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  • How Poker Forces Your Brain to Process Uncertainty in Real Time

    How Poker Forces Your Brain to Process Uncertainty in Real Time


    Poker entails risk, quick judgment, and decision-making with incomplete information. Anyone who has played a few hands knows you spend more time guessing what you do not know. It is not a stretch to say poker turns decision-making under pressure into a real science.

    How the Brain Tackles Poker’s Split-Second Decisions

    Processing uncertainty in poker runs deeper than the ability to read bluffs or count outs. Every hand asks a player to weigh tells, bet sizing, stack depth, and the standard poker hand rankings. A player might decide between calling an all-in with top pair or folding when the board is full of potential draws.

    Poker demands attention to more than the cards shown. Observing how previous hands played out, piecing together betting frequencies, and tracking position can change how uncertainty is solved at the table. One moment calls for a snap decision on a coin flip. The next, a player may need to pass on a high pair because the story does not add up.

    The Nuts and Bolts of Uncertainty at the Table

    Poker never gives you the full picture. You know your cards and the community cards. Everything else is up for debate. Playing hand after hand means your brain is always weighing clues, spotting patterns, and trying to stay a step ahead.

    A sweeping study with over 35,000 players and millions of hands showed expert players handle information differently. These players act unpredictably and mask their true actions from others. Every bet, raise, or check is meant to deceive or extract information from opponents. That is a real-time blend of psychology, math, and people-reading.

    Real Stakes, Real Pressure

    Tournaments and cash games reward players who can calculate odds, anticipate outcomes, and still keep a poker face. Each hand is about calculated risk. Let’s say you hold a flush draw and an opponent bets big. Do you chase your draw and risk your stack? Or fold and wait for a better spot? Get it wrong and sit out the rest of the night.

    This kind of decision-making improves skills that go beyond cards. You become comfortable acting without all the details. According to research, that habit builds discipline, sharpens risk assessment, and helps you see consequences before you act. Poker is full of real-time pressure. You only get a few seconds to figure out what to do and have to trust your judgment.

    Pattern Seekers and Bias Breakers

    Longtime players get used to working with incomplete facts. They start to see patterns in betting, timing, and player habits faster. Spotting when someone suddenly bets bigger or slower can tell you plenty about the strength of their hand. Missing these details will cost you.

    But even regulars are not immune to mental traps. The confirmation bias, for example, can push a player to believe in their first read and ignore fresh evidence that their guess was wrong. Good players work hard to see past these blind spots. They review hands, talk hands out with other players, and always try to see what they missed.

    Adaptation and Learning

    None of these thought processes comes overnight. Players build this toolkit through thousands of hands and constant feedback. The best spend hours studying their own mistakes, watching others, and reading up on strategy. The goal is to become more adaptable and make fewer costly errors.

    Online games have increased the tempo. Shorter turn clocks mean faster judgment calls. There is less time to second-guess and more room for sharp thinking. Players who think quickly and adjust to new information win more over the long run.

    Real Life Benefits

    Professional players like Maria Konnikova have spoken about how the discipline learned at the table shows up elsewhere. Bankers, negotiators, and even sports coaches report benefits from putting poker skills into action. You get better at finding clues, weighing the odds, and not folding under stress.

    Science backs this up, too. MRI scans and clinical research on gamblers suggest that high-stakes poker changes how the brain reacts in risky situations. Profitable players display better emotional control and handle stress without letting it ruin their game.

    Poker forces you to juggle uncertainty, risk, and split-second thinking every hand. Each session pushes you to make smart decisions with limited information. Regular play fine-tunes pattern recognition, silences mental biases, and pushes you to adapt strategies quickly. The same skills that keep you in the game also help in any area where decisions come fast.



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  • Little Home Improvements That Make All the Difference — Every Movie Has a Lesson

    Little Home Improvements That Make All the Difference — Every Movie Has a Lesson



    When it comes to making your home feel more comfortable, stylish, or functional, sometimes it’s the smallest changes that have the biggest impact. You don’t always need a full renovation to refresh a space. Thoughtful, affordable updates can transform your everyday living experience in subtle but meaningful ways. From lighting tweaks to sensory touches, here are a few ideas to consider.

    Get the Right Fit with a Lamp Shade Reducer Ring

    Lamps are one of the most versatile ways to alter the mood of a room, but finding the perfect shade to match your existing fittings isn’t always straightforward. A lamp shade reducer ring solves the common problem of mismatched fittings between lamp bases and shade openings. These handy little rings allow larger European-style shades to fit standard UK lamp holders, giving you more freedom when choosing a new shade.

    Instead of having to replace your lamp entirely or settle for limited designs, a reducer ring opens up your options, making it easy to experiment with style, colour, or fabric. It’s a small detail, but one that can quickly update a room without major cost or effort.

    Create a Welcoming Atmosphere with Home Diffusers

    Fragrance plays a powerful role in shaping the atmosphere of your home. A carefully chosen home diffuser can add a constant, subtle scent to any room, enhancing both comfort and cleanliness. Whether you prefer calming lavender in the bedroom or a zesty citrus blend in the kitchen, diffusers are a simple yet effective way to set the mood.

    Many modern diffusers are elegantly designed to fit with a range of interior styles, from minimalist glass bottles to rustic ceramic vessels. Reed diffusers require no electricity and last for weeks, making them both practical and decorative. They’re an excellent finishing touch to create a space that feels thoughtful and well cared for.

    Upgrade Your Switch Plates and Handles

    One of the most overlooked improvements in the home is the hardware we use every day—light switch plates, door handles, and cabinet knobs. Replacing these small elements with modern, coordinated alternatives can lift the feel of a whole room. Brushed brass handles, matte black switches, or even ceramic drawer knobs can turn functional fittings into eye-catching details.

    These updates require minimal tools and time, yet they bring a polished, cohesive look to spaces like kitchens, bathrooms, or entryways. It’s a great way to refresh your home with very little disruption or expense.

    Use Mirrors to Expand Space and Light

    Another clever improvement is the strategic use of mirrors. Placing mirrors in the right spots can make small rooms feel larger and lighter. Positioning a large mirror opposite a window, for instance, maximises natural light and visually expands the space. Decorative wall mirrors can also act as art pieces, adding depth and interest.

    Whether you opt for a full-length mirror in the hallway or a collection of smaller ones in a living room, this trick works in almost every setting. It’s simple, stylish, and incredibly effective.



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  • Elio — Every Movie Has a Lesson

    Elio — Every Movie Has a Lesson







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  • American Comic Star Joe Kwaczala on the Secret to Filming Authentic Stand-Up Scenes

    American Comic Star Joe Kwaczala on the Secret to Filming Authentic Stand-Up Scenes


    Joe Kwaczala is a Los Angeles-based comedian and the writer-star of the mockumentary American Comic, which follows two stand-ups, both played by Kwaczala, as they navigate the modern comedy world. Directed by Daniel J. Clark, the film premieres Sunday at Dances With Films. In the piece below, Joe Kwaczala describes getting the comedy world right.—M.M.

    I made the film American Comic for a number of reasons, but on some level, it all goes back to this:

    “HOW ARE THEY GETTING THIS SO WRONG?!”

    This is me every time I’m watching a movie or TV show that incorporates stand-up as part of the story. It’s one of many things I’m yelling, really: “That doesn’t look like a comedy club!” “Audiences in a room that size wouldn’t sound like that!” “That wouldn’t get a laugh!”

    I’ve been a comedian for more than 15 years, and I’ve always been fascinated by how fictional narratives can never seem to figure out how to portray stand-up on screen. I started to think about this more intensely as I prepared for production on my debut feature film American Comic.

    In writing the script, I had drawn on countless experiences from my career to create a This Is Spinal Tap-like mockumentary satire of stand-up. With that being the premise, it was crucial not only to show stand-up on screen but for it to also feel authentic. If history is any judge, I was setting myself up for failure.

    Joe Kwaczala on the Pressure to Get American Comic Right

    So the pressure was on to figure out a way to make this work. My tactic? To reverse-engineer it. By analyzing what doesn’t work, it would hopefully become clear what to avoid, and I could forge my path to success.

    I thought about my main problems with depictions of stand-up comedy and landed on three areas: the setting, the audience reactions, and the material. When one of those doesn’t come across correctly, it all goes south. So I had to nail all three.

    Among comedians, there might be varying opinions on the ideal setting for a stand-up show, but most will agree that intimacy is key. That means close quarters, low ceilings, the audience’s proximity to the stage and to each other. A lot of comedy clubs are designed with these qualities in mind.

    Also Read: The 25 Coolest Film Festivals in the World, Including Dances With Films

    But what do film productions need? Lots of room! To fit lights, cameras, and anything else the crew requires. Naturally, if a scene takes place at a comedy club, they will want to find (or even construct!) a location that gives them the space they need to film, and as a result, you get an environment with negative intimacy. The solution to this problem was pretty obvious: We had to shoot at real venues.

    But what about the crew? Some of these actual stand-up rooms wouldn’t be able to accommodate even a small film crew. So we didn’t have one. Well, kind of. I collaborated on American Comic with director Daniel J. Clark, who made one of the great fly-on-the-wall documentaries of all time, Behind the Curve. He and I decided that for these particular scenes, the crew should consist of just him and a camera, filming the action in a corner of the room.

    American Comic director Daniel J. Clark (left) on set with writer-actor Joe Kwaczala. Photo by Caroline Clark.

    That way, we could take advantage not only of the physical dimensions of these real spaces but also of their less tangible, lived-in qualities that would be impossible to recreate anywhere else.

    Obviously we were not the first people to think, “Let’s film our stand-up scene at a stand-up venue.” But even if they’re also using a real location, a typical production is still likely to utilize fake audience reactions. And that’s the next thing about stand-up on film that just doesn’t work. Productions will bring in extras and try to conduct them like an orchestra: “Laugh hard at this part, giggle at this joke, boo at this guy.”

    This process goes against human nature itself: Laughter is involuntary! So this forced nonsense is undoubtedly going to feel wrong. Daniel and I realized the only way around this was to film during real stand-up shows.

    At this point, I’ll remind you that American Comic isn’t a documentary. It’s a narrative feature film with a story about fictional characters. I play the two lead roles, and they were written to be comedians with styles very different from my own. And if we wanted to avoid fake laughs, that meant these characters needed to earn real ones.

    We also didn’t tell these audiences I was in character. For it to feel real on screen, we needed real reactions. So that means there were dozens of stand-up shows that happened in 2024 where audience members had no idea that one of the comedians they saw was actually me playing a movie character. Sorry!

    Although in that regard, I guess the movie is kind of a documentary.

    This leads us to the final piece of the “Stand-Up Authenticity Puzzle:” the material. Anyone can get on-stage at a stand-up show and bomb with a bad joke. But the comedians I’m portraying in this film are supposed to be up-and-coming with some potential for success, so I had to write jokes for them that would work in front of actual audiences.

    To further complicate things, these characters are awful, uninspired hacks. So my task as a writer and performer was to come up with jokes that I personally don’t like but still could get laughs. A tricky needle to thread! So I did what any good comic does with new material: I workshopped the jokes at shows and open mics and tweaked them based on the response. In fact, these characters and their jokes started doing so well that I started to worry: “Oh no. Is this what people like?”

    I’m really proud of what Danel and I accomplished with American Comic. In the end, the hunt for authenticity was simple. Instead of taking stand-up and bending it to fit our filming process, we took our filming process and bent it to fit stand-up. Obviously, I’m hoping what we do in the film will be appreciated by general audiences, but I’m hoping the extra care in our treatment of stand-up will resonate especially with comedians. The ideal reaction?

    “HOW ARE THEY GETTING THIS SO RIGHT?!”

    American Comic premieres Sunday at Dances With Films in Los Angeles.

    Main image: Actor-writer Joe Kwaczala in a still from American Comic, shot and directed by Daniel J. Clark.



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  • Camera Ambassador Unveils Two-Day Industry Event and Grand Opening Celebration — Every Movie Has a Lesson

    Camera Ambassador Unveils Two-Day Industry Event and Grand Opening Celebration — Every Movie Has a Lesson







    EVENT: Camera Ambassador Unveils Two-Day Industry Event and Grand Opening Celebration — Every Movie Has a Lesson

























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  • In Shattered Ice, a Hockey Player’s Suicide Stuns a Small Town

    In Shattered Ice, a Hockey Player’s Suicide Stuns a Small Town


    When Jake Miskin was a high school athlete, five fellow students died by suicide in his small Massachusetts town. He set out to tell the kind of story he wishes they would have seen, that could have given them hope. The result is the moving, insightful Shattered Ice, which plays this weekend at Dances With Films.

    Shattered Ice world premiered in February at the Sedona International Film Festival, where Miskin shared in a Q&A that the film uses sports as a metaphor because sports are how “a lot of lot of kids have their first heartbreak, their first friends, their first obstacles in life.”

    It follows a high school hockey player named Will Mankus (breakout Charlie Gillespie, himself a longtime hockey player, leading an excellent cast) who spirals after the suicide of his best friend and teammate Danny (Sterling Beaumon).

    Will goes quiet and takes up whiskey, blaming himself for not seeing the signs. So do many other people around the film’s town of Nehoiden, a fictional stand-in for Miskin’s real-life hometown of Needham, a Boston suburb that shares with Nehoiden both a quiet reserve and deep love of winter sports.

    Miskin hopes Shattered Ice can break the metaphorical ice around the still-taboo subjects of mental illness and suicide.

    “It’s inspired by my hometown, where we lost five students to suicide while we were in high school,” he said in the Sedona Q&A with festival executive director Patrick Schweiss. “I always wanted to tell a story about the conversations my friends or our town were or weren’t having, and showing how people grieve differently.”

    Also Read: The 25 Coolest Film Festivals in the World, Including Dances With Films

    The film doesn’t focus so much on the reasons for a particular suicide as on the wreckage every suicide leaves behind. The town of Needham came through to help him tell the story: Miskin and fellow producer Benjamin Stephen raised money through grassroots community fundraising — including a raffle and reaching out to local charities and investors — and making use of local businesses after dark.

    (Your Massachusetts-based correspondent first met Jake when I overheard him pitching Shattered Ice at local breakfast spot Bagel’s Best — which turns up in a key scene in the film.)

    Even as they raised money, Miskin and his collaborators plugged away to attract experienced, very assured director Alex Ranarivelo, whose past films include the sports dramas Born a Champion and The Ride, and actors including The Flash and Suits LA veteran Matt Letscher, as well as The Walking Dead actress Kyla Kenedy, How to Get Away With Murder actor Jack Falahee, and, crucially, producer and skating consultant Christopher V. Nelson, who worked on arguably the greatest hockey movie of all, 2004’s Miracle. (He vetoed actors who couldn’t skate.)

    Ranarivelo said he was especially intrigued by the script because hockey is “so macho, and it’s guys being tough — it kind of felt like the last place where you’re going to open up and be vulnerable.”

    Falahee, who is deeply sympathetic in his role as a young coach with problems of his own, was drawn to the film because he, too, had lost a friend to suicide. He took up acting when a friend, who had been expected to perform in a school play, took his own life. Falahee decided that appearing in the play would be a way to mourn the loss.

    Shattered Ice at Dances With Films

    Miskin and his colleagues are working to get the film screened for high school athletes all over the country, and already have a plan to screen it for Massachusetts college hockey players, who are uniquely familiar with the culture of stress, bravado, and holding it all in that the film portrays so effectively.

    The film’s partners include The Hidden Opponent, a non-profit that promotes mental health for student athletes.

    Stephen went to school with Miskin and lost the same friends. He noted that they, like Danny in the film, didn’t seem like people who needed help.

    “The students that we lost, the friends that we lost, a lot of them were just like Danny — student athletes, really talented. Everything on the surface is perfect. People are jealous of them, and, you know, they had standing in the school, social standing in the town and community,” he said.

    “And I really think that it just goes to show — hopefully this came across in the message of the film — that you can never really know what someone’s going through. And the only way to really bring that out is to start talking and having those conversations.”

    Following its World Premiere in Sedona, Shattered Ice had its East Coast Premiere at the Berkshire International Film Festival, where it screened to a sold-out audience and won the festival’s Audience Award for Narrative Feature. Dances With Films in Los Angeles will host the West Coast Premiere of Shattered Ice on June 29th @ 4:30pm at the TCL Chinese Theatres in Hollywood. Tickets are available here.

    If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources.

    Main image: Shattered Ice. Nehoiden Films.



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  • Guest on the Kicking the Seat’s YouTube Channel Talking “The Life of Chuck” — Every Movie Has a Lesson

    Guest on the Kicking the Seat’s YouTube Channel Talking “The Life of Chuck” — Every Movie Has a Lesson







    MEDIA APPEARANCE: Guest on the Kicking the Seat’s YouTube Channel Talking “The Life of Chuck” — Every Movie Has a Lesson





























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  • Familiar Touch — Every Movie Has a Lesson

    Familiar Touch — Every Movie Has a Lesson



    FAMILIAR TOUCH— 4 STARS

    Familiar Touch introduces a senior woman named Ruth, played by Kathleen Chalfant of Old and Duplicity, working in her modest home. She’s torn momentarily on what to wear to start the day, flipping through the hanging garments in her closet. Once settled, Ruth moves to the kitchen and begins to prepare a pair of open-faced breakfast sandwiches. The preparation looks intricate and delicious. Ruth seems fine in her home until she takes a piece of toast, turns from the counter, and slots it into the vertical dish rack over the sink, as if it were a plate to dry.

    As a viewer of Familiar Touch, we catch it, and our head tilts a bit. Maybe Ruth, as a cook or chef, has some special technique for toast prep we don’t know about. She goes back to her room for another outfit change and greets her breakfast guest, a bearded middle-aged man with glasses and thinning hair (Bob’s Burgers voice actor H. Jon Benjamin). After she forgets his name and profession, he reintroduces himself as Steve, an architect. Answering his questions, Ruth is surprised he seemingly knows so many details about her, her husband, and her father. Gladdened, she affectionately puts her hand on his knee, almost in a pursuantly romantic fashion. 

    That move switches the mood of Familiar Touch. This man knows enough details, where we ascertain that Steve is her son, and she doesn’t know it. As they move to the car for a ride, he’s whisking her off to a senior living center, not a hotel for a getaway. When they arrive for the check-in, Steve changes the way he talks to Ruth. He drops the “Mom” line to get her attention, and the atmosphere again moves to something more and more fragile.

    Ruth, nor the film, ever goes back for that slice of toast in the dish rack.

    LESSON #1: A DIFFERENT TYPE OF ALZHEIMER’S MOVIE— From that tender opening scene, the stage is set for writer-director Sarah Friedland’s debut feature film. There is no musical score. There is no voiceover or narration. Only through body language, words, and actions do we know what Ruth is feeling and thinking. Unlike other common stories for similar films, the descent Ruth has taken into dementia has already happened. This isn’t the type of movie where we painfully watch a character lose their grasp on reality with monologues and mistakes alongside family characters fighting to keep their loved one engaged in the present with their fullest faculties. The crowd-swelling fight is long over. 

    No, Familiar Touch is about the transition into a different normalcy for this proud woman. Director of photography Gabe Elder (The Sparks Brothers) uses the running time here to voyeuristically follow Ruth as she acclimates herself to new surroundings. She can try the line of “I’m not one of those elderly people you have to watch constantly,” but we already know that’s not the case, or Steve wouldn’t be here. Forgotten in her memory, Ruth actually chose and arranged this place several months ago on a previous tour. They’ve been expecting her and Steve, and today is the day for Room 318 to get its new tenant. Rus

    LESSON #2: SETTING NEW ROUTINES FOR THOSE WHO CANNOT RETAIN NEW ROUTINES— Ruth is assigned to a nurse named Vanessa (Carolyn Michelle of TV’s The Chi) the physician Brian (Andy McQueen, seen soon in Spike Lee’s Highest 2 Lowest alongside Denzel Washington), who will see to her care. As we see when Ruth is pointed to a table in the dining hall, sits down asking for a menu, only to meet and question the cook (Mike G. of The Way Back), we see this is going to take some time. That’s certainly the case the next day when Ruth, remembering her old life, grabs an apron, heads to the kitchen, and reinvents the morning breakfast with a new flair as if it’s a day at work in “her” kitchen 40 years ago. 

    LESSON #3: THE PATIENCE REQUIRED OF CAREGIVERS— Even at a film’s selective pace to go through this adjustment period for its protagonist, Familiar Touch informs us on the prescribed purposes and, even greater, the immense patience required of good caregivers in facilities like this. What goes on might not be exciting or life-changing, but when done right, the way of life organized and built by the workers maintains a person’s dignity and value through conveyed patience. While there are likely plenty of abusive horror stories out there of harsher treatment at senior centers (even the cartoonish types like Ben Stiller’s character Hal in Happy Gilmore), kindness is at the forefront here in Friendland’s movie, where Carolyn Michelle’s performance is as wonderful and nuanced as Chalfant’s in the lead.

    Filming for Familiar Touch was done in collaboration with the residents and staff of Villa Gardens Continuing Care Retirement Community in New York. Backed by casting agent Betsy Fippinger (Eighth Grade and Are You There God? It’s Me Margaret), 67 residents, 13 staff members, and 12 caregiving and geriatrician consultants were credited for their involvement in making the movie, granting a tangible and uplifting authenticity that we’re being shown a positive standard of care and not an entirely sugarcoated movie version, just to perk up a plot with conflict. 

    LESSON #4: THE REALIZATION OF TRUTH— Vanessa’s line of “Your truth and ours are just a little different, and that’s OK” rings truest of all intentions laid by the film. Realization of the truth comes and goes, which can be difficult to comprehend from the outside looking in. Familiar Touch, without title cards, a calendar, or a clock to create any discernible—nor necessary, for that matter—passage of time, visits the different therapy and activity steps set up for Ruth, shown in a quiet montage arranged by Pachinko editor Aacharee Ungsriwong from water therapy to social time with fellow residents. Little exposition is given. It’s up to us to watch and learn as Ruth does.

    And watch we do! Kathleen Chalfant’s creative and expressive character work in Familiar Touch is magnetic and appealing. Ever since that toast, we are attuned to watch her every move, and carry on that hope for improvement and success through the film. When she hits those goals to feel alive and useful, we feel them too and applaud the moments. Yet, mistakes and misunderstandings do come. In contrast, we’re never wallowing when the film is down either, thanks to the wide appreciation given to the setting used for Familiar Touch. In a rare development, the setting goes on to warm our hearts as much as the woman we’ve come to know walking its hallways.



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  • F1 The Movie – Review


    During lockdown, Netflix’s Drive to Survive brought Formula 1 into the homes of millions of people who had never before…

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  • 5 David Corenswet Roles to Catch Before He Stars as Superman

    5 David Corenswet Roles to Catch Before He Stars as Superman


    The new Superman stars David Corenswet as a new, vulnerable, dog-loving Man of Steel.

    Besides playing Superman, Corenswet will of course play his version of Clark Kent in the new film, coming July 11 from Guardians of the Galaxy director James Gunn.

    Corenswet, who is Philadelphia-born and Julliard-educated, will romance Rachel Brosnahan’s Lois Lane, match wits with Nicholas Hoult’s Lex Luthor, and nuzzle cute super-canine Krypto.

    But before David Corenswet becomes known for Superman, here are some other roles in which he stood out.

    The Projectionist in Pearl

    Mia Goth and David Corenswet in Pearl – Credit: C/O

    You may remember David Corenswet as the smarmy projectionist from Pearl. It’s actually a pretty significant, though short-lived, role in the Ti West horror masterpiece.

    Not only does he show Pearl (Mia Goth) her first dirty movie, but he also has the audacity to break up with her with these fateful words: “You’re scaring me, Pearl.”

    River Barkley in The Politician

    David Corenswet Superman
    David Corenswet as River Barkley in The Politician – Credit: C/O

    In Netflix’s Ryan Murphy co-created comedy-drama series The Politician, Corenswet has an 11-episode arc across both seasons as River Barkley, a student at Saint Sebastian High School who has, at different times, romantic relationships with Payton Hobart (Ben Platt) and Astrid Sloan (Lucy Boynton).

    River is a popular boy at school, but he feels empty inside — we won’t spoil anything more here.

    Also Read: Superman Teaser Trailer Finds the Man of Steel Bloodied in the Snow

    David McDougal in We Own This City

    David Corenswet and Larry Mitchell in We Own This City – Credit: C/O

    In this six-episode HBO crime drama, Corenswet played Investigator David McDougall of the Harford County Narcotics Task Force. The show follows Jon Bernthal as Sgt. Wayne Jenkins of the Baltimore Police Department’s Gun Trace Task Force, which is being investigated for corruption.

    We Own This City covers true events, and is based on the nonfiction book of the same name by Baltimore Sun journalist Justin Fenton.

    Reed in House of Cards

    Corenswet and Willa Fitzgerald in House of Cards – Credit: C/O

    Though he only appears in one episode of House of Cards, it’s worth mentioning here because it’s the penultimate episode of the entire series — and it has a lot to do with the past of Madame President Claire Underwood (Robin Wright).

    In a flashback, Corenswet plays Reed, Claire’s former boyfriend when she was 20 years old. Though Reed urged her to turn down a proposal from Frank Underwood (Kevin Spacey), Claire turns him down and marries Frank in the hopes that he will open doors for her.

    For better or worse, he does.

    Jake in Look Both Ways

    Corenswet and Lili Reinhart in Look Both Ways courtesy of Felicia Graham/Netflix – Credit: C/O

    In this recent Netflix romantic comedy, Corenswet appears opposite Lili Reinhart‘s Natalie as Jake, the guy she could have been with if she had moved to Los Angeles to pursue her dreams instead of getting pregnant by her good friend Gabe (Danny Ramirez). The movie looks at both ways Natalie’s life could have turned out if that one life-changing moment had gone differently.

    Main Image: David Corenswet as River Barkley in The Politician courtesy of Netflix.

    Liked This List of 5 David Corenswet Roles to Enjoy Before Seeing Him as Superman?

    5 Roles Christopher Reeve Turned Down After Superman
    Christopher Reeve as Superman. Warner Bros. – Credit: C/O

    The Man of Steel is one of those roles that can come to define an actor’s career, in good ways and in bad. Here are 5 Roles Christopher Reeve turned down after playing Supes.

    You might also like this list of the 12 Best Superhero Movies Before the MCU.

    Main image: Corenswet in Superman. Warner Bros.



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