayyar, who played Raj, much recently. Maybe you have heard him, as he’s voiced Guy Diamond in three Trolls movies (and two Trolls TV specials), but that’s more or less it on the American side of the pond.

    Nayyar was actually born in London, though, and while he mostly grew up in India before moving to the United States for college, he’s been back working in the United Kingdom since the end of The Big Bang Theory. He co-starred in British thriller series Suspicion, and he was also in an episode of Criminal: UK.

    For the latter, Nayyar was actually nominated for Best Supporting Actor at the British equivalent of the Emmys.

    Mayim Bialik

    CBS – Credit: C/O

    To try and create new dynamics in the universe of The Big Bang Theory, and also to add a bit more female presence on the regular as well, Bialik debuted as Amy Farrah Fowler in a guest role in the third season before joining the main cast starting in Season 4. It was a sensible casting. Not only was Bialik well-versed in sitcoms, having starred in Blossom, she has a PhD in neuroscience.

    There has been a lot of Bialik on TV since The Big Bang Theory ended. She starred in the FOX sitcom Call Me Kat for a couple seasons. Also, notably, she was in the running to host Jeopardy!.

    Awkwardly, it was decided that she and Ken Jennings would share the role of host, but the Jeopardy! diehards, a raucous bunch, loudly preferred the game show icon to the interloping actress. Thus, Bialik’s time as host has come to a conclusion.

    Melissa Rauch

    CBS – Credit: C/O

    Rauch, who joined the show midstream to play Bernadette, eventual wife of Howard, has something going that no other Big Bang Theory cast member does at the moment: an extant sitcom. Rauch stars in the reboot of Night Court on NBC. She plays Abby Stone, daughter of Harry T. Stone, Harry Anderson’s character from the original run.

    That’s basically it, though, as Rauch hasn’t done a ton else since Big Bang Theory ended. Not that we’re knocking her! She’s the star (and executive producer) of a network sitcom! There just isn’t much else to say, so we will point out something odd and interesting.

    In 2017, Rauch did voiceover work in a direct-to-video Batman movie. It’s called Batman and Harley Quinn, and she voiced Harley Quinn. That means two Big Bang Theory cast members have played Quinn in an animated project.

    Kevin Sussman

    CBS – Credit: C/O

    Sussman played Stuart, the owner of the comic book shop the guys frequent. In the first few seasons he was in a recurring role, but eventually, as often happens, a tertiary character had his role expanded. Sussman was considered a member of the main cast for seasons eight through 12, which meant a major uptick in salary, we’re sure.

    In total, Sussman was in 85 episodes of The Big Bang Theory, and he’s stayed quite busy in the interim. He doesn’t have that Galecki money, after all. Sussman popped up in a couple episodes of Bialik’s Call Me Kat, and also a couple episodes of AMC’s prestigious, beloved Better Call Saul.

    He was quite good in the excellent Hulu limited series The Dropout, about Elizabeth Holmes, and has been seen occasionally in Lessons in Chemistry as well.

    Sara Gilbert

    CBS – Credit: C/O

    Gilbert was recurring in Season 1 and a guest in seasons three and nine, but for the second season of The Big Bang Theory, she was contractually in a starring role. While the show moved well past the era of Leslie Winkle, she should be included. Especially since, you know, she’s been up to a lot of stuff and was already famous.

    When Gilbert was brought in, it was a bit of stunt casting. She played Darlene on Roseanne, after all, and Galecki played her character’s boyfriend. The same time that The Big Bang Theory was ending, Gilbert’s View-style show The Talk ended as well.

    Also, Gilbert and her wife Linda Perry divorced. Tough year for Gilbert! She bounced back, though. Gilbert has been back playing Darlene on The Connors since it debuted, giving her a regular network sitcom role once again.

    Laura Spencer

    CBS – Credit: C/O

    Raj finally got himself a long-term thing on The Big Bang Theory, though without the success of the other relationships among the main cast. Emily, the morbid dermatologist, was in the main cast in Season 9, and was in a recurring role in seasons seven, eight, and 10. At the same time, Spencer also had a recurring role on Bones.

    Since then, she was in a somewhat obscure tornado disaster movie called 13 Minutes and appeared in one episode of Reservation Dogs.

    John Ross Bowie

    CBS – Credit: C/O

    Barry Kripke was not one of the main characters on The Big Bang Theory. Bowie was credited in a recurring role in most seasons of his run, and a guest role in a couple of them. However, we decided to include him because the dude works.

    Bowie popped up in Jumanji: The Next Level, and he’s been all over television. During the end of the run of The Big Bang Theory, Bowie was one of the leads of the sitcom Speechless. Since then, he’s popped up in recurring roles and one-off spots all over television.

    In 2022 alone you could see him in four different TV shows. Bowie is a character actor, and to that end, he had a podcast called Household Faces for a bit where he interviewed other character actors. It’s a good listen.

    Thanks for Reading The Big Bang Theory Cast: Where Are They Now

    CBS – Credit: C/O

    You might also like this list of the 12 Best Seinfeld Episodes, Ranked or this list of 10 Gen X Film Stars Gone Too Soon.

    Main image: The Big Bang Theory cast. All photos from CBS.



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  • 12 Excellent Movies Where Not Much Happens

    12 Excellent Movies Where Not Much Happens


    Here are 12 excellent movies where not much happens. Or does it?

    There aren’t a lot of car chases, murders, sex scenes, or explosions, but lives are quietly changed.

    Lost in Translation (2003)

    Seductive Movies
    Focus Features – Credit: C/O

    Newlywed Charlotte (Scarlett Johansson) and burned-out married actor Bob (Bill Murray) meet at a Tokyo hotel, talk, and sing some karaoke. Everything is melancholy and luminously beautiful.

    We keep thinking maybe they’ll leave their spouses — and yet we’re somehow grateful when they don’t. Sofia Coppola’s Lost in Translation is a celebration of small, intense interactions we’ll never recapture, and maybe shouldn’t.

    At the end, Bob finds Charlotte in a crowd. They look in each other’s eyes, embrace, and he whispers something we can’t hear. They kiss in a way that feels not at all sexual. They’re friends.

    The Power of the Dog (2021)

    Netflix

    Jane Campion’s drama looked like a likely Best Picture winner in 2022 before CODA scored the honor in an unusual, Covid-tainted year.

    It is, on its surface, a slow, ponderous story about a widow (Kirsten Dunst), her kindly suitor and eventual husband (Jesse Plemons), her effeminate, intellectual son, (Kodi Smit-McPhee) and her brutal brother-in-law (Benedict Cumberbatch).

    For most of the movie, we think we’re watching a sensitive Western, perhaps with a revisionist take on the very 2020s theme of “toxic masculinity.” But by the end, we realize it’s been a different kind of movie all along — and a more ruthless one than we realized. It makes a hard, shrewd shift in genre, and we respect it.

    Dazed and Confused (1993)

    Gramercy Pictures – Credit: C/O

    The ultimate hangout movie, Dazed and Confused follows a group of high schoolers on graduation night as they cruise around and make plans to go to a party at the Moontower. There’s some fighting and bullying and flirting, and some mailboxes get battered. Football star Randall “Pink” Floyd (Jason London) has to decide whether to sign a pledge. not to do drugs.

    And that’s it. No one dies, nothing explodes, no one pulls off the heist of the century. And yet it’s a pure joy, helped launch the careers of Ben Affleck, Parker Posey, and Matthew McConaughey, and is the best hangout movie ever. Quentin Tarantino has called his favorite movie of the 90s.

    Dazed and Confused is one of several deceptively simple Richard Linklater movies, where very normal days and nights turn out to be the most memorable of our lives.

    And, since we mentioned Tarantino…

    Once Upon a Time in Hollywood (2019)

    Sony Pictures Releasing

    A slice of life story about real-life actress Sharon Tate (Margot Robbie), her burnout actor neighbor Rick Dalton (Leonardo DiCaprio), and Dalton’s pal-stuntman-assistant Cliff Booth (Brad Pitt).

    The film takes us on a pleasant meander through three days of their lives — at one point we join Sharon on a solo trip to the movies — but writer-director Quentin Tarantino knows he doesn’t need to do much to move the plot along…

    … Because we’re on the edge of our seats the entire time, thinking about the hellish thing we know happened to the real Sharon Tate. Waiting for it to happen onscreen. Horrified.

    There are little smatterings of violence before the big finale as Cliff fights both Bruce Lee (Mike Moh) and Tex Watson (Austin Butler).

    And when the grim ending comes… it turns out to be not what we expected.

    Perfect Days (2023)

    Koji Yakusho and Arisa Nakano in Perfect Days. DCM

    The newest film on our list, Perfect Days follows a Tokyo bathroom custodian named Hirayama (Kōji Yakusho) as he goes about his simple days, fueled by mix tapes, good books, and his love of photography.

    It’s a curious, transfixing film about making the most of a seemingly simple existence. People enter his life who seem poised to change it dramatically, but he takes comfort in his routines.

    Its excellent movie credentials include premiering at the the 76th Cannes Film Festival, where it competed for the Palme d’Or and won the Prize of the Ecumenical Jury and the Best Actor Award for Yakusho. It was also nominated for the Best International Feature Film at the 96th Academy Awards,.

    Before Sunset (2004)

    Movies Where Not Much Happens
    Warner Independent Pictures

    Another Linklater movie, and the sequel to his lovely Before Sunrise, which could also be on this list. Jesse and Celine (Ethan Hawke and Julie Delpy, who co-write the movie with Linklater and Kim Krizan) reunite in Paris, nearly a decade after the night they spent together in Vienna in Before Sunrise.

    Jesse has written a book about that night, and he and Celina reminisce about what could have been and what can never be. Or can it?

    The biggest event in Before Sunset comes at the very end, when instead of doing something, Jesse doesn’t do something — and it changes his and Celine’s lives. It also sets up the third film in the series, the beguiling Before Midnight.

    Last Days of Disco (1999)

    Gramercy Pictures

    Writer-director Whit Stillman has said that during the tough days of filming his 1994 Barcelona, a rare moment of joy came while shooting a disco scene. He wondered why he couldn’t just make a whole movie of young women loving the nightlife and dancing. So he made Last Days of Disco.

    Chloe Sevigny and Kate Beckinsale star as aspiring book editors who eke out small salaries while looking for love or connection or something on dance floors and the sexy banquettes at their edges. At least one character considers them overprivileged and insipid, and the big climax is a debate about Lady and the Tramp.

    But there’s a lot happening in the subtext, including a richly detailed, nearly invisible subplot about tax fraud. And — much more importantly, from the movie’s perspective — people find real meaning in the most seemingly superficial of settings. This might be your humble correspondent’s favorite movie — and it’s one of the most seductive movies we’ve ever seen.

    The Brutalist (2024)

    Brutalist Judy Becker
    A24

    The newest film on this list, and a leading Oscar contender, Brady Corbet’s The Brutalist moves as a patient, often hypnotic pace, inviting you to enjoy and appreciate its anthemic score, nuanced performances, and the brutally beautiful architecture of protagonist László Tóth (Adrien Brody).

    It unfolds over 3 hours and 35 minutes that do not fly by: One of its leads, Felicity Jones as Erzsébet Tóth — doesn’t really show up until after the midpoint intermission. Strikingly, for a movie with plenty of time, The Brutalist never over-explains, often waiting until years after events in the film to have occurred before the characters discuss them at any length.

    Arguably the most devastating moment in the film — it occurs between László and his benefactor/antagonist Harrison Lee Van Buren Sr. (Guy Pearce) — unfolds with such understatement that you may not immediately understand the trauma unfolding unless you catch the sound of an unbuckling belt.

    Contempt (1963)

    Marceau-Cocinor 

    French writer Paul (Michel Piccoli) is enlisted to work with Fritz Lang (played by the real Fritz Lang) on an adaptation of The Iliad.

    When Paul and his wife Camille (Brigitte Bardot) are invited to the home of cocky American producer Jeremy Proko (Jack Palance), Proko’s car only has room for one passenger. And so begins a period of intense agony for Paul.

    It’s all very slow — yet you wish it were even slower. Jean-Luc Godard’s Contempt is one of the most gorgeous movies ever made. The visuals are sumptuous, including of Casa Malaparte, the seaside home on Capri, Italy where key scenes occur. And “Camille’s Theme,” by Georges Delerue, is so stirring that Martin Scorsese borrowed it for Casino.

    Contempt has two very violent deaths, but they’re almost an afterthought. The emotional carnage comes first.

    La Piscine (1969)

    Société Nouvelle de Cinématographie

    TimeOut perfectly describes this one as “a deliciously languid, slinkily unsettling affair.”

    Director Jacques Deray spends lots of time on the uncluttered elegance of la piscine of the title (la piscine is French for “the swimming pool”) and the magnetism of its four central inhabitants, played by Alain Delon, Romy Schneider, Maurice Ronet, and Jane Birkin.

    There’s lust and jealousy, sure, though we’re never sure how seriously to take it all until, about midway through the film, someone commits a rompishly casual murder. When it happens, you’re almost sad to see the movie take a break from shots of people just lying around.

    The Father (2020)

    UCG Distribution

    The setup for Florian Zeller’s magnificent debut is so simple it barely seems sufficient for a movie: A daughter (Olivia Colman) is trying to move her dementia-struck father (Anthony Hopkins) from his flat and into a nursing home.

    But the scenes that result are both aching and mesmerizing. Zeller designed the film, he told MovieMaker, “to make the audience feel as if they were going through a labyrinth.” He envelops the audience in Anthony’s confusion by moving the proportions of the apartment, changing the locations of items, and even changing the colors of a wall.

    We see and feel a man losing his mind, and the film makes us share in his alternating peace and terror. Zeller was so certain that Hopkins was the only actor for the job that he named his main character Anthony and wrote the script for the Silence of the Lambs Oscar winner without ever having met him.

    All worked out: Hopkins won his second Best Actor Oscar for The Father, one of the most excellent movies of recent years.

    Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)

    Olympic Films

    The gold standard of movies where not much happens, Jeanne Dielman follows a widowed housewife (Delphine Seyrig) as she goes about her domestic routines over three days: cooking, cleaning, taking care of her son, and having sex with a different client each afternoon.

    Yes, she has sex three times, and there is one pointed act of violence, which may sound like a lot is happening. But consider that the movie is three hours and twenty minutes long. At one point it devotes four minutes to a static shot of Jeanne making veal cutlets.

    Released when writer-director Chantal Akerman was just 25, Jeanne Dielman initially drew a mixed response, but steadily gained respect. In 2020, the Sight + Sound poll named it the greatest movie ever made. It replaced Vertigo at the top of the list.

    Liked This Gallery of 12 Excellent Movies Where Not Much Happens?

    Sony Pictures Classics

    You might also enjoy this list of 10 Great Documentaries About Making Movies That You Can Stream Now.

    Main image: Brigitte Bardot in Contempt. Marceau-Cocinor 



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  • The 12 Coolest Time Travel Movies of All Times

    The 12 Coolest Time Travel Movies of All Times


    Here are the 12 coolest time travel movies of all time — and all times.

    Cinema’s obsession with time travel makes perfect sense, given that movies may be the closest most of us will ever get to it: The filmmakers of the past told stories for the audiences of the future. As the gap between creation and audience grows, so does every film’s value as an artifact of its time.

    As people and places disappear, films can become our best ways to remember them, and experience something like immersion in times we may remember only faintly, if at all.

    So in a way, all movies are time travel movies. But the following films are explicitly about people starting in one time, and traveling to another.

    It’s a Wonderful Life (1946)

    Donna Reed, Jimmy Stewart and Karolyn Grimes in It’s a Wonderful Life. RKO Radio Pictures

    If you think It’s a Wonderful Life isn’t a time travel movie, we would ask: How is it not? The dark Christmas classic from Frank Capra follows George Bailey (Jimmy Stewart at his best) revisiting his past — or rather an alternate version of his life in which he was never born.

    Rather than going back and changing the past, George has to endure the present — and in doing so, shape the future. Just like all of us do every day.

    As popular as the multiverse concept is today, it’s notable that It’s a Wonderful Life hit on it long, long ago. Credit goes to Capra and co-writers Frances Goodrich and Albert Hackett, as well as Philip Van Doren Stern, who wrote the story upon which It’s a Wonderful Life was based.

    The Time Machine (1960)

    When Morlocks attack: Yvette Mimieaux as Weena in The Time Machine. MGM

    No discussion of time travel is complete without bowing to H.G. Wells’ 1895 novel The Time Machine, one of the most influential stories of all.

    George Pal’s adaptation of the novel presents a two-caste future in which humans have evolved into Eloi and Morlocks. The passive, vegetarian Eloi seem to have it good: They live a pleasant, idyllic existence — above ground, no less.

    It all seems very nice until we realize the Eloi (including Yvette Mimieaux as Weena, above) are basically veal for the Morlocks, the scrappy, resentful subterraneans who emerge occasionally from their caves to feed on their pampered cousins.

    The Time Machine is a great time travel movie, and inspired many others on this list., sometimes quite overtly. But it’s also a provocative, still-relevant piece of social commentary.

    La Jetée (1962)

    Hélène Châtelain in La Jetée. Argos Films.

    Chris Marker’s La Jetée explains to audiences that it is “the story of a man marked by an image of his childhood” — a violent image he witnessed “sometime before the outbreak of World War III.”

    He comes to understand it only by experiencing it again and again, in a time loop that the short film illustrates almost entirely illustrated in still photos. His link to the past is a memory of a woman (played by Hélène Châtelain, above) he once encountered on the observation platform, or jetty, of Paris’ Orly Airport.

    Between its deliberate repetition, black-and-white photography and unsettling setting — we are watching the past’s vision of our own possible future, which feels simultaneously dated and far beyond us — La Jetée is hypnotic.

    Time After Time (1979)

    Malcolm McDowell and Mary Steenburgen in Time After Time. Warner Bros.

    Nicholas Meyers’ Time After Time has one of the best setups of any film. Pointedly inspired by The Time Machine, it begins in Victorian London, where Jack the Ripper (aka Dr. John Leslie Stevenson, played by David Warner) has just struck again.

    He joins a gathering at the home of his friend H.G. Wells (Malcolm McDowell), who unveils a time machine he’s a bit apprehensive about using.

    When the police close in, Stevenson flees to the future in the time machine — and H.G. follows him. They end up in 1979 San Francisco, where fish-out-of-water Stevenson adapts swimmingly to the violence of the (then) modern age, while gentle H.G. tries to stop him from killing again.

    He’s aided by bank employee Amy (Mary Steenburgen), who becomes Jack’s target. Things build to kind of a disappointing climax, but there’s so much thoughtfulness and delight along the way that it’s silly to linger on it.

    And in a sweet behind-the-scenes ending, Steenburgen and McDowell fell in love and were married for a decade.

    The Terminator (1984)

    Linda Hamilton and Michael Biehn in The Terminator. Orion Pictures. – Credit: C/O

    When the low-budget Terminator emerged in 1984, some people dismissed it as a dumb, violent shoot-’em-up about a killer robot.

    While it’s undeniably one of the best killer robot movies ever made, it also offers one of the coolest takes on how time travel works.

    In the world of The Terminator, time travel is like an inevitable loop that transgresses calendar years: Kyle Reese (Michael Biehn) is sent back in time to save Sarah Connor (Linda Hamilton) so she can give birth to her son John, the savior of humankind in a dark, robot-infested future. But he also ends up fathering John — who, in turn, is the one who sends him back in time.

    Brilliant.

    Terminator 2: Judgment Day (1991)

    Arnold Schwarzenegger in Terminator 2: Judgment Day. TriStar Pictures – Credit: C/O

    Yes, we’re going with two Terminator movies, because the inevitable-loop concept ramps up to another level when we learn in T2 that the arrival of Arnold Schwarzenegger’s T-800 in the first Terminator was the cause of the Judgment Day that sparks the A.I. takeover.

    In short, the last remaining piece of technology from the T-800’s final battle against Sarah and John becomes crucial to Cyberdyne, the company that creates SkyNet, which quickly makes things very tough for humanity.

    The past creates the future which creates the past which creates the future. At least, that’s how it goes in The Terminator.

    The next time travel movie on our list has a different theory about it all works.

    Back to the Future (1985)

    Back to the Future
    Crispin Glover, Lea Thompson and Michael J. Fox in Back to the Future. Universal Pictures.

    One of the most flat-out entertaining movies ever, Robert Zemeckis’ Back to the Future embraces the geekiness of time travel and makes it as goofily cool as possible — while grounding everything in a very human story.

    1980s teen Marty McFly (Michael J. Fox) travels back to the 1950s thanks to a time traveling DeLorean built by his mentor, Doc Brown (Christopher LLoyd). But upon arrival, Marty prevents a crucial meeting of his young parents (Crispin Glover and Lea Thompson).

    Worse, his mom develops a crush on him — which is a huge problem for many reasons. But it’s arguably most troubling because in the Back to the Future school of time travel, nothing is inevitable, even Marty’s existence. If he can’t get his parents together, he and his siblings will never be born.

    Things get more complicated (and occasionally even more fun) in Back to the Future 2, in which Marty is propelled into the future, and back to the past — and has to avoid running into himself. And Back to the Future 3 goes for pure Western thrills.

    Diehard fans of time travel movies will note that in the latter, Mary Steenbergen plays a character in a similar situation to the one her character faced in the aforementioned Time After Time.

    Groundhog Day (1993)

    Andie McDowell and Bill Murray in Groundhog Day. Columbia Pictures – Credit: C/O

    Harold Ramis’ masterpiece stars his Ghostbusters castmate Bill Murray as a weatherman cursed to repeat the same holiday again and again. It enlivened the time travel movie genre and popularized the time-loop format. It’s also another of the best movies ever made.

    Screenwriter Danny Rubin, who was steeped in Anne Rice’s vampire novels, became interested in the idea of immortality, and of repeating the same day over and over again. He and Ramis turned his original script into a meditation on life itself, and how all of us have the choice, each time the alarm goes off, to make each day a grinding re-enactment of the one before, or to take it in an entirely new direction.

    Assemble enough of those decisions together, and you’ve completed a lifetime.

    Austin Powers: The Spy Who Shagged Me (1999)

    Michael York as Basil Exposition in Austin Powers: The Spy Who Shagged Me. New Line Cinema

    In the first Austin Powers film, 1997’s Austin Powers: International Man of Mystery, Mike Myers’ swinging ’60s spy is frozen in 1967 and thawed out in the ’90s.

    In the sequel, Austin must travel back — this time to 1969 — to match wits with Dr. Evil (also Myers) who has stolen Austin’s mojo. The ramifications of crossing paths with his (frozen) past self causes Austin to go cross-eyed — but the wise Basil Exposition gives him some advice.

    “I suggest you don’t worry about this sort of thing and just enjoy yourself,” he says.

    Then he and Myers turn smilingly to the audience, as Basil adds, “That goes for you all, too.”

    Thus freed from thinking about the space-time continuum, we’re able to just enjoy Austin returning to the past to dance and fight alongside Felicity Shagwell (Heather Graham.)

    Midnight in Paris (2011)

    Midnight in Paris. Sony Pictures Classics

    Woody Allen’s beguiling Midnight in Paris skips any concern about how time travel works in favor of charm. Owen Wilson’s character, who is having trouble with his fiancée (Rachel McAdams), travels back in time simply by stepping inside a 1920s car each night at midnight.

    It transports him to glorious 1920s Paris, where he mingles with the likes of Ernest Hemingway (Corey Stoll), F. Scott Fitzgerald (Tom Hiddleston), Zelda Fitzgerald (Alison Pill), Salvador Dali (Adrien Brody) and Gertrude Stein (Kathy Bates). He also becomes captivated by Adriana, Picasso’s mistress, played by Marion Cotillard.

    Instead of a new take on how time travel works, Midnight in Paris lays out a universal truth: Some people will always prefer to live in the past.

    Edge of Tomorrow (2014)

    Tom Cruise and Emily Blunt in Edge of Tomorrow. Warner Bros.

    This Tom Cruise-Emily Blunt gem takes the Groundhog Day concept into the realm of action and sci-fi. But it’s also funny, in a different way than Groundhog Day.

    Cruise plays against type as a man who, like Murray in Groundhog Day, must re-live the same day again and again. But Cruise, known for playing ultra-competent heroes like Ethan Hunt in the Mission: Impossible films and Pete “Maverick” Mitchell in Top Gun, goes against type by portraying a bit of a bumbler.

    He’s a PR man who dies in a series of darkly amusing ways under the tutelage of Blunt’s experienced super soldier, Sergeant Rita Vrataski.

    The film was a box office disappointment, but has gained much respect since its initial release. Based on the Hiroshi Sakurazaka novel All You Need Is Kill, it was almost given director Doug Liman’s preferred title, Live Die Repeat, which became the film’s tagline.

    Spoiler Warning: The next and final film on this list isn’t obviously a time travel movie until its incredible ending.

    Planet of the Apes (1968)

    Charlton Heston and Linda Harrison in Planet of the Apes. 20th Century Fox.

    Like we said, the presence of this film on this list is a spoiler — we’re sorry. Then again, the original Planet of the Apes has been out for 57 years, so you’ve had time to see it.

    What’s coolest about Planet of the Apes is that for almost its entire running time, you don’t realize you’re watching a time travel movie. It just seems like a nightmarish sci-fi film in which a trio of astronauts led by Charlton Heston’s George Taylor crash-land on a planet ruled by apes. They treat humans — including Nova (Linda Harrison) — like animals.

    Then we get to one of the greatest movie twist endings of all time, and realize the astronauts never left the planet earth.

    Liked This List of the Coolest Time Travel Movies of All Time?

    Linda Harrison in Planet of the Apes. 20th Century Fox.

    Thank you for giving us a few minutes of your time.

    You might like this list of the 13 Best Post-Apocalyptic Movies We’ve Ever Seen, featuring, once again, Planet of the Apes.

    If these time travel movies have taught us nothing, it’s that it’s much easier to prevent an apocalypse now than to try to build a time machine and go back to prevent one later. Good luck, everyone.

    Main image: Yvette Mimieaux, as the Eloi Weena and Rod Taylor as H. George Wells in The Time Machine. MGM

    Editor’s note: Corrects error in Time After Time item. Jack the Ripper flees into the future, not the past.



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